From: "William"
Subject: (exotica) ukelele
Date: 01 Apr 2001 15:10:07 +0800
>. American G.I.'s
>brought
>back souvenirs from their tour of duty (tour of booty) in the Pacific, like
>ukeleles,
this is a question i have been wondering for awhile, how does the
yukelele fit into exotica? i mean did it really become popular after WW II
or was it just re-popularlized by that? the reason i ask is i have this dvd
for some old silent film called "the crowd" i haven't checked what year it
was made but it seems to be from the 20s or 30s and in that film the star
often plays a yukelele. so was its popularity a resurgence or genuinely new
after WWII?
willliam in taipei.
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From: "Paul Hodge"
Subject: (exotica) Luxuria
Date: 01 Apr 2001 10:02:48 +0100
Has anyone read the excellent Luxuria article on 'Qui etes vous, Polly
Maggoo?'
Sounds one hell of a groovy movie
Anyone seen it? Does anyone know where I could get a PAL copy?
Thanks
Paul
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From: clayton black
Subject: Re: (exotica) poutine
Date: 02 Apr 2001 09:21:48 -0500
> From: alan zweig
> Date: Sat, 31 Mar 2001 23:28:44 -0500
> To: kendoll@freenet.edmonton.ab.ca, exotica
> Subject: Re: (exotica) poutine
>
> Enjoy your curds and weigh too while you're at it.
>
> (wey? way? wee?)
I believe it's "whey"
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From: "m.ace"
Subject: Re: (exotica) ukulele
Date: 01 Apr 2001 11:36:28 -0400
>this is a question i have been wondering for awhile, how does the
>yukelele fit into exotica? i mean did it really become popular after WW II
>or was it just re-popularlized by that? the reason i ask is i have this dvd
>for some old silent film called "the crowd" i haven't checked what year it
>was made but it seems to be from the 20s or 30s and in that film the star
>often plays a yukelele. so was its popularity a resurgence or genuinely new
>after WWII?
The ukulele's real breakthrough into "the mainland" occurred in 1915 at
Panama-Pacific Exposition in San Francisco. There was an intense
ukulele/Hawaiian music fad that lasted for many years. The 50s wave an echo
of the original.
Decent historical summary here:
http://64.33.34.112/.WWW/ukehist.html
m.ace mace@ookworld.com
http://ookworld.com
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From: "m.ace"
Subject: Re: (exotica) ukulele
Date: 01 Apr 2001 11:44:50 -0400
>Decent historical summary here:
>http://64.33.34.112/.WWW/ukehist.html
A more detailed history here:
http://www.geocities.com/~ukulele/history.html
http://www.geocities.com/~ukulele/history2.html
--m.ace
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From: edjunkita
Subject: Re: (exotica) ukelele & jazz
Date: 01 Apr 2001 18:09:01 +0100
I guess that would be a resurgence. George Formby springs to mind,
the actor, singer and ukelele player who performed songs like
"I'm the husband of the wife of Mr. Wu".
Of course postwar Exotica didn't evolve out of nothing. One could
argue that Jazz in itself is exotic. You can't talk about Exotica
without mentioning Duke Ellington with his Jungle Band. And
Josephine Baker and her "Le Revue Negre" in Paris, 1925.
But that goes back to the question wether Jazz musicians
going back to their roots should be considered exotic or not.
There always seems to be an element of (self)exploitation
involved. I assume that when Josephine Baker was dancing in her
banana skirt, she was parodying the image that whiteys had of
black culture.
William wrote:
> >. American G.I.'s
> >brought
> >back souvenirs from their tour of duty (tour of booty) in the Pacific, like
> >ukeleles,
>
> this is a question i have been wondering for awhile, how does the
> yukelele fit into exotica? i mean did it really become popular after WW II
> or was it just re-popularlized by that? the reason i ask is i have this dvd
> for some old silent film called "the crowd" i haven't checked what year it
> was made but it seems to be from the 20s or 30s and in that film the star
> often plays a yukelele. so was its popularity a resurgence or genuinely new
> after WWII?
>
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From: delicado@cheerful.com
Subject: (exotica) Listening to ALL your music
Date: 01 Apr 2001 14:05:21 -0400 (EDT)
>i actually thought about doing this, with over 5000 >records i do not know how long it would take but
it would help me log tracks and get rid of less than good stuff.
One lazy but still partly effective way to do this with CDs is to buy a CD player which will hold tons of CDs.
It took me some time to warm up to the idea, but a couple of years ago I bought a pioneer CD player which holds 101 CDs, 100 of which I often simply listen to on random play, track by track.
I keep a list of what discs are in there. It embarrasses me to say it, but I've discovered a lot of great stuff in my own collection this way which I might never have paid attention to before.
cheers,
Jonny
http://www.psychedelicado.com
Get free personalized email at http://email.lycos.com
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From: edjunkita
Subject: Re: (exotica) Listening to ALL your music
Date: 01 Apr 2001 19:18:47 +0100
wow! I want one. how much did it cost?
delicado@cheerful.com wrote:
>
> One lazy but still partly effective way to do this with CDs is to buy a CD player which will hold tons of CDs.
>
> It took me some time to warm up to the idea, but a couple of years ago I bought a pioneer CD player which holds 101 CDs, 100 of which I often simply listen to on random play, track by track.
>
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From: Ashleywarren1@aol.com
Subject: Re: (exotica) re: jose padilla
Date: 01 Apr 2001 14:20:41 EDT
In a message dated 4/1/01 0:01:35 AM EST, king8egg@ms60.url.com.tw writes:
<< thanks for the answer but i am wondering if this is the same jose
padilla? the one i was asking about or rather the track is from 1960. the
track i believe is really called "la violetera". not that someone in their
60s can't be a downtempo d.j. but just wondering if it is the same one or a
someone else with the same name? >>
Definitely someone with the same name...both Jose and Padilla are very common
Spanish names.
Ashley
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From: buMp
Subject: Re: (exotica) Luxuria
Date: 01 Apr 2001 13:21:26 -0500
no i have not seen it
but i just read Bro Cleves article about it yesterday and i must say he
thoroughly wet my appetite.
in fact, i am drooling.
if you find a copy, i can transfer it to PAL for you!!! hint hint
groovily yours
bump
>Has anyone read the excellent Luxuria article on 'Qui etes vous, Polly
>Maggoo?'
>
>Sounds one hell of a groovy movie
>
>Anyone seen it? Does anyone know where I could get a PAL copy?
******************************************************
*****************************
*************
DJ buMp
"Primitive Rhythms for Evolved Minds"
Defective Records-Executive Producer
http://www.defectiverecords.com
"Music, Non-Stop" -- Ralf + Florian
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From: rockwilson909
Subject: (exotica) Glassy Eyed..
Date: 01 Apr 2001 19:56:10 +0100
Was someone asking about recordings of music played on wineglasses? The
following review is from the February issue of The Wire:
Angus Maclaurin – Glass Music (Bubble Core BC032 CD)
‘Glass Music’ presents a series of compositions by the American sound
manipulator Angus Maclaurin, all of which, with the exception of two
tracks which add trimmings of kalimba, theremin and bass guitar, are
realised using nothing but finely tuned wineglasses. The ghost of Harry
Partch is inevitably close by whenever esoteric sound sources are
involved, and while some of the tracks bear a superficial resemblance to
his tuned percussive symphonies, Glass Music is much more eerily lunar
and elemental than that. The circular drones that buzz and hum around
the wet mouths of the glasses form a spectral anchor around which darkly
sonorous melodies clank and boom, and at times the landscape becomes so
alien that it almost sounds electronic, bringing to mind the elegiac
moon musick of Coil.
Hope this helps,
Rock
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From: rockwilson909
Subject: (exotica) Magnetic cocktails..
Date: 01 Apr 2001 20:06:34 +0100
Apologies if this is old news but if you go to:
http://store.yahoo.com/fridgefun/magrec.html you’ll find two sets of
fridge magnets, ‘Tropical Drinks’ and ‘Classic Cocktails’, each magnet
having a recipe and illustration – Classics have okay-ish art deco pics,
Tropical have rather nice Tikis.
Bottoms Up!
Rock
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From: Ben Waugh
Subject: Re: (exotica) Re: Chedder curds?
Date: 01 Apr 2001 14:03:56 -0700 (PDT)
> > Here in Wisconsin we like to bread dem curds 'n
> deep fry 'em.
>
> The natives of Wisconsin eat funny prey.
>
Indeed dey do, don't you know. Cheese curds were
actually better than I expected them to be - but they
put dairy products on everything. I found out that in
some diners (in Green Bay, at least), if you do not
request "no butter", your cheeseburger will be served
with a slab of butter on it.
=====
"Cold stars watch us, chum. Cold stars and the whores."
- Kenneth Patchen
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From: Charles Moseley
Subject: (exotica) Gnutella
Date: 02 Apr 2001 10:13:23 +0100
Has anybody on this list come across Limewire from Gnutella.co.uk?
Oh My God! What a piece of software.
It works like Napster but instead of just searching for MP3s, you can search
for video, audio, images, software, etc.
Thanks to my office's recent connection to a DSL line (at last), I have
downloaded the fantastic UNKLE video, Rabbit in your Headlights and a few
Radiohead videos. I keep searching for sixties music clips but haven't found
any yet. Of course, the more users, the more stuff we can all find.
Log on
Charles Moseley
Editor - C3 Magazine
3 St Peter's Street, London, N1 8JD
Direct: +44 (0) 20 7704 3313
Main: +44 (0) 20 7226 8585
ISDN: +44 (0) 207 359 6756
www.c3mag.com www.c3mag.com www.c3mag.com
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From: G.R.Reader@bton.ac.uk
Subject: (exotica) poutine again
Date: 02 Apr 2001 10:47:15 +0100
And when you say Gravy do you mean the brown meat drippings stuff, or that
funny sauce that they have in the US?
El Maestro Con Queso
djcheesemaster@yahoo.com
grr@brighton.ac.uk
http://www.shitola.freeserve.co.uk/cheese/cheese.htm
http://www.geocities.com/djcheesemaster/
The Stare
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From: Nicola Battista
Subject: (exotica) Free Satpal Ram
Date: 02 Apr 2001 13:58:37 +0200
sorry for the non Exotica-related post but it is still partially musically
related info... maybe some you have heard the track "Free Satpal Ram" by
Asian Dub Foundation.
I have got this forwarded email from my sister (she got it from the
official list that supports Satpal); this guy is imprisoned in England (he
already spent 4 years more than he was sentenced to).
This is the text of a letter that can be faxed or mailed to
info@paroleboard.gov.uk (do not forget to add your signature) :)
DjB
The Parole Board
Prison Services Headquarters
Abell House
John Islip Street
London
SW1P 4LH
Fax no: 0207 217 5793 / 5677
e.mail: info@paroleboard.gov.uk
Tel no: 020 7217 5690 / 5266 / 5045 / 5260 / 5136
Dear Parole Board
Re Mr Satpal Ram (E94 164)
I am writing to express my deep concern regarding the ongoing Parole Review
of the case of Mr Satpal Ram.
I understand that the review of Mr Ram’s case began in December 1999 and
that nine months later Mr Ram himself was interviewed by the Parole Board
(September 2000). In previous correspondence with yourself and with various
Government officials, including the Prison Minister, Mr Paul Boateng MP,
assurances were given that the ‘overall process would take between six and
nine months’.
To date, fifteen months after the Parole Review began, I am astonished that
no decision has yet been communicated to Mr Satpal Ram’s regarding his
continued imprisonment.
You are, I am sure, well aware of the disturbing facts in this case and of
the immense public interest from Parliamentarians, Religious and Community
leaders as well as members of the public both from here in the UK and
abroad in seeing Mr Ram’s continued imprisonment come to an end.
May I re-iterate my view that Mr Ram having served his original recommended
tariff of eleven years, and now in his fifteenth year of imprisonment,
should be immediately released.
You are also aware that Mr Ram continues to enjoy the strong support of
family and friends and has both accommodation and employment awaiting him
on his release.
In addition to the many positive reports you have received regarding Mr
Ram, I understand that a professional psychotherapeutic counsellor who has
worked intensely with many ex-offenders has stated ‘that were Satpal Ram to
be released tomorrow he would be of no risk to the public.’
In the light of increased public concern about the Prison Service and in
particular institutionalised racism and its adverse effect on black
prisoners within the criminal justice system, I am concerned at the
apparent lethargy within the Parole Review Board in being able to
communicate any decision on Mr Ram’s case.
I hope that you are able to allay my concerns on this regard and announce
that the Parole Review Board has recommended to the Home Office that Mr
Satpal Ram should be immediately released.
Yours sincerely,
[signature]
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From: Ben Waugh
Subject: Re: (exotica) Horror themed liquer
Date: 02 Apr 2001 05:37:08 -0700 (PDT)
--- edjunkita wrote:
I know beer & wine
> isn't strong enough for
> you
> vikings, but in Belgium there are a couple of
> microbreweries, usually run by
> monks,
> that issue beer with a Satanic theme and is twice as
> strong as regular lager
> beer.
I used to see an English "barley wine" called Old
Nick, which had a grinning image of the prince of
darkness on it (and there's always Bacardi rum with
its bat).
Some company in Italy has a wine series with
> dictators. I have their
> bottle
> of Führerwein with a picture of Adolf on it, there's
> also one with Mussolini.
I love the idea. Or at least the mind that came up
with it. Do they list a vintage year on the bottles?
Riesling? Pinot Gris? Rocket Fuel? I can imagine the
fun of serving it at a dinner party... a little horst
wessel lieder on the stereo...
=====
"Cold stars watch us, chum. Cold stars and the whores."
- Kenneth Patchen
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From: Ben Waugh
Subject: Re: Re: (exotica) Up with People
Date: 02 Apr 2001 05:45:30 -0700 (PDT)
Sad to say in the 6th grade I probably actually
enjoyed these cult rallies. My record collection at
home consisted, if I can recall correctly, of the Best
of Donny Osmond and CCR's brand spankin' new "Mardi
Gras" lp. And then my head shorn like a sheep at the
.25 barber shop and my snap-on polyester tie. Compared
with me, Up With People might have been Alice Cooper
or Lord Buckley.
--- Colleen Pyles wrote:
> Ah yes, I remember the mandantory "assemblies" at
> school in
> the '60's, when Up With People would perform. I
> think this was to
> quash our fondness for paisley bell-bottoms and the
> fuzzy fur vests
> like Sonny Bono wore. Publicly, I denounced them,
> as did my peers,
> but privately, (I was into exotica, even then) I
> admired
> their "spunk", and their ability to tour the country
> and do this.
> And their costumes were so..."wholesome".
=====
"Cold stars watch us, chum. Cold stars and the whores."
- Kenneth Patchen
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From: Ben Waugh
Subject: Re: Re: (exotica) Up with People
Date: 02 Apr 2001 05:45:30 -0700 (PDT)
Sad to say in the 6th grade I probably actually
enjoyed these cult rallies. My record collection at
home consisted, if I can recall correctly, of the Best
of Donny Osmond and CCR's brand spankin' new "Mardi
Gras" lp. And then my head shorn like a sheep at the
.25 barber shop and my snap-on polyester tie. Compared
with me, Up With People might have been Alice Cooper
or Lord Buckley.
--- Colleen Pyles wrote:
> Ah yes, I remember the mandantory "assemblies" at
> school in
> the '60's, when Up With People would perform. I
> think this was to
> quash our fondness for paisley bell-bottoms and the
> fuzzy fur vests
> like Sonny Bono wore. Publicly, I denounced them,
> as did my peers,
> but privately, (I was into exotica, even then) I
> admired
> their "spunk", and their ability to tour the country
> and do this.
> And their costumes were so..."wholesome".
=====
"Cold stars watch us, chum. Cold stars and the whores."
- Kenneth Patchen
__________________________________________________
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From: "cheryl"
Subject: Re: (exotica) poutine again
Date: 02 Apr 2001 10:01:54 -0400
That would be the funny sauce they have in the US - we have it in Canada,
too, unfortunately...
cheryl
> And when you say Gravy do you mean the brown meat drippings stuff, or that
> funny sauce that they have in the US?
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From: "Nathan Miner"
Subject: (exotica) Thrifting blues.......
Date: 02 Apr 2001 16:15:40 -0400
Decided to tackle the rows of plastic bins at a nearby GoodWill this past =
rainy Saturday and didn't turn up much at all. (Aside from the 100's of =
copies of "Going Places" and "Whipped Cream".....).
Found a series of LP's sans the box labeled "Happiness Is....." and was =
wondering if that's where Alan got the title of a recent ExoticaRing =
contribution?? It's put out by Reader's Digest - instincts told me to =
pass these up.......
I did buy "Tough Guitar" by Al Caiola and another copy of Mancini's music =
to Peter Gunn. Why I'm buying multiples of stuff I already have I can't =
explain..........besides that "Miracle Surface" on the RCA records should =
last me ages right?? ;-)
Ran across a comedian's LP that rips off the Whipped Cream cover. A guy =
covered in spaghetti and tomato sauce holding a few bread sticks. Exact =
same pose, etc. Title is something like Spaghetti and other Delights......=
....almost bought it for the cover but didn't. =20
- Nate
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From: Edward Milhuisen
Subject: Re: (exotica) Glassy Eyed..
Date: 02 Apr 2001 23:20:52 +0200
Another wineglass CD is Missa Umbrarum by Daniel Lentz.
Most tracks are with wineglasses and voices
and one track with only wineglasses. Very spiritually
oriented music.
And let's not forget "Glass world of Anna Lockwood"
from 1970 which explores every possible way to
make sound out of glass (including wineglasses).
rockwilson909 wrote:
> Was someone asking about recordings of music played on wineglasses? The
> following review is from the February issue of The Wire:
> Angus Maclaurin ? Glass Music (Bubble Core BC032 CD)
> =91Glass Music=92 presents a series of compositions by the American sou=
nd
> manipulator Angus Maclaurin, all of which, with the exception of two
> tracks which add trimmings of kalimba, theremin and bass guitar, are
> realised using nothing but finely tuned wineglasses. The ghost of Harry
> Partch is inevitably close by whenever esoteric sound sources are
> involved, and while some of the tracks bear a superficial resemblance t=
o
> his tuned percussive symphonies, Glass Music is much more eerily lunar
> and elemental than that. The circular drones that buzz and hum around
> the wet mouths of the glasses form a spectral anchor around which darkl=
y
> sonorous melodies clank and boom, and at times the landscape becomes so
> alien that it almost sounds electronic, bringing to mind the elegiac
> moon musick of Coil
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From: "james brouwer"
Subject: Re: (exotica) Thrifting blues.......
Date: 02 Apr 2001 21:58:24 -0000
nathan wrote
>Found a series of LP's sans the box labeled "Happiness Is....." and >was
>wondering if that's where Alan got the title of a recent >ExoticaRing
>contribution?? It's put out by Reader's Digest - >instincts told me to
>pass these up.......
There's a great version of "Grazin' In The Grass" by Joe Reisman in that
set. But I think that's about it from the whole box. You might want to get
it if it's only 50 cents or a buck.
"grazin' in the grass" is a pretty good tune as it is. there are soooo many
covers of it.
what's the best one?
jb
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From: Edward Milhuisen
Subject: Re: (exotica) Horror themed liquer
Date: 03 Apr 2001 01:07:39 +0200
Ben Waugh wrote:
> Some company in Italy has a wine series with
> > dictators. I have their
> > bottle
> > of Fuehrerwein with a picture of Adolf on it, there's
> > also one with Mussolini.
>
> I love the idea. Or at least the mind that came up
> with it.
I don't know wether they actually endorse the ideology
or not.
> Do they list a vintage year on the bottles?
nope, no info at all
> Riesling? Pinot Gris? Rocket Fuel? I can imagine the
> fun of serving it at a dinner party... a little horst
> wessel lieder on the stereo...
ahem, that may take the joke a bit too far..
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From: alan zweig
Subject: Re: (exotica) Thrifting blues.......
Date: 02 Apr 2001 19:16:28 -0400
At 04:15 PM 4/2/01 -0400, Nathan Miner wrote:
.
>Found a series of LP's sans the box labeled "Happiness Is....." and was
wondering if that's where Alan got the title of a recent ExoticaRing
contribution?? It's put out by Reader's Digest - instincts told me to pass
these up.......
There's more than one song out there called "Happiness is". There's the
almost unbearable one by the Ray Conniff singers which some members of this
list apparently enjoy. My exoticaring contribution was based on another
song of that name.
As far as passing up things put out by Reader's Digest, you should
definitely check out the artists first. I used to pass up all such "box
sets" until I discovered Terry Baxter and those Columbia Record Club
exclusives that he did. If you see his stuff and you like classic Now
Sound, you shouldn't pass it up.
AZ
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From: alan zweig
Subject: Re: (exotica) Thrifting blues.......
Date: 02 Apr 2001 19:24:39 -0400
At 09:58 PM 4/2/01 -0000, james brouwer wrote:
>
>"grazin' in the grass" is a pretty good tune as it is. there are soooo many
>covers of it.
>
>what's the best one?
I'd never say THE best but there's a good moog version by the Electronic
Concept Orchestra.
(if you don't have it, PLEASE tell me)
AZ
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From: "Brian"
Subject: (exotica) Thunderbirds
Date: 02 Apr 2001 22:16:16 -0400
Just noticed the 2 DVD box sets of Thunderbirds shows. But I'm confused
here... What exactly is the differeence between Thunderbirds, Stingrays, and
the one I best remember from when I was young, Fireball XL5? I do like all
the the music I've heard and assume all three were done by Barry Gray? Any
recommendations on the DVD's?
Brian
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From: "Brian"
Subject: Re: (exotica) Re: Chedder curds?
Date: 02 Apr 2001 21:42:35 -0400
> Here in Wisconsin we like to bread dem curds 'n deep fry 'em. Ja, dere
hey.
> Dem curds are mighty tasty, doncha know.
mike wrote:
> i know you folks from quebec will gasp at the gaucheness, but here in
> western canada poutine is usually made with shredded mozzarella instead
> of cheddar curds. laugh at my lamentably inauthentic revisionist tastes=
,
> but i actually prefer mozzarella to curds because it's melty-er and
> doesn't squeek when you chew it. i hope this doesn't start east/west
> tensions.
You American fry everything! I'm from western Canada myself but real fres=
h
cheddar curds don't exist in western Canada so it wouldn't be worth tryin=
g
to replicate anyway. Funny how this recipe has made its way across the
country. But, not to worry... we have a few variations ourselves here in
Quebec, thanks to our multitude of ethnic influences... There's Poutine
"Italienne" (that's with tomato - meat sauce instead of gravy - and I thi=
nk
mozzerella?) and Poutine "viande fum=E9" (that's with tomato - smoked mea=
t
sauce - cheese may even be optional?) for those that want to go all the w=
ay.
For the uninitiated, smoked meat is kind of like pastrami but its really =
a
pickled brisket that's slow smoked. Rumour has it its better than anythin=
g
even New York has to offer and its another thing they don't have in in
western Canada (I know this for a fact because if it were available my
father would be eating it regularly instead of complaining about having t=
o
wait until he comes here!) It's sliced thick and served hot and it has ab=
out
the same effect on your stomach as the poutine. If anyone still has an
appetite left, ask me about "cretons"!
Brian
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From: Matt Marchese
Subject: Re: (exotica) Re: Chedder curds?
Date: 02 Apr 2001 22:16:02 -0500
Brian wrote:
> If anyone still has an appetite left, ask me about "cretons"!
Would that be a combination of croutons and cretins?
--
Matt
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From: Matt Marchese
Subject: Re: (exotica) Thunderbirds
Date: 02 Apr 2001 22:27:00 -0500
Brian wrote:
> Just noticed the 2 DVD box sets of Thunderbirds shows. But I'm confused
> here... What exactly is the differeence between Thunderbirds, Stingrays, and
> the one I best remember from when I was young, Fireball XL5?
Too bad you missed all the posts about Garry Anderson that were flying around
here last week. Here's the briefest possible synopsis of the three shows that I
can think of:
Thunderbirds: puppets rescuing other puppets
Stingray: puppets under the sea
Fireball XL5: Puppets...In...SPAAAAACE!!!
> I do like all the the music I've heard and assume all three were done by Barry
> Gray?
Yes.
> Any recommendations on the DVD's?
If you have an extreme fetish for cool gadgetry, creepy marionettes who smoke,
high adventure, and great music, then you can't possibly go wrong by snapping
these up.
--
Matt Marchese
"I've been havin' this nightmare.......a real swinger of a
nightmare, too." -Frank Sinatra (The Manchurian Candidate)
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
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From: "Colleen Pyles"
Subject: Re: Re: (exotica) Re: What is exotica, anywqy!
Date: 02 Apr 2001 22:37:23 -0500
Thanks for the great description of exotica, especially about the
surf part. I might be figuring this all out...but when I do...some
new genre pops up on the list and I get confused all over again. I'm
just going with the flow here.....
Colleen
_____________________________________
Get your free E-mail at http://www.ireland.com
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From: "Brian Linds"
Subject: (exotica) Cannibal King
Date: 02 Apr 2001 20:40:27 -0700
Has anyone heard the song Cannibal King? The words are:
Oh That cannibal King With The Big Nose Ring
Fell In Love With The Dusty Maid
And Every night in the pale moonlight
This Is what she'd say.
Ah,rump, Ah, rump, Ah, rump Da-De-Ya-De-Day
Ah, rump, Ah, rump, Ah, rump Da-De-Ya-De-Day
Thanks. Any info greatly appreciated.
Brian Linds
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From: "Colleen Pyles"
Subject: Re: Re: (exotica) poutine
Date: 02 Apr 2001 22:46:25 -0500
Alan wrote:
Enjoy your curds and weigh too while you're at it.
(wey? way? wee?)
^^ It's whey, Alan.
Colleen
_____________________________________
Get your free E-mail at http://www.ireland.com
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From: alan zweig
Subject: (exotica) exotica at the movies
Date: 03 Apr 2001 00:33:32 -0400
I just saw a very strange movie that was chock full of recognizable tunes
by our exotica heroes. Les Baxter, Chico O'Farrill, Martin Denny, Yma
Sumac, Cal Tjader, Tito Puente and Robert Maxwell.
It's a bit of film noir and a bit of a movie about making movies but all in
all, it's one of the strangest movies I've ever seen.
It's called "The Woman Chaser" and yes indeed it was based on the Charles
Willeford novel. But somehow I think it was "loosely adapted".
It stars the guy who played "Putty" on Seinfeld.
But that tells you nothing.
AZ
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From: Kevin Crossman
Subject: (exotica) Martin Denny - Enchanted Isle talk
Date: 02 Apr 2001 21:53:03 -0700
Many thanks to the list member who sent me a CD-R of Martin Denny's
Enchanted Isle (and Exotic Love).
Some questions and discussion for Denny fans:
Enchanted Isle originally was issued in 1961, I believe.
1) Denny starts the album with "Coronation", which he already recorded
for the Quiet Village LP. This arrangement actually is closer to the Les
Baxter original and sounds a lot more like "Quiet Village". Seems
strange to have re-recorded it though.
2) This album is really, really good. Compared to later works such as A
Taste of Honey, Enchanted Isle finds Denny still pretty much in
classic-exotica mode, though there are drums present (as they were on
all albums after 1958). I'm wondering if perhaps this was the last
great Denny album of "classic" style music (e.g. the moog album would be
excepted). What do you think?
Issues of the album can be discussed here... issues of the CD-R can be
sent to me offline, please. :-)
BTW- Exotic Love is also quite good, though it is clearly much closer to
the Easy Listening sound of the 60's than any sort of "exotica" of the 50s.
-Kevin
--
***********************************************************
* Kevin Crossman kevin@kevdo.com *
* http://www.kevdo.com - The Narrow Interest Portal *
* Lip Balm Anonymous, Ultimate Mai Tai, Exotica Archive *
***********************************************************
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From: Rcbrooksod@aol.com
Subject: (exotica) Luxuria Music's Limited Days
Date: 03 Apr 2001 02:48:52 EDT
Sad news for many of us. At 6 PM on Monday evening it was announced that
Luxuria Music would be on the air for only two more weeks.
This cutting edge Internet radio station / web site has become very important
to many as a source of great music and discussion.
I hope that all here will visit the site and send regards to those
appropriate in the remaining days.
Regards,
Tiki Bob
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From: Nicola Battista
Subject: Re: (exotica) Luxuria Music's Limited Days
Date: 03 Apr 2001 09:41:00 +0200
>Sad news for many of us. At 6 PM on Monday evening it was announced that
>Luxuria Music would be on the air for only two more weeks.
huh?!?!
what is the reason for this, and is there anything we can do to "save" it???
I'll have to check the site...
DjB
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From: G.R.Reader@bton.ac.uk
Subject: Re: (exotica) Thunderbirds
Date: 03 Apr 2001 09:15:36 +0100
Fireball XL5 was a 50's rocket show, I don't really remember it.
Stingray think early 60's space age submarines, the stingray itself a great
streamlined underwater rocket.
Thunderbirds was mid 60's, they had it all, rockets, space stations,
submarines, the mole (a tunneller), it was less 'Space age' in design. A
lot of great aging effects on the craft. The Thunderbirds were used by
International Rescue, who surprisingly, spent their time rescuing trapped
people (in space, underground, under water etc etc).
The puppet design got better as time moved on, the heads slowly got more
into proportion and the wires became less visible, but for me the best
design was for Stingray. Great baddies too, underwater gurgling monsters
in submarines that looked like enormous saltfish.
The music for Stingray and Thunderbirds was by Barry Gray, Don't know about
Fireball XL-5, thats never repeated in the UK. Not that I've seen anyway.
Theres also supposed to be a Pre-Fireball series called Rocket Boy (I think)
also by Gerry and Sylvia Anderson.
There was a fantastic band in one of the episodes shown here about a month
ago, a sort of space/surf song with overtones of Joe Meek, they had 3
versions of it (including one with lady Penelope singing), I've never seen
that on a soundtrack.
Also I loved the effort they put into the domestic settings the lounge on
Tracy Island (Thunderbirds) is a wonderful piece of mid sixties kitsch,
Lady Penelope's stately home is very nicely observed too.
Anything can happen in the next half hour.
El Maestro Con Queso
djcheesemaster@yahoo.com
grr@brighton.ac.uk
http://www.shitola.freeserve.co.uk/cheese/cheese.htm
http://www.geocities.com/djcheesemaster/
The Stare
Just noticed the 2 DVD box sets of Thunderbirds shows. But I'm confused
here... What exactly is the differeence between Thunderbirds, Stingrays, and
the one I best remember from when I was young, Fireball XL5? I do like all
the the music I've heard and assume all three were done by Barry Gray? Any
recommendations on the DVD's?
Brian
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From: Nicola Battista
Subject: Re: (exotica) Thunderbirds
Date: 03 Apr 2001 11:13:21 +0200
>The music for Stingray and Thunderbirds was by Barry Gray, Don't know about
>Fireball XL-5, thats never repeated in the UK. Not that I've seen anyway.
>Theres also supposed to be a Pre-Fireball series called Rocket Boy (I think)
>also by Gerry and Sylvia Anderson.
I'd like to add that somewhere around 1990 in UK some "house" dj or
producer sampled the original themes and music to make some crappy Stingray
megamix/dance track.
By the way the legendary line "5-4-3-2-1 Thunderbirds are go" was first
sampled at the beginning of one of the tracks that started the sample craze
back in 1988 in UK... "Beat Dis" by Bomb The Bass, aka Tim Simenon (and on
the same bit you hear Shaft wah-wah guitar samples...)
DjB
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From: Ben Waugh
Subject: Re: (exotica) Horror themed liquer
Date: 03 Apr 2001 05:52:55 -0700 (PDT)
--- Edward Milhuisen wrote:
>
> Ben Waugh wrote:
> > I love the idea. Or at least the mind that came up
> > with it.
>
> I don't know wether they actually endorse the
> ideology
> or not.
It's the idea of "anything is product" that I was
referring to. The last symbol of transcendental evil
used to market cheap wine. I'd be at a loss to say
what it is that they endorse.
> > Do they list a vintage year on the bottles?
>
> nope, no info at all
Really? Odd.
> > Riesling? Pinot Gris? Rocket Fuel? I can imagine
> the
> > fun of serving it at a dinner party... a little
> horst
> > wessel lieder on the stereo...
>
> ahem, that may take the joke a bit too far..
You may be right. I still wonder what "the joke" is.
Or how far anyone might go with it.
__________________________________________________
Do You Yahoo!?
Get email at your own domain with Yahoo! Mail.
http://personal.mail.yahoo.com/
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From: DJJimmyBee@aol.com
Subject: Re: (exotica) Luxuria
Date: 03 Apr 2001 09:05:03 EDT
In a message dated 4/1/1 4:38:33 AM, paul.hodge@virgin.net wrote:
>Has anyone read the excellent Luxuria article on 'Qui etes vous, Polly
>
>Maggoo?'
That was written by list member Brother Cleve.. I asked him about it, but
he'll probably weigh in because his route to this story was rather
circuitous...JB/hope it hasn't already been posted, I've been flat out for 3
days with flu
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From: Clayton Black
Subject: Re: (exotica) Thrifting blues.......
Date: 03 Apr 2001 09:13:26 -0400
>
> I did buy "Tough Guitar" by Al Caiola and another copy of Mancini's music to
> Peter Gunn. Why I'm buying multiples of stuff I already have I can't
> explain..........besides that "Miracle Surface" on the RCA records should last
> me ages right?? ;-)
I have to confess that I have felt the urge to buy copies of things I
already have as well. I almost always check to see if the condition is
better than what I have, which is rational, but sometimes it's just that I
hate to see a good album remain in the bins. I bought a second copy of Sir
Julian's Love Is Blue for a dollar when my first copy had cost me fifteen
(in a kind of bizarre rationalization that that way I had paid $8.00 for
each--not that I needed two anyway). Speaking of Mancini, in a two-day
period I managed to find Living Stereo versions of More Music from Peter
Gunn, Mr. Lucky, and The Mancini Touch to replace the mono versions I had.
There's tons of Mancini out there, but he's still probably my favorite.
Clayton
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From: Eric Taub
Subject: (exotica) Luxuriamusic
Date: 03 Apr 2001 09:55:35 -0400
This really is sad.
There finally was a station that played music I wanted to listen to and =
had articles that I found interesting. Since it had often contained =
stories or postings from people I know, Luxuria had a local feel. Thank =
you to all involved.
I will sincerely miss it.
Eric
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From: nytab@pipeline.com
Subject: (exotica) [obit] Moe Koffman
Date: 03 Apr 2001 10:36:34 -0400
April 3, 2001
Moe Koffman, Canadian Musician Who Applied Flute to Jazz, Dies at 72
ORONTO, April 2 (Reuters) — Moe Koffman, a celebrated Canadian jazz musician best known for his breezy 1957 flute hit, "Swinging Shepherd Blues," died on Wednesday. He was 72.
The cause was cancer, his publicist said.
Mr. Koffman, a flutist and saxophonist, was one of Canada's jazz institutions. During a five-decade career, he recorded dozens of albums and performed with many of the genre's greats, including Dizzy Gillespie, Jimmy Dorsey and Doc Severinsen. His music ranged from cool-toned bop to jazz interpretations of pop and classical material.
Born Morris Koffman in Toronto in 1928, he began playing violin at 9 and alto saxophone, clarinet and flute at 13. He studied theory at the Toronto Conservatory of Music before moving to the United States for further study in the 1940's.
Before the release of his signature "Swinging Shepherd Blues," one of the few flute hits in jazz, Mr. Koffman worked on the road with big bands, including those led by Dorsey and Charlie Barnet.
He returned to Toronto in 1955 and divided his career between his own jazz group and session work. In the mid-1960's he appeared several times as a soloist on NBC's "Tonight" show. He released more than 30 albums, the latest, "The Moe Koffman Project" (Universal) just last year.
Mr. Koffman received the Order of Canada in 1992 in recognition of his outstanding work and service to the arts industry.
He is survived by his wife, Gisele; three sons, Herbie, Larry and Elie; and a stepdaughter, Ilya.
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From: "cheryl"
Subject: Re: (exotica) Luxuria Music's Limited Days
Date: 03 Apr 2001 10:37:04 -0400
I'm not getting anything when I log on to the site now! Gee, that's really
too bad - I liked Luxuria. Is there anything any of us can do about keeping
it around? Mil, are you out there?
cheryl
> Sad news for many of us. At 6 PM on Monday evening it was announced that
> Luxuria Music would be on the air for only two more weeks.
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From: kendoll
Subject: (exotica) scriptwriters wanted
Date: 03 Apr 2001 08:44:15 -0600
i've decided that this is the year i'm going to buy myself an imac & a
dv camera & start making digital movies. for my first project i thought
i'd make a short film (maximum length 5 min.) for an amateur video
contest that's held in edmonton every march. i'm not sure exactly what
it's going to be about, but i have an idea that it's going to have
something to do with characters who are obsessive thrift shoppers. i see
one character collecting nothing but copies of "whipped cream and other
delights" (to paper a wall, of course). i'm not much of a scriptwriter,
so i'm throwing the authorship open to anyone who wants to contribute.
the deal is: suggest a scene, a line of dialogue, a character, a
situation, an image or whatever & everyone who contributes will be given
a screenwriting credit.
thanks in advance,
mike
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From: Charles Moseley
Subject: (exotica) Sesso Matto
Date: 03 Apr 2001 16:01:44 +0100
Does anybody know this Italian soundtrack? by Armando Travaijoli I think.
Any recommendations?
Charles Moseley
Editor - C3 Magazine
3 St Peter's Street, London, N1 8JD
Direct: +44 (0) 20 7704 3313
Main: +44 (0) 20 7226 8585
ISDN: +44 (0) 207 359 6756
www.c3mag.com www.c3mag.com www.c3mag.com
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From: "Indy Rutks"
Subject: Re: (exotica) Luxuria Music's Limited Days
Date: 03 Apr 2001 10:00:52 -0500
DjB wrote:
>> Sad news for many of us. At 6 PM on Monday evening it was announced that
>> Luxuria Music would be on the air for only two more weeks.
>
> huh?!?!
> what is the reason for this, and is there anything we can do to "save"
it???
Probably because of the bottom-line fixations of the bean-counters at Clear
Channel (the new owners). May they all spend eternity in the
middle-of-the-road Hell they're trying to create!
Read more about Clear Channel here:
http://www.salon.com/ent/feature/2001/03/14/payola/index.html
(Thanks for the reminder, Carl!)
-Indy
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From: alan zweig
Subject: Re: (exotica) Thrifting blues.......
Date: 03 Apr 2001 12:45:05 -0400
At 09:13 AM 4/3/01 -0400, Clayton Black wrote:
.>. Speaking of Mancini, in a two-day
>period I managed to find Living Stereo versions of More Music from Peter
>Gunn, Mr. Lucky, and The Mancini Touch to replace the mono versions I had.
>There's tons of Mancini out there, but he's still probably my favorite.
.
There's tons of Mancini records in mediocre to bad shape. I finally got a
good copy of Peter Gunn (but with the checkerboard cover) but except for
his seventies records, I almost never find any of his things in good shape.
I guess that's because people not only bought his records but played them too.
And I think he may be my favorite "lounge" composer too.
AND I don't think his "exotica" record gets enough respect from exoticats.
I think it's right up there in the top ten with Les and Martin and George
Cates and Robert Drasnin and whoever else. It's the quiet exotica record.
That particular record "The Versatile..." I do have an okay copy of finally
AZ
AZ
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From: Ben Waugh
Subject: Re: (exotica) Cannibal King
Date: 03 Apr 2001 12:58:51 -0700 (PDT)
It seems to be part of an ancient oral legacy related
to boyscouts and campfire singers... wards off the
wendigo:
Cannibal King
Written By: Unknown
Copyright Unknown
The Cannibal King with the big nose ring
Fell in love with the dusting maid
And every night by the pale moonlight
It sounded like this to me...
Ah-rump (kiss kiss), Ah-rump (kiss kiss)
Ah-rump, Ditty-aye-dee-a-a-a
Ah-rump (kiss kiss), Ah-rump (kiss kiss)
Ah-rump, Ditty-aye-dee-a-a-a
As the years went by like one, two, three
Soon there was a family
And every night by the pale moonlight
It sounded like this to me...
Ah-rump ma-ma, Ah-rump, ma-ma
Ah-rump, Ditty-aye-dee-a-a-a
Ah-rump ma-ma, Ah-rump, ma-ma
Ah-rump, Ditty-aye-dee-a-a-a
As the years went by like one, two, three
Soon there was a family.
And every night by the pale moonlight
It sounded like this to me...
Ah-rump gran-ma, Ah-rump gran-ma
Ah-rump, Ditty-aye-dee-a-a-a
Ah-rump gran-ma, Ah-rump gran-ma
Ah-rump, Ditty-aye-dee-a-a-a
As the years went by like one, two, three
Soon there was no family
And every night by the pale moonlight
It sounded like this to me...
Ah-rump (silent pause), Ah-rump (silent pause)
Ah-rump, Ditty-aye-dee-a-a-a
Ah-rump (silent pause), Ah-rump (silent pause)
Ah-rump, Ditty-aye-dee-a-a-a
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From: Ben Waugh
Subject: (exotica) National Libraries/Recorded Music
Date: 03 Apr 2001 13:54:51 -0700 (PDT)
In checking up on Brian's song request I came across
the following that might be of interest to some. Both
the US Library of Congress and the National Library of
Canada have recorded music online and other
information relevant to our hobbyhorse for free
download:
http://www2.nlc-bnc.ca/gramophone/src/home.htm
http://lcweb.loc.gov/rr/record/
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From: nytab@pipeline.com
Subject: (exotica) [obits] links to articles
Date: 03 Apr 2001 18:19:19 -0400
http://www.tennessean.com/local/archives/01/03/03445154.shtml
Bluegrass songwriter Randall Hylton dies at 55
-----------------
http://www.nationalpost.com/news/updates/story.html?f=/news/updates/stories/20010328/entertainment-420020.html
Friends fondly recall Moe Koffman, 72, as jazz player who set high standards
-----------------------
http://cdnow.com/allstararticle/fid=258525
Pianist John Lewis, Modern Jazz Quartet Founder, Dies At 80
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From: "Domenic Ciccone"
Subject: (exotica) The Fight for Luxuria 2 Starts Now
Date: 03 Apr 2001 21:51:38 -0400
We have a Luxuria mailing list up:
http://clubs.yahoo.com/clubs/luxuriamusic
Thanks Corey 3rd!
Some of us are trying to make some noise. Were going to send press releases
to magazines and newspapers. I got “Worcester Magazine” on board and they
are waiting for an article. I need an article. And some are busy doing it
right now. Anybody want to whip up an article? Post it here and to the new
Yahoo Luxuria list if you want. I’ll pass it on and you should try in your
local area.
Luxuria is going to our help. Some day they will rise up again. But as a
wise Chatter and as Babs Gonzales also said: “Luxuria needs people with ‘Dem
Connections’”. We have people here who know people? Anybody have any ideas?
I was ready to start buying stuff in the Luxuria Boutique! It looks like it
got revamped a few days ago! With more than just James Bond DVD’s. Luxuria
made a deal with some reseller? So I was hoping to find something I wanted
and didn’t already have. Why should I give some Public Radio station $100
and get a stupid CD that cost them $5 when I can support Luxuria just by
buying CD’s at their site?
I have to ask: Is it too late to start? Is a massive “buying” campaign
enough to convince The Suits that they got something here? Rumors abound
about Clear Channel and there motives.
My wife asks me: “Now that Luxuria is going out what are you going to with
your evenings?” Answer: “Watch TV with you again!”
Lets all try do to something.
Domenic Ciccone
"Martinis with Mancini" WJUL 91.5FM Friday’s 6-9AM EST
http://www.geocities.com/martinimancini/
http://wjul.cs.uml.edu/listen.html (On Real Audio)
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com
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From: tikiman
Subject: Re: (exotica) Martin Denny - Enchanted Isle talk
Date: 03 Apr 2001 20:08:15 -0700 (PDT)
It's Martin Denny's Birthday on April 10. The Maestro
will be 90! Please email any positive wishes to me and
I will forward them along. As in the past few years,
he really appreciates the lovefest...
Mahalo,
Fluid Floyd
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From: "Nathan Miner"
Subject: Re: (exotica) Thunderbirds
Date: 04 Apr 2001 11:23:01 -0400
That would be the Shadows no doubt!
- Nate
<>
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From: G.R.Reader@bton.ac.uk
Subject: RE: (exotica) Thunderbirds
Date: 04 Apr 2001 16:43:36 +0100
Well, they weren't doing the walk, and they looked cool in a way the
shadows never could. I've never seen a picture of Barry Gray, of course
the hope is that he was a cool looking fellow in nice suit and shades. I
know the Anderson's were fond of modelling their figures on real people,
Cary Grant and Peter Lorre spring to mind, so maybe it was Bazza.
I think the guitars looked like nice Burns ones rather than the strat that
Hank Marvin used. But maybe that was just wishful thinking too.
El Maestro Con Queso
djcheesemaster@yahoo.com
grr@brighton.ac.uk
http://www.shitola.freeserve.co.uk/cheese/cheese.htm
http://www.geocities.com/djcheesemaster/
The Stare
> That would be the Shadows no doubt!
>
> - Nate
>
> < month
> ago, a sort of space/surf song with overtones of Joe Meek, they had 3
> versions of it (including one with lady Penelope singing), I've never
> seen
> that on a soundtrack.>>
>
>
>
>
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From: nytab@pipeline.com
Subject: (exotica) [obits] Theodore McCarty,Henry Brown
Date: 04 Apr 2001 12:03:38 -0400
Theodore M. McCarty
TWIN FALLS, Idaho (AP) -- Theodore M. ``Ted'' McCarty, a key figure in the development of the electric guitar and former president of Gibson Guitar Co., died Sunday. He was 91.
In his 18 years as president at Gibson, McCarty transformed the Kalamazoo, Mich.-based maker of acoustic musical instruments into the purveyor of guitars to the stars.
The solid-body electric guitar was considered something of a gimmick when McCarty left the Wurlitzer Co. to join Gibson in 1948. He had a degree in commercial engineering and had been an engineering designer for the military during World War II. Despite not being musically inclined, McCarty saw possibilities in the electric guitar.
At Gibson, he helped bring to life the Les Paul series, named for the blues guitarist who endorsed it, the Explorer series, widely used by both rock and country guitarists, and the radical Flying V.
McCarty later bought the Bigsby Co., which manufactures vibratos for guitars. He sold the company and retired in 1999.
April 4, 2001
Henry Brown, a Chemist Who Made the Metal Shine, Dies at 93
By PAUL LEWIS ,NYTimes
Henry Brown, a chemist who helped make the American Dream a gleaming reality by
finding new ways of keeping chromium plate bright and shiny, died on March 15
at his home in Palo Alto, Calif. He was 93.
In the years just after World War II, Mr. Brown's discoveries made bathroom
fixtures and kitchen utensils silvery and put the gloss on the bumpers of the
finny automotive monsters Detroit turned out in the 1950's and early 60's. But
there had been other earlier and less obvious beneficiaries of his skill at
making dull metals shiny. In the austere war years, he showed the United
States Treasury how to make steel pennies gleam and invented a high-speed
process for brass-plating shell cases so they did not stick in artillery guns.
To prevent chromium plate from losing its shine, said Edwin Hoover, a
metallurgist who worked with him, Dr. Brown used sulfur-bearing organic
compounds, like saccharin, to brighten the underlying layer of nickel plate
placed on the metal before a thin covering of chrome was added.
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-------------------------------------------------------------------------------
From: The Millionaire
Subject: (exotica) R.I.P. LuxuriaMusic
Date: 04 Apr 2001 14:23:36 -0700
Hi Exotic Types,
I just sent this message to the LuxuriaMusic mailing list, but if you'll
allow me, I'd like to communicate these sentiments to you all as
well...especially since the members of the Exotica list have been a
PARTICULARLY useful resource and source of help to us!
(BTW, all y'alls who helped us with the Beatles thing: we REALLY ARE working
on sending you some cool stuff by way of thanks..hang in there!)
You can reach me personally at rkriviera@earthlink.net
...OR..rkriviera@yahoo.com
The message is:
Ladies and gentlemen,
It is my sad duty to inform you all that as of April 14, LuxuriaMusic will
cease to exist.
In the past year it has been our honor and privilege to Share the WUV with
you,
the people. We were thrilled to have had the opportunity to meet many of our
artistic inspirations; and to have had the chance to discover new music and
experiences, and to share them with you.
Most especially, it has been our great pleasure to have made the
acquaintance
of the beautiful people who make up the LuxuriaMusic community; because you
have been the living heart of the experiment that was Luxuria.
We are looking into moving LuxuriaMusic to another host, or keeping the
concept
alive in some other form.
Please address any suggestions, comments, greetings or large credit card
payments to: LuxuriaMusic@aol.com
All that remains to be said is that we would like to express our very
sincere
thanks for your support, encouragement and love.
Sincerely,
The Staff of LuxuriaMusic
www.luxuriamusic.com
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-------------------------------------------------------------------------------
From: Rcbrooksod@aol.com
Subject: Re: (exotica) R.I.P. LuxuriaMusic
Date: 04 Apr 2001 17:33:18 EDT
In a message dated 04/04/01 5:25:19 PM Eastern Daylight Time,
millionaire@luxuriamusic.com writes:
<< It is my sad duty to inform you all that as of April 14, LuxuriaMusic will
cease to exist.
In the past year it has been our honor and privilege to Share the WUV with
you,
the people. >>
I have to say that I signed on the first day Luxuria Music came on. It was
the best thing that had happened in my musical life in the last couple of
years.
It was a great outlet for fantastic tunes, great friendship and simple
understanding of the love of this type of music.
I wish nothing but the best of luck to the fine folks of LM in the aftermath
of this sad event.
Balmy regards,
Tiki Bob
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-------------------------------------------------------------------------------
From: chuck
Subject: Re: (exotica) Cannibal King
Date: 04 Apr 2001 14:39:14 -0700 (PDT)
Hi Brian or any exoticat
Who does this song? What kind of music is it? I might want to
include this in our next Mardis Gras march. In Mondo Kayo, our
Carnival club, we play a song called "Congo Man" by the Mighty
Sparrow. The words are:
He cooked one up
He eat one raw
It taste so good
He Holler more....more more more more MORE
I envy the Congo Man
I wish I was he I want to shake his hand
He eat until his stomach upset
but I never eat white meat yet
Easy listening in the Big Easy
Chuck
--- Brian Linds wrote:
>
> Has anyone heard the song Cannibal King? The words are:
> Oh That cannibal King With The Big Nose Ring
> Fell In Love With The Dusty Maid
> And Every night in the pale moonlight
> This Is what she'd say.
> Ah,rump, Ah, rump, Ah, rump Da-De-Ya-De-Day
> Ah, rump, Ah, rump, Ah, rump Da-De-Ya-De-Day
>
> Thanks. Any info greatly appreciated.
> Brian Linds
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From: Lou Smith
Subject: (exotica) new releases
Date: 04 Apr 2001 23:25:22 -0400
Here's a bunch of new releases announced in the latest Aquarius Records
e-letter.
Lou
----------------
ZORN, JOHN "Gift, The" (Tzadik) cd 16.98
A nice and pleasant record from the notorious John Zorn? Yes, and
one that, in keeping with its title, could be the Zorn you might give
to your mother, only perhaps not since the booklet has artwork by
Trevor Brown (best known for the infamous Whitehouse album covers)!
From Tzadik's obi blurb: "A beautiful and lyrical exploration of
surf, exotica, easy listening and world beat, The Gift is an honest
and heartfelt offering to music lovers the world over: an invitation
to forget about the worries and cares of the world; to sit back and
relax. Featuring Marc Ribot (Postizos), Trevor Dunn (Mr. Bungle),
Cyro Baptista (Herbie Hancock), Jamie Soft (Bobby Previte), Joey
Baron (Masada) and many special guests, this is the album Naked City
fans have been waiting for. A side of John Zorn you've rarely heard,
the music of The Gift is both relaxing and stimulating, like feeling
perfectly at home in a place you've never been before. John Zorn 'for
lovers only.'" Hmm.
----*
----* Serge Gainsbourg Reissues :
----*
The entire output of French pop sex symbol Serge Gainsbourg for the
Mercury / Philips labels has now been reissued in a newly remastered
/ repackaged series of 18 CDs. 24-bit remastering from original
analogue tapes, with extended booklets of liner notes (French text
only) and photos. Many of these albums have been long unavailable as
single CD reissues with original graphics. We can special order any
of these, for those interested. Many are available in limited
edition LPs (the first four are packaged as 10"s) and stay true to
the design and packaging of the originals. If anyone purchased the
three CD compilations released domestically years back by Philips /
Mercury (Du Jazz Dans le Ravin, Couleur Cafe, and Comic Strip), and
want to venture further into the genius of Gainsbourg, you might want
to try the following CDs we've decided to stock.
GAINSBOURG, SERGE "Confidentiele" (Philips) lp/cd 16.98/16.98
Originally issued in 1964, Confidentiel takes on a new sound for
Gainsbourg, stripping down the musical backing to simply electric
guitar and upright bass (Eleck Bacsik and Michel Gaudry,
respectively). Wonderful and relaxed jazz sounds here.
GAINSBOURG, SERGE "du Chant a la Une!" (Philips) cd 16.98
The first Gainsbourg album, originally issued in Sept. of 1958.
Vocal jazz-pop, many tracks here were featured on the Du Jazz Dans le
Ravin compilation (the bulk of said comp were actually culled largely
from his first and fourth albums as well as the Confidentiele LP,
some of which spilled over onto the Couleur Cafe compilation, which
in turn was mostly taken from his second album and the Percussions
LP!) Orchestrated by Alain Goraguer, also known for his brilliant
score of La Planete Sauvage (Fantastic Planet)!
GAINSBOURG, SERGE "Gainsbourg Percussions" (Philips) cd 16.98
The sixth Gainsbourg album, originally released by Philips in
1964. A return to Alain Goraguer's orchestration and the wonderful
sounds produced on his second LP. Extremely lively and playful, this
record definitely lives up to its title, as drums and percussion are
the driving force behind the music here. Taking the Mambo influence
of No2 and bringing forth other worldly influences from African and
Latin cultures, Gainsbourg Percussions is a beautiful record, rich in
sounds!
GAINSBOURG, SERGE "Initials B.B." (Philips) cd 16.98
This is a collection of non-LP singles released between 1965-1968.
Featuring many of the tracks which make up the Comic Strip collection
released here in the states. Classics include: "Bonnie and Clyde" &
"Comic Strip" (both with Brigitte Bardot), "Ford Mustang", "Qui est
In' Qui est Out'", "Bloody Jack" and "Docteur Jekyll et Monsieur
Hyde", among others. Not necessary for those who already own the
Comic Strip collection, but definitely essential Gainsbourg!
GAINSBOURG, SERGE "L'etonnant" (Philips) cd 16.98
Third album, again orchestrated by Goraguer. Originally issued in
April of 1961. Strangely enough, barely any of these tracks made it
onto any of the American comps, save for "Les Amours Perdues", which
made an appearance onto Couleur Cafe. Another Gainsbourg classic,
"La Chanson de Prevert" appears here alongside many other whimsically
beautiful songs perfect for Spring.
GAINSBOURG, SERGE "No. 2" (Philips) cd 16.98
The second, untitled Gainsbourg album, originally issued in June
of 1959. Brilliantly orchestrated by Alain Goraguer, with playful
Mambo flair which dominated the style found on the Couleur Cafe
compilation! Features a hilarious take on the American Western
musical (think Oklahoma), "Jeunes Femmes et Vieux Messieurs"!
Wonderful and lively.
GAINSBOURG, SERGE "No. 4" (Philips) cd 16.98
The fourth Gainsbourg album, originally issued by Philips in May,
1962. Orchestrated once again by Alain Goraguer. No4 is a bit
slicker in production and slightly darker in tone than Gainsbourg's
previous efforts -- just a taste of what's to come. Many tracks here
were featured on the Jazz and Couleur Cafe collections.
----*
----* Printed Matter :
----*
MCSWEENEY'S #6 literary journal+cd 25.00
The experimental literary journal this time gives top billing to
its "very intense heated passionate battle/embrace with They Might Be
Giants." Also comes with a 44 track cd featuring Philip Glass, They
Might be Gs, M Doughty and SE Willis, etc. Just got this in
yesterday, haven't had a real chance to peruse. The writing includes
paly, postcards, stories and some sketched from ACME Novelty
Library's Chris Ware.
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From: "jamie_james@lineone.net"
Subject: (exotica) RE: Gerry Anderson
Date: 05 Apr 2001 13:13:14 +0100
Here is as full a list of Gerry Anderson stuff as i can manage;
Super car - never seen it, never repeated. rubbish i am told.
Fireball XL5 - Puppets in space , Black and white, features a space monkey as
i recall. Theme tune is cool, Joe Meekesque, a little reminiscent of 'Just
like eddie' By Heinz. ( Blond german rocker from the early 60's.)
Stingray - great intro and outro music. brilliant titles. each episode usually
featured a cool underwater exotic villains den. Quite sophisticated for a kids
programme the hero 'Troy Tempest' is the Boyf. of the boss'daughter. However
he also seems to have a thing goin' on with the Beautiful mute submariner
'Marina'. She usually saves the day, the outro music is about her. Its a
loungey sorta love song. ( lyrics -'Marina, aqua marina why won't you say that
you will stay close to my heart .etc.' )
Thunderbirds - all i will add is a - live action film version is threatened
every year. THE BEST TITLES EVER. Gerry invented 'Supermarionation' as the
moniker for his puppetry/ film animation style. ( cool huh?)
The Tracey island interior is way cool - Wallpaper magazine readers would kill
to live in such a stylish abode.
The series also featured the gorgeous Tintin, a half japanese beauty who all
the boys lusted after.
The shadows actually WERE the band in one of the films.( albeit in life like
puppet guise )
Joe 90- great music. Synopsis.- Mad inventor working for the government( UK
)creates a way of transferring masses of knowledge to his 9 year old son Joe.
As an act of paternel devotion he fills him up in each episode by sitting Joe
in a huge spherical rotating cage. ( called the big rat ) He then packs him
off to work for his secretagent american uncle. ( named Sam no less!!!)
Joe doesn't mind too much as he gets to kill people and fly planes and stuff.
They did great merchandise to tie in with all the Anderson stuff -for Joe 90
you got his flying car and his secret agent suitcase. F.A.B!
Captain Scarlet - really scary intro titles ( i was 6!)
The mysterons ( who are from Mars )are not very happy with the planet earth,
as we have destroyed some oversize testubes and lavalamps, which they called
their city. ( if you've seen the pilot you'll know what i mean. )
They set about trying to destroy us - in true 60's villain style they left
huge clues for the world protection agency - 'Spectrum' which, manned by
captain scarlet and others would foil their plans on a weekly basis. Each male
member of the team had a colour. ...unfortunately for captain ochre you could
end up with a rubbish name. ( see reservoir dogs!)
If you were female you were an Angel. (Haaallo...) In return you got to wear
cool skin tight white leather pierre cardin style jumpsuits....and flew
fighter planes and blew things up. You would usually be french. Your name
would be harmony, destiny, melody or villany. ( made the last on up to make
sure you are still awake )
The mysterons could copy a person once they had been killed( like the
bodysnatchers )they would arbitrarily replace innocent people each episode to
help them kill us all.
their main agent 'Captain Black' was the one would blew up their city in the
first place. poetic justice.
They killed captain scarlet in episode one and turned him against the
earthmen, somehow he then became indestrucible, and worked for us again. After
that it gets a bit predictable - Earth in peril, big clues, usually something
is about to explode, 'Let me go in' says the mortal captain blue. 'No, let me
Paul' says Scarlet. big dope. I always hoped that one day Scarlet would say
'Actually i'm abit nauseous today,... could you Paul?' ( hehheh )
There were a few versions of the theme tune released as i recall, i think some
of them charted pretty much worldwide.
At some point the Andersons did something about a Vicar ( Clergyman ) who
could shrink but i know naff all about that.
Apparently Sylvia Anderson( his wife ) was the Brains behind a lot if it. She
designed the costumes and is rumored to have come up with the concepts for
most of the programmes.
Next
UFO - a CLASSIC - his first and best live action venture. Had a much more
american feel to it although it was set in the UK. If you have never seen an
episode of this - you must. Synopsis - Aliens keep visiting earth to steal
our organs. ( i'm not talking Hammonds)
Very dark. very scary. the military have a base on the moon where Nick Drake's
sister - i kid you not, and other beatiful women wear purple wigs and
Barbarellaesque attire. Here they look out for the weekly Alien invasion.
Filmed in 67 (i think ) each prog would give us a dark picture of our future
and then Hilariously inform us that the year is 1980. This never fails to
crack me up.
Brilliant 60 s beat theme tune. The male Lead played By Ed Bishop looks
amazing in it. Everybody does. Great vehicles - flying , ground and
submarine, the modelling on this show was incredible.Such Great cars. I always
lusted after a Gullwing after seeing the Delorean's in this.
Space 1999
Featured Martin Landau in the lead role. Great theme music. very typical of Tv
mystery programme tunes of the 70's. This was intended to be the sequel to UFO
- the moon ( and the base on it ) has broken away from the Earths orbit. It is
Basically 'Lost in space', its not dated well. Quite cheesy. Like a very bad
Star Trek episode. Cute though.
Terrahawks - Puppets again, Mid 80's. Evereything was rubbish about this
programme. The puppetry looks worse than Fireball XL5.
The last thing he did was launched in the states first as far as i know. I
can't remember what is was called. 'space cops' or something like that. I saw
one episode - absolutely awful. One of the Carradines was in it i think.
Sorry to those who would think this 'off topic' - If you track down just one
episode of Thunderbirds /Stingray / UFO / or Captain Scarlet ( you can get 'em
on Video) i KNOW you will find something there to love.
...anyway at least its not another - sample? yes or no posting.
Jamie
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From: "jamie_james@lineone.net"
Subject: (exotica) RE Thunderbirds
Date: 05 Apr 2001 14:02:51 +0100
Hope this doesn't post twice. Apologies if it does.
Here is as full a list of Gerry Anderson stuff as i can manage;
Super car - never seen it, never repeated. rubbish i am told.
Fireball XL5 - Puppets in space , Black and white, features a space monkey as
i recall. Theme tune is cool, Joe Meekesque, a little reminiscent of 'Just
like eddie' By Heinz. ( Blond german rocker from the early 60's.)
Stingray - great intro and outro music. brilliant titles. each episode usually
featured a cool underwater exotic villains den. Quite sophisticated for a kids
programme the hero 'Troy Tempest' is the Boyf. of the boss'daughter. However
he also seems to have a thing goin' on with the Beautiful mute submariner
'Marina'. She usually saves the day, the outro music is about her. Its a
loungey sorta love song. ( lyrics -'Marina, aqua marina why won't you say that
you will stay close to my heart .etc.' )
Thunderbirds - all i will add is a - live action film version is threatened
every year. THE BEST TITLES EVER. Gerry invented 'Supermarionation' as the
moniker for his puppetry/ film animation style. ( cool huh?)
The Tracey island interior is way cool - Wallpaper magazine readers would kill
to live in such a stylish abode.
The series also featured the gorgeous Tintin, a half japanese beauty who all
the boys lusted after.
The shadows actually WERE the band in one of the films.( albeit in life like
puppet guise )
Joe 90- great music. Synopsis.- Mad inventor working for the government( UK
)creates a way of transferring masses of knowledge to his 9 year old son Joe.
As an act of paternel devotion he fills him up in each episode by sitting Joe
in a huge spherical rotating cage. ( called the big rat ) He then packs him
off to work for his secretagent american uncle. ( named Sam no less!!!)
Joe doesn't mind too much as he gets to kill people and fly planes and stuff.
They did great merchandise to tie in with all the Anderson stuff -for Joe 90
you got his flying car and his secret agent suitcase. F.A.B!
Captain Scarlet - really scary intro titles ( i was 6!)
The mysterons ( who are from Mars )are not very happy with the planet earth,
as we have destroyed some oversize testubes and lavalamps, which they called
their city. ( if you've seen the pilot you'll know what i mean. )
They set about trying to destroy us - in true 60's villain style they left
huge clues for the world protection agency - 'Spectrum' which, manned by
captain scarlet and others would foil their plans on a weekly basis. Each male
member of the team had a colour. ...unfortunately for captain ochre you could
end up with a rubbish name. ( see reservoir dogs!)
If you were female you were an Angel. (Haaallo...) In return you got to wear
cool skin tight white leather pierre cardin style jumpsuits....and flew
fighter planes and blew things up. You would usually be french. Your name
would be harmony, destiny, melody or villany. ( made the last on up to make
sure you are still awake )
The mysterons could copy a person once they had been killed( like the
bodysnatchers )they would arbitrarily replace innocent people each episode to
help them kill us all.
their main agent 'Captain Black' was the one would blew up their city in the
first place. poetic justice.
They killed captain scarlet in episode one and turned him against the
earthmen, somehow he then became indestrucible, and worked for us again. After
that it gets a bit predictable - Earth in peril, big clues, usually something
is about to explode, 'Let me go in' says the mortal captain blue. 'No, let me
Paul' says Scarlet. big dope. I always hoped that one day Scarlet would say
'Actually i'm abit nauseous today,... could you Paul?' ( hehheh )
There were a few versions of the theme tune released as i recall, i think some
of them charted pretty much worldwide.
At some point the Andersons did something about a Vicar ( Clergyman ) who
could shrink but i know naff all about that.
Apparently Sylvia Anderson( his wife ) was the Brains behind a lot if it. She
designed the costumes and is rumored to have come up with the concepts for
most of the programmes.
Next
UFO - a CLASSIC - his first and best live action venture. Had a much more
american feel to it although it was set in the UK. If you have never seen an
episode of this - you must. Synopsis - Aliens keep visiting earth to steal
our organs. ( i'm not talking Hammonds)
Very dark. very scary. the military have a base on the moon where Nick Drake's
sister - i kid you not, and other beatiful women wear purple wigs and
Barbarellaesque attire. Here they look out for the weekly Alien invasion.
Filmed in 67 (i think ) each prog would give us a dark picture of our future
and then Hilariously inform us that the year is 1980. This never fails to
crack me up.
Brilliant 60 s beat theme tune. The male Lead played By Ed Bishop looks
amazing in it. Everybody does. Great vehicles - flying , ground and
submarine, the modelling on this show was incredible.Such Great cars. I always
lusted after a Gullwing after seeing the Delorean's in this.
Space 1999
Featured Martin Landau in the lead role. Great theme music. very typical of Tv
mystery programme tunes of the 70's. This was intended to be the sequel to UFO
- the moon ( and the base on it ) has broken away from the Earths orbit. It is
Basically 'Lost in space', its not dated well. Quite cheesy. Like a very bad
Star Trek episode. Cute though.
Terrahawks - Puppets again, Mid 80's. Evereything was rubbish about this
programme. The puppetry looks worse than Fireball XL5.
The last thing he did was launched in the states first as far as i know. I
can't remember what is was called. 'space cops' or something like that. I saw
one episode - absolutely awful. One of the Carradines was in it i think.
Sorry to those who would think this 'off topic' - If you track down just one
episode of Thunderbirds /Stingray / UFO / or Captain Scarlet ( you can get 'em
on Video) i KNOW you will find something there to love.
...anyway at least its not another - sample? yes or no posting.
Jamie
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From: "Magnus Sandberg"
Subject: (exotica) British TV serials from the 60s
Date: 05 Apr 2001 15:05:15 +0200 (CEST)
Anyone remembers "Danger Man"? Secret agent yarn.
What about "the Champions" from 1968? Superheroes.
What about "Randall And Hopkirk: Deceased" A ghost detective?
These are out on dvd in britain, and looks appealing judging on the
covers, any opinions about these serials? Cool music? Thrills and
chills?
Magnus
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From: Clayton Black
Subject: Re: (exotica) RE: Gerry Anderson
Date: 05 Apr 2001 09:14:11 -0400
> From: "jamie_james@lineone.net"
> Date: Thu, 5 Apr 2001 13:13:14 +0100
> To: exotica@lists.xmission.com
> Subject: (exotica) RE: Gerry Anderson
>
> The mysterons could copy a person once they had been killed( like the
> bodysnatchers )they would arbitrarily replace innocent people each episode to
> help them kill us all.
> their main agent 'Captain Black' was the one would blew up their city in the
> first place. poetic justice.
I've found my new moniker.
>Aliens keep visiting earth to steal
>our organs. ( i'm not talking Hammonds)
>Very dark. very scary.
I like the idea of them stealing our Hammonds. In fact, I think that did
happen for about twenty years, didn't it?
>Sorry to those who would think this 'off topic'
It seems to me that the list is really about the pop aesthetic of the late
50s to mid-70s, so it seems plenty on topic to me.
On a different matter, Tuesday I picked up a strange soundtrack to the film
"Scent of Mystery." The music is by Mario Nascimene (or something like
that, I know I'm confusing it with Milton Nascimento, but I can't quite
recall and I'm not at home . . .) and the album's a snooze (with the
possible exception of two funny tunes that Eddie Fisher sings). But what's
interesting is the description of the film--"Smell-O-Vision," which I had
thought was John Waters's invention (being completely uneducated about
films--I've slept through most of the film discussions held here, I'm
afraid). Apparently 35 different "aromas" were released into the theater
(along with, I presume, those that the audience was responsible for) as kind
of "clues" to help the audience decide who was the culprit trying to murder
the beautiful young American in Spain. Perfume, pipe tobacco, and others
were supposedly among the clues. Does anybody know anything about this film
or any other experiments with "Smell-O-Vision"?
Clayton
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From: "Magnus Sandberg"
Subject: Re: (exotica) RE: Gerry Anderson
Date: 05 Apr 2001 15:26:10 +0200 (CEST)
> Stingray - great intro and outro music. brilliant titles. each episode
> usually
> featured a cool underwater exotic villains den. Quite sophisticated
for a
> kids
>
Complete Stingray box set will be relaesed on dvd in britain in the end
of this month. Not very expensive at all.
Magnus
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From: "Brian Karasick"
Subject: Re: (exotica) Re: Chedder curds?
Date: 05 Apr 2001 09:38:22 -0400
Matt wrote:
> > If anyone still has an appetite left, ask me about "cretons"!
>Would that be a combination of croutons and cretins?
You're a bit close.. but its a spread made of lard, spices, and I
believe bread crumbs or some filler... like you really need any
filler! Course I find the concept of blood pudding sickening but if
you can handle one, then the other probably won't faze you!
Brian Karasick
Physical Planner
McGill University
Montreal, Canada
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From: "Magnus Sandberg"
Subject: Re: (exotica) Re: Chedder curds?
Date: 05 Apr 2001 16:23:08 +0200 (CEST)
citerar Brian Karasick :
> You're a bit close.. but its a spread made of lard, spices, and I
> believe bread crumbs or some filler... like you really need any
> filler! Course I find the concept of blood pudding sickening but if
> you can handle one, then the other probably won't faze you!
Blood pudding? We have that here too, Mmm yummy! Strange that this dish
is still around, now that we really not need to use all ingridients
from the animals we slaughter. People must just lust after blood.
Magnus
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From: Ben Waugh
Subject: Re: (exotica) Re: Chedder curds?
Date: 05 Apr 2001 07:47:23 -0700 (PDT)
There's nothing more vile than Scrapple, the gray
cubed meat once (still?) popular in the southern
states. Texas Chainsaw massacre cuisine. My Dad fried
this up for us all through the 60s and 70s. Then in my
teens I chanced to read the ingredients. A friend from
Alberta, responding to this, told me he had a similar
epiphany with regard to "head cheese". May not be as
horrible as its name... I have no idea, I did not ask.
>
> Blood pudding? We have that here too, Mmm yummy!
> Strange that this dish
> is still around, now that we really not need to use
> all ingridients
> from the animals we slaughter. People must just lust
> after blood.
__________________________________________________
Do You Yahoo!?
Get email at your own domain with Yahoo! Mail.
http://personal.mail.yahoo.com/
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From: nytab@pipeline.com
Subject: (exotica) [obits] Jimmy Miller, Trinh Cong Son
Date: 05 Apr 2001 10:53:27 -0400
http://www.dailytelegraph.co.uk/dt?ac=004697791836624&rtmo=qxeXext9&atmo=rrrrrrrq&pg=/01/4/3/db02.html
JIMMY MILLER, who has died aged 84, was the wartime leader of No 1 Royal Air Force Dance Orchestra, better known as The Squadronaires.
--------------------
http://dailynews.yahoo.com/h/nm/20010404/re/vietnam_funeral_dc_1.html
Thousands Pay Tribute to 'Vietnam's Bob Dylan'
HANOI (Reuters) - Thousands of mourners packed the streets of Ho Chi Minh City on Wednesday to pay tribute at the funeral of anti-war musician Trinh Cong Son, Vietnam's most beloved singer songwriter.
http://www.nytimes.com/2001/04/05/world/05SON.html
Trinh Cong Son, Vietnam-era Antiwar Singer, Dies at 62
By SETH MYDANS
BANGKOK, April 4 — Trinh Cong Son, an antiwar singer and songwriter whose melancholy music stirred Vietnamese on both sides of the war, died on Sunday and was buried today at a Buddhist temple near Ho Chi Minh City. He was 62.
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-------------------------------------------------------------------------------
From: "m.ace"
Subject: (exotica) [obit] Ed "Big Daddy" Roth
Date: 05 Apr 2001 11:00:55 -0400
Omigod! I just learned that Big Daddy Roth died yesterday. Apparently a heart attack. I'm sure Lou will have more to post.
http://www.ratfink.org/ratfink3.htm
--m.ace
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-------------------------------------------------------------------------------
From: Brian Phillips
Subject: Re: (exotica) British TV serials from the 60s
Date: 05 Apr 2001 11:55:29 -0400
>Anyone remembers "Danger Man"? Secret agent yarn.
By the time we saw it in the USA, it was called "Secret Agent" and Johnny
Rivers had a hit with the American theme song. The British version has a
cool harpsichord lead.
Patrick McGoohan played an agent called "Drake" and it was lightly hinted
at that Number 6 in McGoohan's subsequent series, "The Prisoner" may have
been Drake trying to leave the service.
1780932-0972
(They took away my name)
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From: Brian Phillips
Subject: Re: (exotica) RE: Gerry Anderson
Date: 05 Apr 2001 12:10:33 -0400
>The last thing he did was launched in the states first as far as i know. I
>can't remember what is was called. 'space cops' or something like that. I saw
>one episode - absolutely awful. One of the Carradines was in it i think.
Space Precinct. Yes, it was plenty stupid. No Carradines in the regular
cast, but it did have "Knot's Landing"'s Ted Shackelford. It also starred
Jamie Willis.
JAmie Willis.
JaMIE WillIS.
No, I don't know who that is, either. The show was about an earth
policeman reassigned to an intergalactic force.
It's a pity, because it had an excellent theme song!
The TV buff from...France,
Brian Phillips
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From: nytab@pipeline.com
Subject: (exotica) [obits] Lester ``Big Daddy'' Kinsey,Ed Winter
Date: 05 Apr 2001 12:16:37 -0400
Filed at 6:20 a.m. ET
http://allmusic.com/cg/amg.dll?p=amg&sql=Baifpxq95ld0e
GARY, Ind. (AP) -- Lester ``Big Daddy'' Kinsey, a blues singer-guitarist known for his croaky voice, died Tuesday of prostate cancer. He was 74.
Kinsey and his sons Kenneth, Donald and Ralph became known as ``Big Daddy'' Kinsey and His Fabulous Sons.
The sons now form the Kinsey Report and record for Alligator Records, a Chicago blues label. The Kinsey Report has toured with musical groups including the Allman Brothers Band.
In the early 1990s, the elder Kinsey released the album ``I Am the Blues.'' Among the blues standouts backing him up were Buddy Guy, James Cotton, Sugar Blue and Pinetop Perkins.
Ed Wint
http://allmovie.com/cg/avg.dll?p=avg&sql=B76993er
http://us.imdb.com/Name?Winter,+Edward
LOS ANGELES (AP) -- Ed Winter, an actor who played paranoid CIA officer Col. Flagg on the television series ``MASH,'' died March 8 of complications from Parkinson's disease. He was 63.
Winter's career spanned more than 30 years, and included appearances in hundreds of television shows and dozens of films.
He made his Broadway debut in 1966, playing Ernest in the musical ``Cabaret.'' He was nominated for a Tony Award for the role.
He also appeared in such movies as ``A Change of Seasons,'' ``The Buddy System'' and ``Porky's II.''
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From: Moritz R
Subject: Re: (exotica) [obit] Ed "Big Daddy" Roth / Lester "Big Daddy" Kinsey
Date: 05 Apr 2001 18:44:30 +0200
Who was the real "Big Daddy"?
-Mo
--
studio R
senses for a senseless world
http://moritzR.de
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From: Charles Moseley
Subject: RE: (exotica) [obit] Ed "Big Daddy" Roth / Lester "Big Daddy" Kin
Date: 05 Apr 2001 17:53:49 +0100
Who was the real "Big Daddy"?
And is Big Daddy Kane dead as well?
What about Big Daddy himself (the wrestler)?
Charles Moseley
Editor - C3 Magazine
3 St Peter's Street, London, N1 8JD
Direct: +44 (0) 20 7704 3313
Main: +44 (0) 20 7226 8585
ISDN: +44 (0) 207 359 6756
www.c3mag.com www.c3mag.com www.c3mag.com
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-------------------------------------------------------------------------------
From: kendoll
Subject: Re: (exotica) Curdxotica
Date: 05 Apr 2001 12:09:23 -0600
i loved head cheese as a kid & still do. for the uninitiated, it's tasty
chunks of pork in aspic. my mom uses only pork hocks but some people use
the head -- hence "head cheese."
mike
Ben Waugh wrote:
>
> There's nothing more vile than Scrapple, the gray
> cubed meat once (still?) popular in the southern
> states. Texas Chainsaw massacre cuisine. My Dad fried
> this up for us all through the 60s and 70s. Then in my
> teens I chanced to read the ingredients. A friend from
> Alberta, responding to this, told me he had a similar
> epiphany with regard to "head cheese". May not be as
> horrible as its name... I have no idea, I did not ask.
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From: nytab@pipeline.com
Subject: (exotica) [obit] John Lucas
Date: 05 Apr 2001 14:19:45 -0400
http://allmusic.com/cg/amg.dll?p=amg&sql=Bm1fqoatabijb
http://www.google.com/search?hl=en&lr=&safe=off&q=%22john+lucas%22+trumpet
John Lucas; Accomplished Jazz Musician
By SHAV GLICK, Times Staff Writer
John Lucas, who overcame physical disabilities inflicted by rheumatoid arthritis to become an active member of Southern California's jazz community for decades, has died. He was 84.
Lucas died of complications from pneumonia March 17 at Arcadia Methodist Hospital, two days after his birthday.
Stricken with rheumatoid arthritis as a boy, Lucas was unable to bend his arms or legs, unable to get his hands within a foot of his face, unable to wiggle his fingers, unable to walk.
Refusing to view himself as disabled, Lucas became an accomplished professional musician, artist, writer and jazz historian.
Playing a trumpet that was stretched out so that his hands could reach the valves, Lucas started his own band called the Blueblowers and became a popular performer during the 1950s and 1960s at Los Angeles-area nightclubs such as the Beverly Cavern, St. Francis Room, Radar Room and the Track in Pasadena.
John C.V. Lucas was born March 15, 1917, in Minneapolis. His family moved to Southern California in 1920 and settled in Pasadena in the 1930s. After graduating from what was then Pasadena Junior College, Lucas enrolled at Stanford. But when many of his friends went into the service in World War II, Lucas quit to work in the military defense industry in Pasadena.
He also worked as a reporter for the East Pasadena Herald and began a lifelong hobby of drawing pen and ink sketches that he made into Christmas cards.
While a student in Pasadena, Lucas formed the Blueblowers, playing for student dances, usually in the school's open-air gymnasium. The Blueblowers continued to perform until Lucas was 75.
Lucas started out playing the drums, a notable feat considering he could not bend his elbows. Then he switched to the marimba, and by his 20s he had developed his stretched-out trumpet and began to sit in with many noted musicians.
Firehouse Five Plus Two Firehouse Five Plus Two Story... (1949) Trumpet
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From: Tipsydave@aol.com
Subject: Re: (exotica) [obit] Ed "Big Daddy" Roth / Lester "Big Daddy" Kinsey
Date: 05 Apr 2001 15:27:11 EDT
In a message dated 4/5/01 8:43:29 AM, moritz@derplan.com writes:
<< Who was the real "Big Daddy"? >>
Eric "Big Daddy" Nord.
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From: nytab@pipeline.com
Subject: (exotica) juxtapoz on tiki art (ish #25)
Date: 05 Apr 2001 15:48:51 -0400
http://www.juxtapoz.com/jux25/tiki/tiki.html
lousmith@pipeline.com
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From: alan zweig
Subject: Re: (exotica) juxtapoz on tiki art (ish #25)
Date: 05 Apr 2001 16:23:58 -0400
Looking at the tikis, I started to wonder what tiki fanatics think about
totem poles and gargoyles. I'm no tiki fanatic myself but I can certainly
see their appeal. However I find it much more fascinating when I'm walking
down some street in my hometown and I look up at some building I've passed
a thousand times and for the first time I notice gargoyles everywhere.
I know there are gargoyle fanatics and they're still studied. A new
library down the street has two very prominent gargoyles on the ground,
guarding the entrance.
I don't know anything about them. I always assumed they were like "evil
spirits" who guarded against even more evil spirits. Like making friends
with the school bully and getting him to fend off the other bullies. But
that's utter speculation.
Can anyone compare and contrast tikis, gargoyles, totem poles?
How does this compare to Ganesh the elephant god?
I used to smoke his beedees.
AZ
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From: Irwin Chusid/Raymond Scott Archives
Subject: (exotica) Raymond Scott Orchestrette @ Fez 4/14
Date: 05 Apr 2001 16:30:55 -0700
The RAYMOND SCOTT Orchestrette
at FEZ - Saturday, APRIL 14
The Raymond Scott Orchestrette, which performs modernistic arrangements of
Raymond Scott tunes, wraps up its four-month residency at Fez in Manhattan
on Saturday, April 14.
In addition to well-known works from Scott's legendary Quintette period, the
seven-piece Orchestrette performs acoustic arrangements of Scott's
electronic works.
NOTE - EARLY SHOW TIME:
Doors open 7:00 pm / showtime 7:30 pm
FEZ, 380 Lafayette Street (under Time Cafe), NYC
reservations: 212-533-2680
admission: $12.00
The Raymond Scott Orchestrette:
Brian Dewan (electric zither, accordion, vocal)
Michael Hashim (sax)
Will Holshouser (accordion)
Deidre Rodman (piano, melodica)
George Rush (bass, tuba)
Rob Thomas (violin)
Clem Waldmann (drums)
Special guest:
WAYNE BARKER
The RSO's original pianist unpacks his suitcase
long enough to guest on piano for an as-yet undisclosed
new arrangement
Calendar note: The Raymond Scott Orchestrette will also perform at the
Brooklyn Children's Museum on Friday June 15, at 6:30 pm.
-------
The Raymond Scott Archives:
http://RaymondScott.com
Created and operated by Jeff Winner
The RSO info page:
http://RaymondScott.com/orchette.html
includes two audio files
Fez info:
http://www.feznyc.com
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From: "Nathan Miner"
Subject: Re: (exotica) Gargoyles
Date: 05 Apr 2001 16:34:53 -0400
Gargoyles are actually "storm drains" or "down spouts" with decorative =
ornamentation build around them. Of course, there are also simply =
decorative beasties on various buildings - but those long-necked beasts =
just under a churches bell-tower or wherever actually spit out plumes of =
rain water from their mouths (or one I've seen is a guy holding a jug that =
literally runneth over). This keeps the rain water from simply washing =
down the sides of the building and eventually, over time, wearing away the =
mortal from around the stones/brick whatever.
- Nate
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From: "Nathan Miner"
Subject: Re: (exotica) Gargoyles
Date: 05 Apr 2001 16:34:53 -0400
Gargoyles are actually "storm drains" or "down spouts" with decorative =
ornamentation build around them. Of course, there are also simply =
decorative beasties on various buildings - but those long-necked beasts =
just under a churches bell-tower or wherever actually spit out plumes of =
rain water from their mouths (or one I've seen is a guy holding a jug that =
literally runneth over). This keeps the rain water from simply washing =
down the sides of the building and eventually, over time, wearing away the =
mortal from around the stones/brick whatever.
- Nate
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From: nytab@pipeline.com
Subject: (exotica) Record Labels, MTV Launch Paid Music Download Service
Date: 05 Apr 2001 17:38:29 -0400
THURSDAY NEWS:
Record Labels, MTV Launch Paid Music Download Service
By Ryan Naraine
The music television network that made it hip to wear tongue-jewelry has
jumped on the digital-music bandwagon in a big way, announcing a deal with
five major record labels and application service provider RioPort to launch
a paid download service.
New York-based MTVi, the online arm of Viacom's music entertainment network,
plans to sell some 10,000 digital music files from its newest online radio
stations -- RadioMTV and VH1AtWork.
The landmark deal potentially makes MTVi the front-runner in the lucrative
digital-download market. With a ready-made television audience and a network
of Web sites to market the new service, it comes as no surprise that five of
the biggest record labels have signed on as partners.
The labels -- Sony Music Entertainment, Universal Music Group, BMG
Entertainment, EMI and Warner Music Group -- bring a stable of the biggest
names in popular music to the service as it looks to create the
anti-Napster, a place where musicians can be compensated from legal
downloads from the Internet.
Prices for the downloads have been fixed by the labels -- between 99 cents
and $1.99 for singles and between $11.98 and $18.98 for albums - not far
from the prices for CDs at traditional music stories.
The San Jose, CA-based RioPort, which negotiated the deals with the labels,
would split a portion of the download money with MTVi, the companies
explained in a teleconference with reporters.
"We'll get a cut of the download revenue," said MTVi chief executive Nick
Butterworth, who explained that Rio's revenue agreements were negotiated
separately with each label and vary in their financial terms.
Butterworth said the paid downloads would eventually be available off links
from its 46 radio stations which stream music on the Web. It is the first
time that technology has been set up to integrate digital download
e-commerce links with streaming media, he said.
For the major labels, it is the second big jump into a space they have
largely been avoiding for many years. Last week, AOL Time Warner,
Bertelsmann AG and EMI inked a deal with Seattle-based RealNetworks to
license music catalogs to the newly-created MusicNet subsidiary.
Under that deal, MusicNet would run the technology to allow third-party Web
sites to offer subscription-based music services. RealNetworks and AOL
already have specific plans to launch such a service.
Just yesterday, even Microsoft got into the act, launching a beta version of
MSN Music, touting the service as a "free, easy way for music consumers to
search for, listen to and discover music they like."
To land five of the biggest names in the business for its e-commerce foray
is certainly a coup for MTVi, which has a rabid, almost cult-like following
for TV shows such as Total Request Live (TRL).
The company, which initiated two rounds of staff cuts to cut down on costs,
recently announced ambitious plans to launch MTV360, meshing the company's
two main television channels with the Web site.
The plan for MTV360 is to schedule programming on MTV and MTV2 and the
MTV.com Site and direct viewers and Web surfers from one location to
another. The company believes it can package the three platforms and provide
leverage when negotiating advertising deals.
This newsletter is published by internet.com Corporation
http://internet.com - The Internet & IT Network
Copyright (c) 2001 internet.com Corporation. All rights reserved.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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From: "m.ace"
Subject: Re: (exotica) [obit] Ed "Big Daddy" Roth / Lester "Big Daddy"
Date: 05 Apr 2001 18:43:08 -0400
>Who was the real "Big Daddy"?
I don't know, but if you go here:
http://www.google.com/search?q=big%2Bdaddy&btnG=Google+Search
you'll get 542,000 returns.
m.ace mace@ookworld.com
http://ookworld.com
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From: Matt Marchese
Subject: Re: (exotica) British TV serials from the 60s
Date: 05 Apr 2001 17:40:03 -0500
Brian Phillips wrote:
> >Anyone remembers "Danger Man"? Secret agent yarn.
>
> By the time we saw it in the USA, it was called "Secret Agent" and Johnny
> Rivers had a hit with the American theme song. The British version has a
> cool harpsichord lead.
Ah, thanks for making the connection there. I have the "Dangerman" theme on a
comp called "Thunderthemes Are Go" and often wondered where it was from.
The comp also contains The Champions theme which is pretty doovy as well.
> Patrick McGoohan played an agent called "Drake" and it was lightly hinted at
> that Number 6 in McGoohan's subsequent series, "The Prisoner" may have been
> Drake trying to leave the service.
Or McGoohan trying to ditch the character of Drake.
Be seeing you!
--
Matt Marchese
"I've been havin' this nightmare.......a real swinger of a
nightmare, too." -Frank Sinatra (The Manchurian Candidate)
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
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From: "m.ace"
Subject: Re: (exotica) Record Labels, MTV Launch Paid Music Download
Date: 05 Apr 2001 18:52:57 -0400
Another, slightly less press-releasey, story here:
http://www.salon.com/tech/wire/2001/04/04/mtv/print.html
Have to admit, they sure have cojones or something, setting the same price as a packaged CD, minus the package. And the CD.
- - -
Another industry story:
Universal sues Image Entertainment for setting DVD prices too low:
http://dvd.ign.com/news/33158.html
--m.ace
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From: "m.ace"
Subject: Re: (exotica) [obits] Theodore McCarty
Date: 05 Apr 2001 19:38:50 -0400
Some garbled information here.
>TWIN FALLS, Idaho (AP) -- Theodore M. "Ted" McCarty, a
>key figure in the development of the electric guitar and former
>president of Gibson Guitar Co., died Sunday. He was 91.
>In his 18 years as president at Gibson, McCarty transformed the
>Kalamazoo, Mich.-based maker of acoustic musical instruments
>into the purveyor of guitars to the stars.
Players like Charlie Christian not ranking as stars? But seriously, Ted McCarty's tenure (1948 to 1966) was perhaps Gibson's finest run.
>At Gibson, he helped bring to life the Les Paul series, named
>for the blues guitarist who endorsed it,
Huh?!? Les certainly used elements from blues, but I'd put him more in a pop/jazz bag.
The issue of how much of the Les Paul guitar design came from the Gibson staff and how much came from Les will probably always remain murky. As time goes on, Les takes more and more credit in interviews (kind of like Dick Dale (they both have "yeah, I gave Jimi Hendrix some tips" stories)). In an earlier interview, it sounded like Les signed off on their design, while stipulating some detail changes. It does seem pretty certain that the stop tailpiece and tune-o-matic bridge design are McCarty's.
>the Explorer series, widely used by both rock and
>country guitarists, and the radical Flying V.
Country?!? On what planet? Actually, when the Explorer & Flying V were originally produced in 1958, they flopped. With the occasional exception (Lonnie Mack), it was the metal boys who made them a hit a decade or so later.
An immediately (and long-term) successful design was the thin-body semi-hollow guitar -- the ES-335 and relatives (like Chuck Berry was playing in the 60s).
And there was the SG series, the googie-look Firebird series (just the thing for Thunderbirds to play) and the bass guitars.
A whole lot of good designs came out of Gibson during McCarty's stint, and to be honest, they've been living off of those designs ever since.
Sorry to go on so... my guitar train-spotting syndrome got set off, I guess.
--m.ace
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From: "Dr Chris R. Tame"
Subject: Re: (exotica) British TV serials from the 60s
Date: 06 Apr 2001 00:35:48 +0100
In article <200104051305.f35D5Fx07166@d1o858.telia.com>, Magnus Sandberg
writes
>
>
>
>Anyone remembers "Danger Man"? Secret agent yarn.
>What about "the Champions" from 1968? Superheroes.
>What about "Randall And Hopkirk: Deceased" A ghost detective?
>
>These are out on dvd in britain, and looks appealing judging on the
>covers, any opinions about these serials? Cool music? Thrills and
>chills?
>
>Magnus
>
There were many superb British TV thriller and drama series (and a
couple of SF ones) from the late 50s up to the mid 60s (after which they
deteriorated rapidly). Patrick McGoohan's "Danger Man" (re-titled
"Secret Agent" in the USA, and with an inferior Johnny Rivers theme song
replacing the superb UK instrumental theme) was certainly one of the
best. The first Danger Man theme, a superb rock 'n' roll/jazz
instrumental was a top ten (number one if I recall correctly) hit in the
UK. The second theme (introduced, again if I remember correctly, when
the series changed from a 30 minutes to one hour running time) was also
a fine instrumental track, utilising a harpsichord.
Most of the other British thriller series were never sold to the USA,
probably because they were too quirky, noirish, unsentimental and
idiosyncratic for the US market.
It is one of the artistic tragedies of our time that most of these
series were poorly recorded on video tape (many were recorded live) with
rather low production values -albeit great plots, acting, atmosphere and
style. Most of the tapes appear to have been recorded over, lost or
destroyed. Occasionally copies that were sold to ex-Empire countries
turn up.
Unfortunately, it is largely the poorer later material that is now
available on video or DVD. "The Champions" and "Randall and Hopkirk
Deceased", which were properly filmed, were the best of the worst.
They're not a patch on the earlier material, but better viewing than
most of the formulaic dross on TV now.
--
Dr. Chris R. Tame, Director
Libertarian Alliance | "The secret of Happiness is Freedom, |
25 Chapter Chambers | and the secret of Freedom is Courage" |
Esterbrooke Street | Thucydides, Pericles' Funeral Oration |
London SW1P 4NN
England
Tel: 020 7821 5502
Fax: 020 7834 2031
Email: chris@rand.demon.co.uk
LA Web Site: http://www.libertarian-alliance.com/
Free Life Web Site: http://www.whig.org.uk
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-------------------------------------------------------------------------------
From: Philip Jackson
Subject: Re: (exotica) Curdxotica
Date: 06 Apr 2001 11:21:49 +1000
on 4/6/01 4:09 AM, kendoll at kendoll@freenet.edmonton.ab.ca wrote:
> i loved head cheese as a kid & still do. for the uninitiated, it's tasty
> chunks of pork in aspic. my mom uses only pork hocks but some people use
> the head -- hence "head cheese."
Here you go!
BRAWN
(England)
Brawn, or headcheese, is made from the meat and skin of a pig's head (or
indeed a calfs head or sheep's head), sometimes salted first, sometimes not.
It can include any other trimmings: heart, trotters and tail, or even a
piece of shin of beef. Whatever the ingredients, they must be well boiled
with aromatics until all is soft and gelatinous. It is a most excellent
dish.
SERVES: 6
TIME: Start 3 days before; 30 minutes plus 4 hours cooking
1 pig's head, complete with ears and tongue
1 bunch of sage 1 teaspoon peppercorns
3 to 4 bay leaves 1 teaspoon salt
Onion skins (the papery brown outside only)
You will need a large stewpan and a pudding basin or earthenware mold. If
you want the brawn to be a pretty pink, put it to pickle rubbed with
1/4pound salt and 1/2 ounce saltpeter (from the drugstore) for 48 hours
before cooking.
Have the butcher split the head in two. Put it in a heavy saucepan just
large enough to accommodate the meat, with the aromatics, salt, and onion
skins (these serve to tint the jelly a pale gold-the onion itself is not
used, as it encourages the jelly to ferment). Cover with cold water. Bring
to a boil, and then turn down the heat and skim the froth off the liquid.
Simmer steadily for 4 hours, until the meat virtually drops off the bones.
Take out all the solids and strain the stock back into the pan. Leave the
stock to boil and reduce uncovered while you pick the meat off the bones.
Chop all the pieces and pack them neatly into a pudding basin or earthenware
mold.
When the stock is well reduced to about 2 cups, taste and adjust its
seasoning and pour it over the meats. Allow it to cool, and then put it in
the refrigerator for 24 hours for the jelly to set solid. When you are ready
to eat it unmold by pouring hot water swiftly over the outside. It will
unmold instantly and elegantly. Serve on a bed of watercress or parsley.
Brawn will keep in the refrigerator for 2 weeks, but don't store it in the
freezer or the jelly is likely to liquefy when you defrost it.
Serve plenty of strong English mustard with the cold brawn, or a jug of
white sauce vigorously flavored with strong mustard. Baked potatoes are good
with brawn.
Bon appetite
I made this a few years back when I got a pig's head at the supermarket for
20 cents!!!
Philip
--
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From: "jamie_james@lineone.net"
Subject: (exotica) British TV serials from the 60s
Date: 06 Apr 2001 09:20:41 +0100
The original randall and hopkirk was pretty cool. Excellent theme tune. sorta
john Barry esque, dunno who it actually was though.
Does anyone remember a similar show to this which aired in the UK in the early
70's. As i recall there were two guys and a Gorilla ( well, someone in a
Gorilla suit ) which wore one of those little hats with a propeller on. It was
also a bit Scooby doo. I think it was an American import. I would love to know
what this show was as all my friends think i have imagined it.
I could never get into 'Danger man' although 'the Prisoner' is a different
matter. Best episode 'The girl who was death'. If you like this also check out
'The new Avengers' TV series.
The Prisoner had a great theme tune also. If you like this programme it may
interest you to know that it was filmed in a real village in Wales. You can
still visit the village. It has not changed......( you may never leave though)
be seeing you.
Jamie
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-------------------------------------------------------------------------------
From: G.R.Reader@bton.ac.uk
Subject: (exotica) re: Randall and Hopkirk deceased
Date: 06 Apr 2001 09:24:00 +0100
R&H are a private detective agency, in episode 1 Hopkirk gets killed and
spends the rest of the 2(?) series as a ghost (in a white suit), mostly
blowing things and trying to get Randall out of locked rooms. A sub-plot of
romantic interest between Randall and the widow of Hopkirk. Don't remember
the music to this. Its mostly stuck in my mind for The drink driving and
the shots of empty London streets (Trafalgar square with no cars!).
El Maestro Con Queso
djcheesemaster@yahoo.com
grr@brighton.ac.uk
http://www.shitola.freeserve.co.uk/cheese/cheese.htm
http://www.geocities.com/djcheesemaster/
The Stare
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From: G.R.Reader@bton.ac.uk
Subject: (exotica) The Champions
Date: 06 Apr 2001 09:33:58 +0100
Ahhh Alexandra Bastedo.
and William Gaunt and that other fellow, but, ahhh, Alexandra.....
Spys go the Himalayas and get into a plane crash, they are rescued by
Buddhist mystics and return to the world with enhanced strength and senses.
They continue to do spy things in very cheap studio sets. Mostly this
involves whispering to each other over vast distances and throwing people a
long way.
I love it. Great shots of the fountain in Geneva (they work for the UN) in
the opening credits. Don't remember the music, even though I've seen
re-runs fairly recently).
This was obviously on telly during a formative stage of my life. I think
she lives in Hove these days....
El Maestro Con Queso
djcheesemaster@yahoo.com
grr@brighton.ac.uk
http://www.shitola.freeserve.co.uk/cheese/cheese.htm
http://www.geocities.com/djcheesemaster/
The Stare
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From: "Darrell Brogdon"
Subject: Re: (exotica) British TV serials from the 60s
Date: 06 Apr 2001 05:57:42 -0500
> The original randall and hopkirk was pretty cool. Excellent theme tune. sorta
> john Barry esque, dunno who it actually was though.
Stumbled across a a soundtrack CD from this series at CDNow.
It's a little pricey -- is the music worth it?
> Does anyone remember a similar show to this which aired in the UK in the early
> 70's. As i recall there were two guys and a Gorilla
Sounds like "Ghost Busters" (yes, before the movie appropriated
the title), with Forrest Tucker, Bob Denver and an ape. Never seen
it myself so don't know much about it except I think the ape was
named Kong.
Darrell Brogdon
The Retro Cocktail Hour
KANU FM 91.5
Visit The Retro Cocktail Hour at:
http://kanu.ukans.edu/retro.html
Listen to The Retro Cocktail Hour at:
http://kanu.ukans.edu/retro/retrolisten.htm
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From: G.R.Reader@bton.ac.uk
Subject: (exotica) niiiice
Date: 06 Apr 2001 13:36:02 +0100
nice shag T-Shirts
http://www.chasershirts.com/shag.html
El Maestro Con Queso
djcheesemaster@yahoo.com
grr@brighton.ac.uk
http://www.shitola.freeserve.co.uk/cheese/cheese.htm
http://www.geocities.com/djcheesemaster/
The Stare
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From: Lou Smith
Subject: (exotica) [obit] Ed "Big Daddy" Roth, Brother Theodore
Date: 06 Apr 2001 08:36:47 -0400
Rat Fink Creator Ed 'Big Daddy' Roth Dies
SALT LAKE CITY (AP) -- Ed "Big Daddy'' Roth, whose fantastic car creations=
and
anti-hero "Rat Fink" character helped define the California hotrod culture=
of
the 1950s and '60s, has died. He was 69.=20
Roth died Wednesday at his studio in Manti, Utah, said Joe Bennett, a
dispatcher with the Sanpete County Sheriff's Department. The cause of death
wasn't immediately given.=20
A generation of teen-age rebels across the country found a hero in Roth,=
whose
chrome-and-fiberglass vehicle creations stirred awe at car shows. Many=
adopted
his airbrushed anti-hero, the bug-eyed, menacing Rat Fink, who became a
cultural counterpoint to Mickey Mouse.=20
While Roth worked on custom cars in his garage-studio near Los Angeles,
youngsters across the country broke out the airplane glue to work on=
intricate
scale plastic models of his "Outlaw'' roadster, bubble-topped "Beatnik
Bandit,'' or futuristic "Mysterion.'' Many of these car creations were also
adapted for Mattel's miniature "Hot Wheels" collections.
As a designer, Roth was considered a genius and visionary, not only for his
radical designs, but also for his pioneering use of fiberglass in car=
bodies.=20
He was described by author Tom Wolfe in his 1964 essay "The Kandy-Kolored
Tangerine-Flake Streamline Baby" as the "most colorful, the most=
intellectual
and the most capricious'' of the car customizers.=20
"He's the Salvador Dali of the movement -- a surrealist in his designs, a
showman by temperament, a prankster,'' Wolfe wrote.=20
Roth created Rat Fink and a host of wild characters to help finance his car
design work.=20
In 1974, he converted to the Mormon church and abandoned his rebel=
lifestyle,
however he continued to work on car designs.=20
"My fanaticism with cars has just destroyed my personal life,'' he told The
Associated Press in a 1997 interview. "It's an obsession, an addiction. =
Every
day I pray to God, 'Release me from my calling!'''=20
David Chodosh, a friend and business associate, said Roth was still working=
at
the time of his death and was hoping to tour a new car in 2002.=20
"The guy over the years has epitomized cool,'' Chodosh said. "Even now, in=
so
many ways, he is still the Boss Fink.''=20
On the Net:=20
http://www.ratfink.org/=20
AP-NY / 04-06-01 06:40 EDT
Meanwhile, in Philadelphia, comic Big Daddy Graham cowers under his bed...
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From: Lou Smith
Subject: (exotica) [obit] Brother Theodore
Date: 06 Apr 2001 08:41:09 -0400
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From: Lou Smith
Subject: Re: (exotica) [obit] Brother Theodore
Date: 06 Apr 2001 08:44:06 -0400
At 08:41 AM 4/6/01 -0400, I wrote:
Now this is truely odd! I've tried to post Brother Theodore's obit twice -
and nothing comes through but blank space. Spooky!!!
I might try one more time and then give up.
Lou
>
>
>
>
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From: Lou Smith
Subject: (exotica) [obit] Brother Theodore
Date: 06 Apr 2001 08:46:59 -0400
James J. McManus Sr., the proprietor of the Peter McManus Cafe, a
venerable family-owned bar in the Chelsea section of Manhattan that
often doubled as a set for movies and television episodes, died on
Monday, March 25, 2001, in Philadelphia. He was 81 and had moved from
Manhattan to Brigantine, N.J., not long ago. He was in declining health
and suffered renal failure, his family said. A confident, voluble
figure, Mr. McManus started working at the bar in 1936, when it opened
on the corner of Seventh Avenue and 19th Street. He became its sole
owner when his brother, Peter, died in 1972. He was still there in 1992
when Bryan Miller, then the restaurant critic for The New York Times,
dropped by and learned Mr. McManus's secret to a good Rob Roy: "You
don't want to bruise the vermouth," Mr. McManus said. "It's delicate.
Like wine." Mr. Miller called the bar "an inviting place in a
rough-and-tumble sort of way, with a well-worn tile floor, lead-paned
windows and a splendid carved mahogany bar." By that time, the tile
floor had been trod by film actors and crews making the movies
"Highlander" (1986), starring Sean Connery, and "Radio Days" (1987),
directed by Woody Allen and starring Mia Farrow. The film "Keeping the
Faith" (2000), directed by Edward Norton, also used the bar. Filming for
the television programs "Seinfeld," "Law and Order" and "Saturday Night
Live" has been done there, too. Jamie McManus succeeded his father as
the bar's manager three years ago. The senior Mr. McManus was born in
Guttenberg, N.J. He graduated from high school in the Bronx and won two
Purple Hearts as an infantryman in the Philippines in World War II.
(Peter McManus was my local when I lived in Chelsea during the 80s - great
place.--Lou)
April 6, 2001=20
Theodore Gottlieb, Dark Comedian, Dies at 94
By DOUGLAS MARTIN
Theodore Gottlieb, who as Brother Theodore performed apocalyptic one-man
shows about life, death and broccoli in Greenwich Village nightclubs to
dazzling and disturbing effect, died yesterday at Mount Sinai Hospital in
Manhattan. He was 94.
Mr. Gottlieb, with his wild white hair shining under the lights and with a
demonic glint in his eye, was in his element at the 13th Street Theater,
where he performed for nearly two decades, until a few years ago.
His only prop was a table, behind which he would sit when he wasn't stalking
around it or plopping on top of it. In his sonorous, German-accented voice
he flirted with the meaning of life - or, just as likely, with the woman in
the audience he considered most attractive.
He called his act stand-up tragedy.
Brother Theodore, who flaunted a sophistication learned in the Berlin of the
1920's, told audiences, "I've gazed into the abyss and the abyss gazed into
me, and neither of us liked what we saw."
Or: "It's my sincere wish that after my death, my head be severed and
replaced with a bunch of broccoli. It's the artist in me."
His life flowed like a novel, although few publishers would have bought the
outlandish plot. Born to great wealth in Germany, he ended up in Dachau,
only to be released when he signed over the family's great fortune for a
single mark. Einstein, said by some of Mr. Gottlieb's friends to have been
his mother's lover, helped him get to the United States.
Always an aristocrat, he suddenly found himself working as a janitor at
Stanford University, where he managed to defeat 30 professors at chess =97
simultaneously.
Later he was a dockworker in San Francisco, where he put on his first
one-man show, featuring his reading of Poe poems.=20
"In the two weeks I had one person in the audience," he said in an interview
with The New York Mirror in 1958. "My wife. And if I didn't give her a
complimentary ticket, she wouldn't have come."
Next came a stint in Hollywood, where he won a bit part in the 1946 Orson
Welles film, "The Stranger." He moved to New York after Welles showed a
distressing romantic interest in his young wife. He worked at Schrafft's
restaurant while beginning to perfect his monologue at small Bohemian clubs
in the Village.
With the arrival of television, he made regular appearances on talk shows,
including three dozen with Merv Griffin, as well as many with the comedian
Steve Allen. After fading to cult popularity in the 1970's, he emerged as
one of David Letterman's regular guests in the 1980's.=20
Brother Theodore had six sellout performances at Town Hall in the 1950's. He
received good and bad reviews over the years, but few neutral ones,
according to Jewish Week in August 1995. The Village Voice described him as
"a rabble-rouser without a cause - unless his cause is to promote the power
of negative thinking and the glorification of anguish and despair."
Theodore Gottlieb was born in Dusseldorf on Nov. 11, 1906. His father
published 52 fashion magazines and might have been worth $80 million, he
told friends. His life was easy and luxurious, and he attended the
University of Cologne. When Hitler came to power, he fled with his family to
Vienna. He was taken to Dachau on his 32nd birthday.
In the death camp, he said he saw men eaten alive by dogs while Nazi guards
laughed, according to Who's Who in Comedy. When he agreed to relinquish the
family fortune to win freedom, he was told the deal did not guarantee his
family's freedom, but made it more feasible.
Eight members of his family died in the Holocaust, including his parents and
grandmother. Some had thought their personal danger was gone after the
agreement and had returned to Germany, said Lorca Morello, a lawyer, who was
Mr. Gottlieb's girlfriend.
Mr. Gottlieb went from Dachau to Switzerland, where he supported himself as
a chess hustler. This violated Swiss law, and he was deported to Austria.
Einstein helped him get to California, Ms. Morello said.
After later settling in New York, Ms. Morello said, his wife fell in love
with another refugee, his best friend, and left with his son. The son,
Thomas Lonner of Olympia, Wash., is his only survivor.=20
He developed his deadpan technique by copying others, said Sidney Mason, his
longtime publicist.
"He was a creative plagiarist, really," said Mr. Mason, who met him in
Columbus Circle as both men heckled a speaker trying to refute Einstein's
theory of relativity.
Mr. Gottlieb also became talented at peddling wild notions to reporters. The
Mirror article described his campaign to get people to give up two-legged
locomotion in favor of using all four limbs.
"Down, I say, down on all fours, and you'll have everything you want, be
everything you want to be," he said. "Quadrupedism is the key to every lock,
the power that heals, the real McCoy."
In 1990 Mr. Gottlieb had an operation to correct breathing problems caused
by having his nose broken in Dachau. As always, he saw the best and worst
sides.=20
"If I die, best wishes for the rest of your life," he told friends. "If I
don't - I'll phone you."
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-------------------------------------------------------------------------------
From: "Robert Blahut, Jr."
Subject: Re: (exotica) juxtapoz on tiki art (ish #25)
Date: 06 Apr 2001 10:33:30 -0500
i don't know about the actual purpose of gargoyles. there are some that
are rain spouts on the cathederal of notre dame in paris. i did just
notice that there are two of them on the federal court house in milwaukee.
it is a building that i have always liked because of the stone work - -
there are many faces carved in the stone. but yesterday or the day before,
i noticed a couple of gargoyles on the side of the building. totem poles,
are, in my mind, very similar to tikis. although it is my understanding
that totem poles are, in the pacific northwest anyway, a way of
transmitting a family history. with the main clan's totem on the top or
bottom and various other branches of the family tree represented by the
other figures. i have always loved the designs of the pacific northwest
natives. i have seen native american tikis from california in what i think
was called ku or k'u style. i don't know much more about it than that. i
can't say whether the indigenous (hope i spelled that correctly) people of
southern california are pacific, i.e. polynesian, people or not, nor if
there totems are honest to gosh real "tikis" or totems that resemble tikis
- - these are questions for the anthropologists, not for me.
sorry to have rambled on for so long about a totally off topic subject,
tablah
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From: Charles Moseley
Subject: (exotica) Praise be to Ebay
Date: 06 Apr 2001 17:03:28 +0100
Yes. Ebay can do one's pocket a world of good without one feeling like =
a
capitalist pig.
My vocoder just sold for around 6 times what it was worth in a last =
minute
bidding frenzy. My reserve of =A3200 got beaten by more than =A3650. =
Why are
people so stupid? And where can I find more analogue garbage at =
reasonable
prices to flog to demented collectors?
And I don't even want to mention the price of the records that have =
just
sold. So I wont.
One thing I did get recently that hasn't yet arrived is a classic (so =
I'm
told) Hammond LP - Wynder K Frog - Out of the Frying Pan. Does anybody =
have
any comment on this one or other Hammond recommendations?
And I just found the How to Speak Hip website - www.howtospeakhip.com =
with
all of the separate bits of the LP online. Class
Charles Moseley
Editor - C3 Magazine
3 St Peter's Street, London, N1 8JD
Direct: +44 (0) 20 7704 3313
Main: +44 (0) 20 7226 8585
ISDN: +44 (0) 207 359 6756
www.c3mag.com www.c3mag.com www.c3mag.com
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From: Peter Gingerich
Subject: (exotica)Creating a Linklist....
Date: 06 Apr 2001 15:26:37 -0400
Hey all
I'm going through a year or so worth of exotica posts to cull any
interesting links (you know: exotica-sites, radio shows, labels, stores,
morphing michael jacksons....) which I can then post as a linklist.
So I may be mailing some of you inquiring.... better yet, e-mail me off-list
if you have or found anything useful, new and exciting, updated,
etc.etc.etc.
thanx!
pg
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-------------------------------------------------------------------------------
From: alan zweig
Subject: Re: (exotica) British TV serials from the 60s
Date: 06 Apr 2001 16:05:56 -0400
At 09:20 AM 4/6/01 +0100, jamie_james@lineone.net wrote:
>Does anyone remember a similar show to this which aired in the UK in the
early
>70's. As i recall there were two guys and a Gorilla
No but I seem to remember a show about a group of spies called The
Thunderbirds who were led by a guy they called "Head Cheese". The original
title was "A Dandy in Aspic" but it turned out that was already taken.
I do remember that the arch villainess on the show was called Calista Rall.
She was one greasy foe.
AZ
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-------------------------------------------------------------------------------
From: bag@hubris.net
Subject: (exotica) Industrial Musicals/Corporate Anthems
Date: 07 Apr 2001 01:44:05 -0700
Caught a cool story on NPR's All Things Considered on Friday.
It was called Corporate Anthems:
http://search.npr.org/cf/cmn/cmnpd01fm.cfm?PrgDate=04/06/2001&PrgID=2
I had no idea, no idea that big companies would put on musicals which
extolled the virtues of everything from sparkplugs to toilets...and the
people who sold them.
A guy named Steve Young has collected more than 150 LPs of industrial
musicals and I can't say I have seen even one!
Some of the songs sounded like they could be quite campy today. In 1969
The American Standard Company, the folks who make toilet seats, bathroom
fixtures, did a show called "The Bathrooms Coming" and one of the songs
featured a woman rhapsodizing over her most private of rooms: "My Bathroom."
The music was actually really good as performed, although the lyrics had a
very narrow focus and thus appeared a bit hackneyed. Big Corporate dollars
attracted good talent.
Anyone out there collect these recordings? Tell us about your favorites!
___...--''''***^^^^^^""""""^^^^^***''''---___
"In the 50's the average human laughed 18 |||
minutes a day. In 2001 each human laughs only
6 minutes a day. Its time to return to our |
1950's laugh prosperity!" |||
||| ---B. V. "Chuckles" Caloz |||
|||bag AT hubris DOT net Portland, OR, USA|||
"""^^^'''***----...__________...----'''^^^"""
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From: Moritz R
Subject: Re: (exotica)Creating a Linklist....
Date: 07 Apr 2001 11:02:23 +0200
that's a great idea. I hope everybody contributes. I propose to update the Exotica FAQ with the results. Ross, what do you think?
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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-------------------------------------------------------------------------------
From: Paul Wages
Subject: (exotica) glass music (dj food)
Date: 07 Apr 2001 10:43:03 -0500
In the recent discussion of glass-related music, did anyone mention the new
DJ Food EP "Quadraplex" ?
I haven't heard it yet, but I'm going to have to -- "Kaleidoscope" was one
of those rare albums that absolutely blew me away.
Here's the write-up from CDNow:
February 9, 2001
Often, when faced with the sweaty haze of dancefloor euphoria, we forget how
electronic music can be more than just an energizing, unifying force, but
also an exquisite art form. Quadraplex, the second release by Strictly Kev
and PC under the DJ Food banner, finds the duo utilizing not vinyl but glass
-- that's right, glass -- as the EP's central musical instrument.
Appropriately, the limited-edition CD and its packaging are transparent.
Sounds of glass being blown, tapped, and rubbed are interwoven into a
cohesive arrangement that builds through the beatless opener, "Hour Glass";
then tribal rhythms rise to support the stark and minimal glass tones on
"Looking Glass." Things begin to dissolve into chaos from there, as
"Monocle" begins to sound like a Jewish wedding: Glass shatters everywhere,
and beats scatter. "Shattered Glass," the final track, features a quiet
symphony of shards.
While never intensely riveting, Quadraplex certainly expands the limitations
of electronic music, at least for 15 minutes or so. It's a well-crafted
novelty, late-night mood music, but nothing more substantial or
groundbreaking.
Peter Gaston
CDNOW Editorial Staff
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-------------------------------------------------------------------------------
From: "cheryl"
Subject: (exotica) Playlist For Space Bop, April 8
Date: 07 Apr 2001 11:38:55 -0400
Beyond kitsch, Space Bop is one hour of full galactical wonder, and can
be heard every Sunday from 4 to 5 pm Eastern time on CKUT 90.3 FM in
Montreal, Canada, and on RealAudio (real time only, for now) at:
http://www.ckut.ca
As usual, all comments, questions, and feedback welcome.
Space Bop #137 A Howlin' Good Show
This week, we're featuring Freddy Fresh's Howlin' Records label. It
releases 7"s, and while the catalogue is small, it's very good! They're a
mix of funky and smooth sounds, all suitable for non-stop grooving.
Special thanks go out to Sandra at Howlin' for her help.
Captain Funk: Remix Of Co-Fusions' Torn Open
Freddy Fresh: La Chunga
Boricua All Stars: Boricua House Party
Not Just Gigalos: Take Me To The Disco
Stereo de Luxe: Sexuality In The Eighties
Ursula 1000: Mucho Tequila
Boricua All Stars: Corillo
Mack The Knife: World's Best B-Boy Beats Vol. 1 (aka Why I Wanna Be A Latin
Rascal)
Krafty Kuts: Stop The Nonsense
Younger Youth: Boombastic
Wicked Lestor: Fire In Yer Soul
MPC Genius: Dig This!
Freddie Fresh: We Badd!
Thanks for reading, and thanks for listening
cheryls@dsuper.net
brian@phyres.lan.mcgill.ca
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-------------------------------------------------------------------------------
From: "basic hip"
Subject: Re: (exotica) Industrial Musicals/Corporate Anthems
Date: 07 Apr 2001 09:06:00 -0700
A great CD with a bunch of these albums came out a few years ago - it was
called "Product Music" and was on a label called Honest Abe :) Even though
it was marked as Volume 1, I never did see a Volume 2, which made me sad.
I've looked all over for records of this type ever since - probably six
years now - and have had very little luck finding anything like them. All
but given up on the top dog, "The Bathrooms Coming!" Anybody here have it?
I feel like writing to that Steve Young and asking him how he did it - I
guess anything is possible.
I'd like to collect them, but I can't. I can't find them. Not only are
they highly collectible by the types that will pay whatever they have to pay
to get them (and they do), but even more discouraging are that opportunities
to find them come along once in a blue moon. Better not think about it!
I saw "The Eight Seasons of Chromalox" on ebay once, that is probably the
best place to begin your search for a needle in a haystack....
Here are three one minute MP3 samples from that Product Music disc
JC PENNEY Penney Proud - He's A Penney Man
http://www.basichip.com/sounds/penneys.mp3
AMERICAN STANDARDS The Bathrooms Are Coming! - My Bathroom Is A Private Kind
Of Place
http://www.basichip.com/sounds/bath.mp3
FORD MOTOR COMPANY The Wide New World With Ford - Tractor Drivin' Man
http://www.basichip.com/sounds/tractor.mp3
> I had no idea, no idea that big companies would put on musicals which
> extolled the virtues of everything from sparkplugs to toilets...and the
> people who sold them.
>
> A guy named Steve Young has collected more than 150 LPs of industrial
> musicals and I can't say I have seen even one!
>
> Some of the songs sounded like they could be quite campy today. In 1969
> The American Standard Company, the folks who make toilet seats, bathroom
> fixtures, did a show called "The Bathrooms Coming" and one of the songs
> featured a woman rhapsodizing over her most private of rooms: "My
Bathroom."
>
> The music was actually really good as performed, although the lyrics had a
> very narrow focus and thus appeared a bit hackneyed. Big Corporate
dollars
> attracted good talent.
>
> Anyone out there collect these recordings? Tell us about your favorites!
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-------------------------------------------------------------------------------
From: Lou Smith
Subject: Re: (exotica) Industrial Musicals/Corporate Anthems
Date: 07 Apr 2001 12:54:49 -0400
At 01:44 AM 4/7/01 -0700, bag wrote:
>
>Caught a cool story on NPR's All Things Considered on Friday.
>
>It was called Corporate Anthems:
>
>http://search.npr.org/cf/cmn/cmnpd01fm.cfm?PrgDate=04/06/2001&PrgID=2
>
>I had no idea, no idea that big companies would put on musicals which
>extolled the virtues of everything from sparkplugs to toilets...and the
>people who sold them.
>
>A guy named Steve Young has collected more than 150 LPs of industrial
>musicals and I can't say I have seen even one!
>
Corporate Anthems -- Rex Doane of NPR's On the Media has the story of
corporate anthems -- elaborate songs and even shows that were geared not to
the customer, but to the employees. The songs -- like a school fight song or
a national anthem -- were meant to elevate morale. (7:30)
http://www.npr.org/ramfiles/atc/20010406.atc.09.rmm
This is one of those "small world" kind of things. The Corporate Anthems
piece was put together by Rex Doane who has a must-hear show on WFMU.
http://www.wfmu.org/FPWR/
He lives down the other end of Prospect Park from me, not far from Tony Wilds.
Steve Young used to be on this list. He produces the Dave's Record
Collection segment on Letterman's show, and did the similar section on the
official Letterman web site. He also had an article in one of the early
issues of Cool and Strange, about this Industrial music.
One of my proudest bits of meddling was to remind Steve Young and David
Garland of each other, which led to this radio meeting on Spinning on Air:
Industrial Shows
Here are some Broadway-style musicals never meant for Broadway. Instead,
they were intended for corporate pep-rallies and trade shows, to praise the
product and motivate the work-force. Comedy writer Steve Young (David
Letterman, The Simpsons) shares his unique collection of musicals containing
such show-stoppers as "My Bathroom," "My Insurance Man," and a song about
new trucks. First broadcast 12/14/97 5/15/98
http://www.wnyc.org/new/music/spinning/ram/soayoung.ram
Extra Credit: who can name Garland's theme song at the top of his show?
Steve's a great guy, based on the very few times I've met him. He only
collects these Industrial shows and he's completely sincere about them. If
you're in NY you can find some Industrial LPs at Footlights. Don't worry -
Steve will have already seen them.
Lou
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From: Mimi Mayer
Subject: Re: (exotica) juxtapoz on tiki art (ish #25)
Date: 07 Apr 2001 13:10:57 -0500
Art deco theatres from the 20s-40s seem ripe for tiki designs. For
instance, the Fox Theatre in Detroit has fabulous plasterwork depicting
scowling sheiks, palms--a gilded fantasy desert in downtown Motown. Does
anyone know of art deco theatres with tiki themes? How about any books on
the subject? Thanks for any info, Mimi
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From: "warren beath"
Subject: (exotica) shelving cd's
Date: 07 Apr 2001 10:51:41 -0700
I hope I may ask a question: I'm running out of space for all my cd's and want to inquire if there is any good reason for not stacking them flat. I've read it's recommended to shelve them upright, but I'd buy some time before I have to get new shelving if I could stack some flat to take up the rest of the shelf space. I'd be interested if any of the experts have an opinion. Thanks,
Warren Beath
Get your FREE download of MSN Explorer at http://explorer.msn.com
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-------------------------------------------------------------------------------
From: kendoll
Subject: Re: (exotica) Industrial Musicals/Corporate Anthems
Date: 07 Apr 2001 11:57:43 -0600
i bought one of these industrial records once -- i can't remember the
corporation but the song that caught my attention was about nuclear
energy & how clean it was compared to fossil fuels. it was done as a
skit with a cowboy theme -- the fossil fuels were the bad old
gunfighters & nuclear energy was the new gun in town that was going to
clean up the bad guys, or some such hokum. i didn't keep it because it
was badly recorded, like they only had one microphone, and i thought it
was boring. had i only known...
mike
basic hip wrote:
> I'd like to collect them, but I can't. I can't find them. Not only are
> they highly collectible by the types that will pay whatever they have to pay
> to get them (and they do), but even more discouraging are that opportunities
> to find them come along once in a blue moon. Better not think about it!
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-------------------------------------------------------------------------------
From: Mimi Mayer
Subject: Re: (exotica) Industrial Musicals/Corporate Anthems
Date: 07 Apr 2001 13:32:47 -0500
At 1:44 AM -0700 4/7/01, bag@hubris.net wrote:
>I had no idea, no idea that big companies would put on musicals which
>extolled the virtues of everything from sparkplugs to toilets...and the
>people who sold them.
Can't talk about records but a longtime pal of mine makes a lush living
writing and producing these extravaganzas, mostly for auto companies. The
corporados jet in their dealers and suppliers to a resort then pamper them
with sumptuous dining and drink as well as R&R often entailing golf. The
climax is a sophisticated show where celebrities and spokesmodels extol the
virtues of the new product lines in skit and song based on topical themes
and current hits or standards--all to get a sales force geeked.
Capitalism. Ain't it grand?
Mimi
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From: alan zweig
Subject: Re: (exotica) Industrial Musicals/Corporate Anthems
Date: 07 Apr 2001 14:45:48 -0400
At 09:06 AM 4/7/01 -0700, basic hip wrote:
.>
>I've looked all over for records of this type ever since - probably six
>years now - and have had very little luck finding anything like them..
I think I have two or three. It depends on how loosely you describe the
category.
I think this is the kind of thing you can only get two places. Thrift
stores or ebay. I guess if you concentrated on this kind of thing, you
could get a few.
Anyway here's what I have:
There's one on Capitol Custom
"Music from Bach to Rock -a salute to the 150th Anniversary of Gas" by
Harry Fields his piano and quartet
I love this sentence in the liner notes "Seldom has an artist been as
intimately identified with an entire industry as Harry Fields is with the
natural gas industry".
The music is okay. It's basically a mostly original lounge/exotica record
but not very good. No singing.
Then there's
"Impressions" put out by Bergstrom Paper.
This also has no singing but it's probably the most interesting on a
"musical" level. The record is by a guy named Bill Walker and it's a
musical salute to the printing press. It's kind of like "Zounds What
Sounds" except all the sounds are from printing presses. The tune starts
off with the particular rhythm of a press and then the music comes in.
It's slightly above average lounge music. This record could possibly make
it on its own.
The third one, I'm not sure it counts but it's the closest to the Bathroom
one:
Chevrolet Sings of Safe Driving and You
There are eight songs. Each one of them starts off with a spoken word bit
to explain the concept and then the song continues from there. The style
of music is kind of in the Up With People style. A bit like a rock musical
I guess. I think everyone here would recognize the style and be singing
along in no time.
The song titles are followed by the theme:
1. "An Exciting Thing"
(Driving a car)
2) Grown up Baby
(Driving psychology)
3. Cities and Towns
(Driving in city and heavy traffic)
4. Nowhere Fast
(Observance and Enforcement)
5. Gentle Things
(Adverse Driving Conditions)
6. When the Wrong thing happens
(Stopping distances)
7. The Natural Laws
(Laws of Motion)
8. Man-Made laws
(Common sense driving)
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From: Dlsmay@aol.com
Subject: Re: (exotica) juxtapoz on tiki art (ish #25)
Date: 07 Apr 2001 14:57:19 EDT
Hey Mimi,
This is a whole sub-genre of Art Deco often called Tropical Deco. You see it
a lot in Miami Beach, but it was also popular after the Pan Pacific
Exposition. I've got one book titled, what else, Tropical Deco. Also,
there's a gorgeous book on The San Francisco Fair - Treasure Island 1939-40,
when Treasure Island was turned into a Deco Wonderland for a couple years.
Several of the exhibits there had a strong Pacific vibe.
-David
<< Art deco theatres from the 20s-40s seem ripe for tiki designs. For
instance, the Fox Theatre in Detroit has fabulous plasterwork depicting
scowling sheiks, palms--a gilded fantasy desert in downtown Motown. Does
anyone know of art deco theatres with tiki themes? How about any books on
the subject? Thanks for any info, Mimi
>>
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-------------------------------------------------------------------------------
From: Edward Milhuisen
Subject: (exotica) [Fwd: [popnouveau] Re:exotica]
Date: 07 Apr 2001 21:48:34 +0200
Kevin Lee wrote:
> if you've not heard of the exotica list... well, where you been?? i've been a
> member off and on for some 9 years now. yikes. anyway it's not just
> exotica exotica. it runs the gaumt: space age, lounge, moog, novelty,
> spoken word... pretty much anything that's exotic in the general sense of
> the word. dare i say they're much bigger and much more active than our
> little forum. so don't say i didn't warn you when you get a flood of email.
> even the digests add up. i can't keep up with it but there's a lot of
> knowledgable folks there. too knowledgable if you ask me!
>
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From: "Brian Linds"
Subject: (exotica) Brazilian wierdness
Date: 07 Apr 2001 13:18:27 -0700
Hi. What can folks tell me about a self titled record by Lulu Cortez and Ze
Ramhalo? It's twisted Brazilian
semi psych sounds with lots of animal sounds in the background.
Brian Linds
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From: Lou Smith
Subject: (exotica) [obit] Francis Grasso
Date: 07 Apr 2001 16:26:33 -0400
April 7, 2001
Francis Grasso, 60's D.J. and Master of the Club Mix, Dies at 52
By NEIL STRAUSS,NYTimes
Francis Grasso, a pioneering club disc jockey credited with first mixing
records together in the late 1960's by matching their rhythms, was found
dead on March 23 at his home in Brooklyn. He was 52.
The cause is unknown, pending results of an autopsy.
Mr. Grasso was born in Brooklyn and, at an early age, discovered a talent
for music, playing drums, guitar and saxophone. After he was injured in a
motorcycle accident, a doctor told him that dancing would be a good form of
physical therapy and soon he was a fixture on the Manhattan club scene.
In 1968 at a Central Park club called Salvation 2, Mr. Grasso went behind
the turntables for the first time when the club manager asked him to fill in
for the house D.J., who was ill. Soon, Mr. Grasso had the job.
With an understanding of the psychology of the dance floor, he slowly began
to retool the job of the D.J. As he saw it, his job wasn't simply to play
records, it was to keep the crowd on the dance floor. The best way to do
that was to make one song seem to stretch on forever, without a break. This
helped create the notion of the disc jockey as artist and live remixer.
Working with two seven- inch singles, at first he would start a new song on
the same beat that ended the previous song (by holding the record still as
the turntable spun below it, a technique known as slip- cueing).
Later, he began matching the beats of records, trying to keep two songs
playing simultaneously for as long as possible, which was an extremely
difficult task since most turntables then lacked conveniences like pitch
control.
One of his best-known tactics was his simultaneous playing of
percussion-heavy songs, like Chicago Transit Authority's "I'm a Man," with
sexually charged vocals, like Led Zeppelin's "Whole Lotta Love,"
anticipating the rise of disco.
Mr. Grasso developed and refined many of these techniques when he moved his
headquarters to Sanctuary, a hedonistic club in Hell's Kitchen, and presided
over the dance floor there until it was closed by city authorities in 1972.
In 1971 the movie "Klute" featured a scene with Mr. Grasso working at the
Sanctuary. When the club closed, he worked as a D.J. off and on until 1981,
when he left the profession for good and found a job working in construction.
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-------------------------------------------------------------------------------
From: Dean Keasey
Subject: (exotica) Industrial Musicals/Corporate Anthems
Date: 07 Apr 2001 13:57:32 -0800
I have a few of these, "Impressions in color" put out by Bergstrom
Paper. It's compositions inspired by the sounds made by the printing
press at different speeds. pretty jazzy. It includes actual sounds of
the press as well. Another one I have was put out by Valvoline in 1969,
"Swinging sights and sounds" and it's classic now sound stuff. Still
another is called Dimension 70, motorola's insight to creativity, has
great moog instrumentals...the opener "dimension 70" sounds like it
could be used for a Gerry Anderson TV show theme.
>I saw "The Eight Seasons of Chromalox" on ebay once, that is probably the
best place to begin your search for a needle in a haystack....
I have heard this, and it's pretty amazing in my opinion. At times it
sounds like Free Design and even Stereolab..
Dean
************************
www.ezaction.com
************************
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-------------------------------------------------------------------------------
From: Edward Milhuisen
Subject: Re: (exotica) Industrial Musicals/Corporate Anthems
Date: 08 Apr 2001 00:09:29 +0200
I have a whole bunch of corporate records, but I've never made the
distinction
between made for consumers / made for employees. I guess on a lot of of
the ones
I have, the distinction would be very blury.
What I like most about these records is that so many of them have
religious overtones.
It's almost like they took a gospel song and substituted the word Jesus
or Lord for their brand name.
A tip for thrift store scavengers: there seems to be a lot more of these
on 7" than on LP, and a
lot of collectors don't bother going through the 7"s.I have two
excellent 7's from Ford
("Ford leads the way"), a couple by KLM ("Come fly on my Golden Wings").
And a great
spoken word 7" by Philips with suave 7T's cocktailmusic in the
background called
"For the love of Mike": a woman with a sexy voice declares her desire
for Mike
(meaning Philips microphones) and is misunderstood by a dorky character
called Mike.
And a 1979 Volkswagen instrumental LP which is boring except for one
track with a groovy
Moog that encaptures that conveyer belt feeling.
I have vocal one by Fokker, a former Dutch aircraft builder. Everytime
they sing Fokker, it
sounds like they sing Fucker:
"Fucker on the wing,
on our way to new horizons
Fucker on the wing
Together we're strong
Fucker on the wing
The sky is our destination
Fucker on the wing
Come fly along!
Fucker on the wing
And spread your wings
to our song!"
I thought this genre died out in the late 7T's / early 8T's until I
recently found this site:
http://corporateanthems.raettig.org/
there's even one by Netscape!
bag@hubris.net wrote:
Caught a cool story on NPR's All Things Considered on Friday.
It was called Corporate Anthems:
http://search.npr.org/cf/cmn/cmnpd01fm.cfm?PrgDate=04/06/2001&PrgID=2
Anyone out there collect these recordings? Tell us about your
favorites!
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-------------------------------------------------------------------------------
From: "Michael D. Toth"
Subject: (exotica) Fwd: Woweee!
Date: 07 Apr 2001 18:55:01 -0400
Hey there:
Someone just sent me this monumentally amazing link that I felt obligated
to pass along.
(Requires Flash plug-in:)
http://user.tninet.se/~prv247p/hatt/hatten.swf
From context in the song's lyrics and the visual imagery, "hatt"
translates as "hat" in English???
Any idea what country a ".se" domain is? I'm trying to figure out its
origin.
You're so very welcome,
Michael David Toth
mtoth@neo.lrun.com
mtoth@neo.rr.com
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From: Edward Milhuisen
Subject: Re: (exotica) Fwd: Woweee!
Date: 08 Apr 2001 01:35:10 +0200
"Michael D. Toth" wrote:
> Any idea what country a ".se" domain is? I'm trying to figure out its
> origin.
that would be Sweden
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From: clayton black
Subject: Re: (exotica) Industrial Musicals/Corporate Anthems
Date: 08 Apr 2001 19:38:22 -0500
> There's one on Capitol Custom
> "Music from Bach to Rock -a salute to the 150th Anniversary of Gas" by
> Harry Fields his piano and quartet
>
> I love this sentence in the liner notes "Seldom has an artist been as
> intimately identified with an entire industry as Harry Fields is with the
> natural gas industry".
>
> The music is okay. It's basically a mostly original lounge/exotica record
> but not very good. No singing.
I've got another one of Harry Fields's albums, "Music for Cooking with Gas,"
hawking the "Caloric" line of gas kitchen products. But once again my
tastes don't align with Alan's. The version of "Green Dolphin Street" on
this album is terrific.
Clayton
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From: DJJimmyBee@aol.com
Subject: Re: (exotica) Industrial Musicals/Corporate Anthems
Date: 08 Apr 2001 01:12:47 EDT
In a message dated 4/7/1 12:55:55 PM, kendoll@freenet.edmonton.ab.ca wrote:
>i bought one of these industrial records once -- i can't remember the
>corporation.......
Shame on you Ken Doll! What kind of corporate weenie are you, anyway? The
whole idea of this LP ( called "Perspective of the 70's", by Westinghouse at
their Sixth Future Power Forum-February, 1969 ) was to familiarize you with
them..Apparently they failed royally...congratulations are in order, but to
whom remains uncertain, but with U on the exotica list I cast my vote your
way. ;-)
>but the song that caught my attention was about nuclear
>energy & how clean it was compared to fossil fuels. it was done as a
>skit with a cowboy theme -- the fossil fuels were the bad old
>gunfighters & nuclear energy was the new gun in town that was going to
>clean up the bad guys, or some such hokum.
The track to which you refer--so irreverently I might add!-- is "The Nuclear
Kid" which is according to the liner notes "...a saga of a stranger who came
to town one day--nuclear power. He was neat, clean, and friendly, but the
stories of his unruly youth made a lot of the townfolk afraid. Then one day
he outgunned the fossil bad men and became everyone's hero."
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From: Ashleywarren1@aol.com
Subject: Re: (exotica) shelving cd's
Date: 08 Apr 2001 01:40:28 EDT
In a message dated 4/7/01 12:52:14 PM EST, warrenbeath@hotmail.com writes:
<< I'm running out of space for all my cd's and want to inquire if there is
any good reason for not stacking them flat. I've read it's recommended to
shelve them upright, but I'd buy some time before I have to get new shelving
if I could stack some flat to take up the rest of the shelf space. I'd be
interested if any of the experts have an opinion. Thanks, >>
It really makes no difference stcking them flat or upright. The only concern
you have with a flat stacking is that you may do damage to the CD case
(especially the ones on the bottom). Unlike albums which should be kept
upright as excessive weight can cause warping or other damage, a CD sits
firmly nestled in it's "jewel-box" tray housing so even if there is a tall
stack, the weight is distributed around the box and does not rest on the CD
itself.
Ashley
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From: Edward Milhuisen
Subject: (exotica) [exotica]flexi-disc bites the dust
Date: 08 Apr 2001 11:58:18 +0200
Don Joyce wrote:
> Forwarded by Negativland.
>
> >
> >Waiting for Eva-Tone to blame this on Napster.
> >
> >-- Mara Schwartz
> > >&ck=&userid=330736652&userpw=.&uh=330736652,2,&ver=2.5>
> >
> >
> >Novelty Discs Spin To Halt
> >By DAVID DALEY
> >The Hartford Courant
> >March 10, 2001
> >
> >This is the way a once-proud technology ends: not with a snap and crackle of
> >low-fidelity static, not with the incessant clicking of a needle stuck in a
> >groove, but with absolute radio silence.Once upon a time the flexi-disc -
> >those novelty records stapled into magazines, tucked under cereal-box tops
> >and mass-mailed to millions by presidential candidates - was a kitschy yet
> >honored way of distributing sound recordings.
> >
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From: pm.carey@utoronto.ca (Patrick Carey)
Subject: (exotica) FS: Stereolab/Monade
Date: 08 Apr 2001 10:25:33 +0100
Hi all,
I have a mint copy of the following for sale:
# Stereolab & Brigitte Fontaine/Monade - "Calim=E9ro/Cache Cache"
UK CD (Duophonic Super 45s: ds45-cd25) 1999 [Fontaine: words
and vocals, Stereolab/O'Hagan: music. Monade track is Laetitia
with help from Mary & Tim. Mint.]
Please email if interested.
Thanks
-Patrick
pm.carey@utoronto.ca
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From: "m.ace"
Subject: (exotica) The Mustang "Organ Freakout"
Date: 08 Apr 2001 14:08:21 -0400
Or as the cover puts it in full:
"Organ Freakout!
A Happening -- With The Mustang"
"The Swinginest Hammond Organ Album Since The Birth of Psychedelia"
(Somerset SF-28600)
A decent batch of organ-dominated soul-a-gogo tracks from circa 1967. Sort of a budget substitute for when you can't get Booker T. & The MGs. Track titles like "Golden Gate Freakout", "Tennessee Waltz Frug", "Old Time Religion Gone New", "The Acid Test". Follows the budget label habit of deriving the tunes from public domain sources such as spirituals ("Joshua Got Busted") or slightly altered lifts from hits ("Wild Flowers '67" = "I Walk the Line"; "California Time" = "Shotgun"). Cover features five frugging women surrounding an organist with his back to the camera.
I think this one was discussed on the list not very long ago, but I can't recall if we ever established The Mustang's true identity. Anyone? And are there other Mustang albums out there?
thanks,
m.ace mace@ookworld.com
http://ookworld.com
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-------------------------------------------------------------------------------
From: "m.ace"
Subject: Re: (exotica) Curdxotica
Date: 08 Apr 2001 14:26:24 -0400
Here are some scrapple recipes using less outre cuts of meat:
http://www.berksweb.com/pam/scrapple.html
And here's a rather angry version that gets into skull-splitting and tooth bashing:
http://www.chickenhead.com/scrapple/recipe.html
I sense some childhood trauma there.
And here's a Florida band called Scrapple:
http://www.mindspring.com/~kconnell/scrapple/
Quote: "Take the 'k' out of 'funk' and you have 'fun' music...the true essence of our sound."
"Last update -- 7-22-98."
--m.ace
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From: "m.ace"
Subject: (exotica) Doggie Down
Date: 08 Apr 2001 14:33:07 -0400
Speaking of San Francisco landmarks, Shock! Terror! "Doggie" went down in high winds last Sunday night.
http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2001/04/02/MN197235.DTL
--m.ace
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From: alan zweig
Subject: Re: (exotica) The Mustang "Organ Freakout"
Date: 08 Apr 2001 16:08:18 -0400
At 02:08 PM 4/8/01 -0400, m.ace wrote:
>"Organ Freakout!
>A Happening -- With The Mustang"
>
>"The Swinginest Hammond Organ Album Since The Birth of Psychedelia"
>I think this one was discussed on the list not very long ago, but I can't
recall if we ever established The Mustang's true identity. Anyone? And are
there other Mustang albums out there?
What am I? The local Paul Griffin expert?
The Mustang was Paul Griffin. There are other Mustang records
One is "Dance to Swing Organ" also on Somerset.
Another is an all-Beatles record. That's the better one by far.
Paul Griffin also has records on Somerset.
One is called "Sock it to me!! The Sounds and voices of the Now Generation".
It's not as good as the title. (There are also vocal R&B tunes on the
record by Donnie Burks and Little Joe Curtis.)
Then there's "Paul Griffin pours on some Soul Sauce".
And finally in my former collection - now only on CDR - there is/was "101
Strings with Hammond Organ featuring Paul Griffin".
The thing about these records is that Paul/the Mustang plays this very
heavy handed, ham-fisted style of organ. Big chords held for a long time.
He's not the only organ player who favors that style but I find it gets
tiresome after a while.
I LOVE ORGAN but there are some good organ players whose style leaves me
pretty bored. Like Sir Charles Thompson for instance. Too polite. Too
pianistic.
He's not my favorite but the Mustang Beatles LP is worth finding.
AZ
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From: "Daniel Shiman"
Subject: (exotica) Playlist for Dial-ated Pupils - April 7, 2001
Date: 09 Apr 2001 03:12:36
There are exotic riches to be found among many jazz artists' legacies; this
week I began my show with a focus on African-themed recordings. Also,
whistling. I realize now that I truly hadn't lived before hearing the
theremin line from "Good Vibrations" being whistled.
-Dan
OLIVER NELSON Message Afro/American Sketches LP Prestige
SHELLY MANNE Wameru Daktari LP Atlantic
COUNT BASIE Kilimanjaro Afrique LP Philips
THE HERBIE MANN AFRO-JAZZ SEXTET Uhuru The Common Ground LP Atlantic
CANNONBALL ADDERLEY Lehadima Accent on Africa LP Capitol
RAMSEY LEWIS Afro-Boogaloo Twist Maiden Voyage LP Cadet
FREDDIE RODRIGUEZ Lu-Lu Boogaloo La Versatilidad de Freddie Rodriguez LP UA
Latino
PEPE DOMINGUIN Bongo Bash !Wild! Stereo Drums LP Capitol
TITO PUENTE Cha-Cha-Son Mucho Cha-Cha LP RCA
MIGUELITO VALDES Guaguanco Africano Inolvidables LP MGM Latino Series
TINO LA TINO Canto Misterio La Tino Cha Cha Cha LP Crown
CAL TJADER Wachi Wara Tjader Plays Mambo 10" LP Fantasy
RAMON MARQUEZ Y SU ORCHESTRA Mambo Negro Mambo! 10" LP Columbia
ESQUIVEL AND HIS ORCHESTRA Sentimental Journey Infinity in Sound vol.
2 LP RCA
FRED LOWERY Sunrise Serenade Walking Along Kicking the Leaves LP Decca
FRED LOWERY Abide With Me Abide With Me LP Word
LES BAXTER The Lonely Whistler Confetti LP Capitol
PROVOL'S GOLDEN BIRDS Ciribiribin Golden Voiced Canaries LP Decca
HUGO MONTENEGRO Good Vibrations Good Vibrations LP RCA
HUGO PERETTI Whistling at Dawn ...And So to Sleep LP Mercury
MUZZY MARCELLINO Beyond the Reef Whistling on the Beach at Waikiki LP Coral
ROBERTO DELGADO Albatross Blue Hawaii vol. 2 LP Polydor
THE ISLANDERS City Under the Sea The Enchanted Sound of The
Islanders LP Mayflower
SANTO AND JOHNNY Reflections Hawaii LP Canadian-American
THE GENE RAINS GROUP Tiki Rains in the Tropics LP Decca
Hear! "Dial-ated Pupils" -- every Saturday 4-6 pm CST exclusively at
www.radio1austin.com. I will lead you safely through the perilous dark
jungles of Austin's scratchiest record collection. Exotic jazz. Obscure
Latin, Afro, and Eastern grooves. Easy listening arcana. Bring your bug
spray.
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com
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From: "basic hip"
Subject: Re: (exotica) Playlist for Dial-ated Pupils - April 7, 2001
Date: 08 Apr 2001 21:03:19 -0700
> FRED LOWERY Sunrise Serenade Walking Along Kicking the Leaves LP Decca
> FRED LOWERY Abide With Me Abide With Me LP Word
> PROVOL'S GOLDEN BIRDS Ciribiribin Golden Voiced Canaries LP Decca
> MUZZY MARCELLINO Beyond the Reef Whistling on the Beach at Waikiki LP
Coral
Anybody that puts Fred Lowery and canary songsters in their playlists is OK
in my book.
No foolin', Dan - I love the stuff :)
I've never seen the Golden Birds on LP - mine is a three 78 set - just six
titles in all.
If you like that, you'll love The Artal Orchestra's "The Canaries"
http://www.basichip.com/covers/artal.jpg or Johan Dalgas Frisch's "Symphony
Of the Birds". Not to be confused with Jim Fassett's masterpiece of the
same title.
And one of my all time favorites would be the AMERCIAN RADIO WARBLERS, a
series of 4 records which came on 78s and 45s, I believe. Absolutely
stunning paper sleeves, which are harder to get than the records.
View those covers here, front:
http://www.basichip.com/covers/warblers.jpg
and back:
http://www.basichip.com/covers/warblersR.jpg
In this day and age, it is hard to imagine an organ player, surrounded by
cages of canaries, broadcasting live radio shows.
To find these, try ebay, they come up everynow and then. nobody cares about
this stuff, which makes it good for people that do :)
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From: "Magnus Sandberg"
Subject: Re: (exotica) Playlist for Dial-ated Pupils - April 7, 2001
Date: 09 Apr 2001 09:29:44 +0200 (CEST)
citerar Daniel Shiman :
> THE ISLANDERS City Under the Sea The Enchanted Sound of The
> Islanders LP Mayflower
What is this Daniel? Looks interesting. Everything that has the
word "enchanted" in it is usually good. Underwater themes the same.
Magnus
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From: G.R.Reader@bton.ac.uk
Subject: (exotica) Wynder K Frog
Date: 09 Apr 2001 11:15:06 +0100
Someone gave me a copy of this (re-issue on CD) after I played them Ananda
Shankars Jumping jack Flash, I think just because it also has a version of
the song. Its a bit more serious than I generally like, I don't recall it
being particularly groovy or even as psychy as, say Brian Auger. I mentally
filed it as late 60's blues/rock, and haven't touched it since I'm afraid.
Theres the Shake Sauvage comp from last year has some good Brian Auger
stuff, not too Jazzy, good groovy continental settings.
Harry Stoneham can be good, but is often not. usually on the same LP,
swinging wildly between the wildly swinging and TV sitcom themes.
The Ed Lincoln LP 'Orgao and Piano Electrico' is much more funk led than the
Ed Lincoln LP I recorded for you. Rough Trade had it in their Convent garden
Shop a couple of weeks ago.
Some of the Italian Soundtracky stuff is pretty good, (Alessandro
Alessondri is it?) plays on some of Piero Umiliani's tracks and has some
bits of his own. good tracks on the ep's that came with Il Giaguaro. And
theres a couple of stormers on the Italia Erotica comp.
The Happy Hammond and its ilk tend to be a bit plodding, I've found.
thats enough disinformation from me.
El Maestro Con Queso
djcheesemaster@yahoo.com
grr@brighton.ac.uk
http://www.shitola.freeserve.co.uk/cheese/cheese.htm
http://www.geocities.com/djcheesemaster/
The Stare
One thing I did get recently that hasn't yet arrived is a classic (so =
I'm
told) Hammond LP - Wynder K Frog - Out of the Frying Pan. Does anybody =
have
any comment on this one or other Hammond recommendations?
Charles Moseley
Editor - C3 Magazine
3 St Peter's Street, London, N1 8JD
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From: "jamie_james@lineone.net"
Subject: Re: (exotica) British TV serials from the 60s
Date: 09 Apr 2001 12:36:23 +0100
> The original randall and hopkirk was pretty cool. Excellent theme tune.
sorta
> john Barry esque, dunno who it actually was though.
>Stumbled across a a soundtrack CD from this series at CDNow. It's a little
>pricey -- is the music worth it?
I only know the main theme, which is good, as for the incidental music i
couldn't say.
I would think you could get the theme tune on a TV themes compilation though,
i'll keep my eyes peeled.
Thanks for the ghostbusters tip- i think you might have it there.
Jamie
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From: Charles Moseley
Subject: (exotica) StereoLab
Date: 09 Apr 2001 12:37:47 +0100
I heard a great StereoLab record yesterday - Simple Headphone Mind. Does
anybody have any other recommendations for further similar listening?
Thanks all.
Charles Moseley
Editor - C3 Magazine
3 St Peter's Street, London, N1 8JD
Direct: +44 (0) 20 7704 3313
Main: +44 (0) 20 7226 8585
ISDN: +44 (0) 207 359 6756
www.c3mag.com www.c3mag.com www.c3mag.com
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From: chuck
Subject: (exotica) Josie & the PussyCats Rhino Handmade Early Warning 31
Date: 09 Apr 2001 06:55:23 -0700 (PDT)
Nice to see this get the official Rhino treatment!
--- "Webmaster (Rhino)" wrote:
> Greetings Earthling!
> It has been a uniquely hectic week at The Institute.
> So, it is with great glee that I am pleased to be able to
> tell you about our first release from the fabled Archives of
> Hanna-Barbera.
>
> +++++
>
> PRE-ORDER DATE:
> Monday 9 April 2001 at Noon Pacific Daylight Savings Time
> [1900 UTC]
>
> ARTIST:
> JOSIE AND THE PUSSYCATS
> TITLE:
> The Capitol Recordings
> INDIVIDUALLY NUMBERED LIMITED EDITION:
> 5,000 (five thousand copies)
>
> First there was the Archie comic book.
> Then there was the animated series from Hanna-Barbera
> Then there was the album and singles from Capitol Records
> which featured the singers who performed the songs in the
> animated series.
> This is a single disc collection of all of the Capitol JOSIE
> AND THE PUSSYCAT masters. It comes with a 20-page booklet
> that tells the story of the band and features quite a bit of
> really cool Hanna-Barbera artwork and ephemera.
>
> PLEASE NOTE:
> Rhino Records, Our Corporate Benefactor, Will Be Releasing A
> Modified Version Of This JOSIE AND THE PUSSYCATS Album For
> Traditional Retail Sale In Late Summer 2001. This Modified
> Retail Version Will Have A Different Package And A Different
> Title, Will Have Fewer Tracks, Will Have A Booklet With
> Fewer Pages And Will, Of Course, Not Be Individually
> Numbered.
> Please Keep This In Mind As You Contemplate Your Order Of
> This From Rhino Handmade.
> Thank You.
>
> RHINO HANDMADE WEBPAGE LINK FOR COMPLETE DETAILS:
> The complete track listing for JOSIE AND THE PUSSYCATS 'The
> Capitol Recordings' and sound samples for every track will
> be available on the Rhino Handmade Website this coming
> Monday at:
> http://www.rhinohandmade.com/RHIP/7783/index.html
> PLEASE NOTE: This webpage will not be active until Monday 9
> April 2001 at Noon Pacific Daylight Savings Time [1900 UTC]
>
> Netizens may always find helpful Questions And Answers about
> how Rhino Handmade works on the Rhino Handmade Frequently
> Asked Questions Page at:
> http://www.rhinohandmade.com/FAQ.html
> We have no secrets.
> Well, ahhh, at least, not very many.
>
> +++++
>
> AN UPDATE ABOUT THE DAVE CLARK FIVE TITLE ANNOUNCED LAST
> WEEK:
> The Archivists At The Rhino Handmade Institute Of
> Petromusicology Regret To Inform You That THE DAVE CLARK
> FIVE
> 'The History Of The Dave Clark Five' Has Been Withdrawn From
> Sale.
>
> All Pre-Orders Which Were Placed For This Title Will Be
> Automatically Cancelled By The Time Warner Order Center And
> Will Not Be Fulfilled.
>
> If You Placed A Pre-Order For This Title Combined With An
> Order For Another, Different Rhino Handmade Title, Only The
> Portion Of Your Order For THE DAVE CLARK FIVE Will Be
> Cancelled.
>
> The Title Is Being Withdrawn From Sale By The Rhino Handmade
> Institute Of Petromusicology To Honour Mr Clark's Requests
> That No 30-Second Audio Samples Be Used In Its Sale Or
> Promotion, That It Not Be Stickered As An Individually
> Numbered Limited Edition Found Objectô And That Its Sales Be
> Limited Only To Netizens In The USA.
>
> The Archivists Remain As Surprised As Any Netizen By This
> Unexpected Turn Of Events And Apologize To Each And Every
> Netizen Who Placed A Pre-Order For This Title That We Will
> Be Unable To Provide This Title To You.
>
> Now For The Good News:
> If You Reside In The United States, You Will Soon Be Able To
> Order THE DAVE CLARK FIVE 'The History Of The Dave Clark
> Five' (The Very Same Original 1993 Hollywood Records Package
> As Was Being Offered By The Archivists) From The Website Of
> Our Corporate Benefactor, Rhino Records.
>
> For Information On How To Do This, And When You Will Be Able
> To Do So, Please Go To:
> http://www.rhino.com/features/61482p.html
> - For The Rhino Records Webpage Which Will Soon Have New
> Ordering Details.
>
> The Archivists Thank You For Your Patience While An
> Alternative Method Of Making This Title Available To You Is
> Sorted Out And Implemented.
>
> +++++
>
> When I again write I will tell you about the next
> installment in the Bright Midnight series of releases from
> THE DOORS archive.
>
> Always Stereophonically Yours,
> R W Hand
> Curator
> Rhino Handmade Institute Of Petromusicology
>
> e-mail: mr.hand@rhino.com
> [Mr Hand does indeed read each and every e-mail you send
> but, regretfully, cannot always personally answer each one.]
>
To subscribe to this Rhino Handmade Early Warning E-mail
> List, just go to:
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From: "Michael D. Toth"
Subject: Re: (exotica) Industrial Musicals/Corporate Anthems
Date: 09 Apr 2001 10:28:01 -0400
Whew, I've got an intimidating pile of Exotica digests I haven't gotten
around to reading, let alone responding to. Look for commentary on
threads that have been dead for weeks in future days. In the meantime,
something current...
bag@hubris.net wrote:
>Caught a cool story on NPR's All Things Considered on Friday.
>
>It was called Corporate Anthems:
>
>http://search.npr.org/cf/cmn/cmnpd01fm.cfm?PrgDate=04/06/2001&PrgID=2
...
>A guy named Steve Young has collected more than 150 LPs of industrial
>musicals and I can't say I have seen even one!
Steve and I joined this list around the same time around 1994 or 1995 and
began exchanging off-list e-mails. (He hasn't been on here for a while
though) I finally got to meet him a couple of years back. Steve's a
mighty swell guy.
If you've never checked out Steve's extensive Real Audio "Dave's Record
Collection" archive of bizarre record samples, hoo-ee, you're missing
out. A lot of this stuff is insanely rare and obscure, even by our usual
collecting standards:
http://www.cbs.com/latenight/lateshow/clubhouse/records.shtml
Michael David Toth
mtoth@neo.lrun.com
mtoth@neo.rr.com
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From: jmhuber@mindspring.com
Subject: (exotica) Cool '60s organists
Date: 09 Apr 2001 10:29:44 -0400
I saw the post about Paul Griffin and '60s organ music and just wanted to post some info on an organist I feel is the quintessential '60s rock organist: spanish keyboard magician Pablo Herrero, organist with the '60s Spanish instrumental rock band, Los Relampagos -
Go to www.losrelampagos.com to download one of the band's exotic numbers from about 1965, "La Leyenda del Beso" - "Nit de Llampecs," also available for download at the site, has a clavioline playing the melody
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From: "basic hip"
Subject: (exotica) World On Moog III
Date: 09 Apr 2001 07:41:56 -0700
hey thanks for the heads up on that Josie and the Pussycats CD, Chuck -
that's a triple digit LP!
Say, I've been meaning to ask my fellow listees about this moog record I've
never seen (except for a pic)
It's called The Beatles / Get Back - World On Moog III, on DAN records.
Cover has a side view of a plane with beatles faces in the windows..
Anybody have this and would you care to do a CD-R swap?
Thanks
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From: Ben Waugh
Subject: Re: (exotica) Cool '60s organists
Date: 09 Apr 2001 07:59:04 -0700 (PDT)
Don't forget organist Jimmy Smith whose groovy
spy/lounge jazz lp "The Cat" (Verve)was directed by
Lalo Schifrin.
--- jmhuber@mindspring.com wrote:
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From: Edward Milhuisen
Subject: Re: (exotica) Cool '60s organists
Date: 09 Apr 2001 18:34:54 +0200
jmhuber@mindspring.com wrote:
> I saw the post about Paul Griffin and '60s organ music and just wanted to post some info on an organist I feel is the quintessential '60s rock organist: spanish keyboard magician Pablo Herrero, organist with the '60s Spanish instrumental rock band, Los Relampagos -
>
> Go to www.losrelampagos.com to download one of the band's exotic numbers from about 1965, "Nit de Llampecs," also available for download at the site, has a clavioline playing the melody
How come nobody told me Joe Meek had a side-line while he was in Benidorm?
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From: delicado@cheerful.com
Subject: (exotica) song recommendations website - psychedelicado.com
Date: 09 Apr 2001 12:50:49 -0400 (EDT)
I did some more work on my songs website, and would be very grateful if people could check it out.
The URL is www.psychedelicado.com
The idea is to have a repository for recommendations about individual songs/tracks. These are categorized not by 'genre', but simply by the person who recommended them. Anyone can register and recommend any song of any genre.
Kind of like a way to post an annotated playlist, even if you don't have a radio show.
You can register and post song recommendations, which are then immediately searchable. You can also post comments on songs which others have recommended.
Any feedback would be enormously appreciated; I think this could be quite useful, but I have done it completely on my own (only 15 or so users so far), so it could definitely be improved based on comments.
Please let me know what you think,
thanks,
Jonny
Get free personalized email at http://email.lycos.com
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From: "Daniel Shiman"
Subject: Re: (exotica) Playlist for Dial-ated Pupils - April 7, 2001
Date: 09 Apr 2001 17:51:45
>citerar Daniel Shiman :
>
>
> > THE ISLANDERS City Under the Sea The Enchanted Sound of The
> > Islanders LP Mayflower
>
>What is this Daniel? Looks interesting. Everything that has the
>word "enchanted" in it is usually good. Underwater themes the same.
>
>Magnus
>
>
This is a gem. The Islanders had a semi-hit in 1959 (?) with their take on
"The Enchanted Sea", replete with whistling, tremelo-guitar effects, and
ethereal male voices, supplied by, I imagine, the group itself. I see the
"Enchanted Sea" on 45 fairly frequently. And if I recall (I'm writing from
"work" right now), most of the songs on the LP are maritime-themed, rather
than the usual Polynesian/Hawaiian fare. Overall the album has a consistent
low-rent (in a good way) instrumental feel, with some very fine originals;
i.e. "City Under the Sea".
Anyone know any particulars about The Islanders?
-Dan
Hear! "Dial-ated Pupils" -- every Saturday 4-6 pm CST exclusively at
www.radio1austin.com. I will lead you safely through the perilous dark
jungles of Austin's scratchiest record collection. Exotic jazz. Obscure
Latin, Afro, and Eastern grooves. Easy listening arcana. Bring your bug
spray.
_________________________________________________________________
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From: bigshot
Subject: (exotica) Theaters
Date: 09 Apr 2001 12:16:41 -0700
exotica-digest wrote:
>Date: Sat, 7 Apr 2001 13:10:57 -0500
>From: Mimi Mayer
>Subject: Re: (exotica) juxtapoz on tiki art (ish #25)
>
>Art deco theatres from the 20s-40s seem ripe for tiki designs. For
>instance, the Fox Theatre in Detroit has fabulous plasterwork depicting
>scowling sheiks, palms--a gilded fantasy desert in downtown Motown. Does
>anyone know of art deco theatres with tiki themes? How about any books on
>the subject? Thanks for any info, Mimi
The Mayan theater in downtown Los Angeles is the closest I
can think of. It has a huge Mayan calendar on the ceiling,
and weird South American gargoyles everywhere. Yma Sumac
should play there!
See ya
Steve
Stephen Worth
bigshot@spumco.com
The Web: http://www.spumco.com
Usenet: alt.animation.spumco
Palace: cartoonsforum.com:9994
Spumco International
10859 Burbank Bl. Suite A
North Hollywood, CA 91601
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From: bigshot
Subject: (exotica) My Daily Screed
Date: 09 Apr 2001 12:26:44 -0700
>Date: Mon, 9 Apr 2001 06:55:23 -0700 (PDT)
>From: chuck
>Subject: (exotica) Josie & the PussyCats Rhino Handmade Early Warning 31
>
>Nice to see this get the official Rhino treatment!
>
>- --- "Webmaster (Rhino)" wrote:
>> First there was the Archie comic book.
>> Then there was the animated series from Hanna-Barbera
I really despise Time Warner. Hanna-Barbera was a great studio,
and all they do is promote the absolute dreck. It's typical of
their blatant disregard for the history of animation that they
attribute the Archie series to Hanna Barbera. (It was Filmation.)
Fuck Scooby Doo and Josie and the Pussycats. That stuff sucks
big time. Everything good gets bought by Time Warner and
turned into something bad. Hanna Barbera and Rhino included.
See ya
Steve
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From: "F. Cobalt"
Subject: Re: (exotica) Industrial Musicals/Corporate Anthems
Date: 09 Apr 2001 12:34:52 -0700
>Date: Sat, 07 Apr 2001 11:57:43 -0600
>From: kendoll
>
>i bought one of these industrial records once -- i >can't remember the
>corporation but the song that caught my attention was >about nuclear
>energy & how clean it was compared to fossil fuels. >it was done as a
>skit with a cowboy theme -- the fossil fuels were the >bad old
>gunfighters & nuclear energy was the new gun in town >that was going to
>clean up the bad guys, or some such hokum. i didn't >keep it because it
>was badly recorded, like they only had one >microphone, and i thought it
>was boring. had i only known...
>
>mike
This is Perspective for the 70s, from the Westinghouse Sixth Future Power Forum. The Nuclear Kid is the cowboy who represents nuclear power, that everyone is afraid of because of his "unruly youth". It is pretty silly, though the Nuclear Kid song is one of the better ones on it. This musical had such songs like "Urbanopolstein", "Urbanopolis: Oratorio", and "Power Flower". Overall there's a strong notion of a utopia that is going to arise due to nuclear energy. Very silly. I think the best thing about it though is the cover, an odd tree-like structure of a rainbow of colors on a black background.
Mr. Unlucky
Get 250 color business cards for FREE! at Lycos Mail
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From: "F. Cobalt"
Subject: (exotica) Brazilian wierdness
Date: 09 Apr 2001 12:40:25 -0700
>From: "Brian Linds"
>
>Hi. What can folks tell me about a self titled record >by Lulu Cortez and Ze
>Ramhalo? It's twisted Brazilian
>semi psych sounds with lots of animal sounds in the >background.
>
>Brian Linds
Ze Ramalho is from Northeastern Brazil. His recordings from the 70s remind me of Blood on the Tracks era Bob Dylan. He still has a great voice, but my friend Jorginho says that hes become too spiritual, whatever that means, which may account for the psych elements. I don't know too much about him though. I could ask around if you'd like.
Mr. Unlucky
Get 250 color business cards for FREE! at Lycos Mail
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From: Brian Phillips
Subject: (exotica) A rare Brother Theodore book cover
Date: 09 Apr 2001 17:31:51 -0400
Perhaps mentioned before, but...
http://www.angelfire.com/ny/nyuk/images/brotherbook.jpg
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From: Brian Phillips
Subject: (exotica) ...and another thing about Brother Theodore...
Date: 09 Apr 2001 17:34:44 -0400
Does anyone have any recordings of him? I have yet to hear him.
Br(other)ian Phillips
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From: nytab@pipeline.com
Subject: Re: (exotica) ...and another thing about Brother Theodore...
Date: 09 Apr 2001 18:04:53 -0400
Brian Phillips wrote:
> Does anyone have any recordings of him? I have yet to hear him.
Br(other)ian Phillips
There's a short clip here:
http://www.essron.com/
lousmith@pipeline.com
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From: Moritz R
Subject: Re: (exotica) Theaters
Date: 10 Apr 2001 00:20:21 +0200
bigshot schrieb:
> The Mayan theater in downtown Los Angeles is the closest I
> can think of. It has a huge Mayan calendar on the ceiling,
> and weird South American gargoyles everywhere. Yma Sumac
> should play there!
That would fit perfectly. The Mayan imho is a major cultural milestone of the 20th century, but it's not tiki. It has carved wooden doors, reliefs on the floor, painted relief colums etc. etc. It's unbelieveable that it is a sleazy porn theater today. Someone should buy it the sooner the better. BTW: It appears in this Ramones film Rock'n'Roll Highschool or so. Actually I have seen it in many films.
The only tiki film theater that I know is really the one of the Kontiki museum in Oslo, Norway. But I guess that doesn't count. And it isn't embedded in any kind of art deco style.
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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From: nytab@pipeline.com
Subject: Re: Re: (exotica) Industrial Musicals/Corporate Anthems
Date: 09 Apr 2001 18:28:05 -0400
"Michael D. Toth" wrote:
> If you've never checked out Steve's extensive Real Audio "Dave's Record
Collection" archive of bizarre record samples, hoo-ee, you're missing
out. A lot of this stuff is insanely rare and obscure, even by our usual
collecting standards:
http://www.cbs.com/latenight/lateshow/clubhouse/records.shtml
-----------------
Yeah, I've been hoping that the next LateNight CD would be a selection of stuff from the "Record Collection." Can't see it happening anytime soon, though...
lousmith@pipeline.com
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From: Mimi Mayer
Subject: Re: (exotica) Theaters
Date: 09 Apr 2001 18:35:35 -0500
At 12:16 PM -0700 4/9/01, bigshot wrote:
>exotica-digest wrote:
>The Mayan theater in downtown Los Angeles is the closest I
>can think of. It has a huge Mayan calendar on the ceiling,
>and weird South American gargoyles everywhere. Yma Sumac
>should play there!
Hee! And risk her rattling the gilding off a Quezalcoatl figure when she
hits a high F? It really does surprise me that, at least according to the
fairly exclusive sample of the eXotica list, no one knows of a tiki-themed
Deco showplace. It just seems probable that one highly stylized design
approach or aesthetic (tikis) fed another (Deco). Plus both styles go in
for strong verticals, vegatative motifs, fantastical human figures, yadda
yad. Thanks, y'all, for info.
Mimi
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From: tikiman
Subject: (exotica) Denny's 90th
Date: 09 Apr 2001 16:15:05 -0700 (PDT)
Mahalo to all exoticans who sent loverly messages to
Martin Denny for his 90th birthday (4/10/11). I will
print them out and present them to him tomorrow. He
really does appreciate the love + sentiments...
best,
Fluid Floyd
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From: "m.ace"
Subject: Re: (exotica) song recommendations website - psychedelicado.com
Date: 09 Apr 2001 21:55:20 -0400
>I did some more work on my songs website, and would be very grateful if
>people could check it out.
>The URL is www.psychedelicado.com
>
>The idea is to have a repository for recommendations about individual
>songs/tracks. These are categorized not by 'genre', but simply by the
>person who recommended them. Anyone can register and recommend any song
>of any genre.
A fine job! A sharp, clean, unique design, and I didn't hit any bugs in the
programming.
Swing by there and post some songs, gang. Jonny's built an excellent
environment.
--m.ace
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From: itsvern@attglobal.net
Subject: (exotica) Rod Mckuen Birthday
Date: 10 Apr 2001 04:54:54 -0400
Rod McKuen fans in the L.A. area will not want to miss this event.
(p.s. the scramarama/archive link is very good, and if you scroll down
a little bit pasteven further, you'll see an article about a 7-11
Corporate musical).
Vern
Rod McKuen Birthday Tribute, April 29 2001
Rod McKuen is not only the best selling American poet of all time, he’s
also the least respected. Always keen to back an underdog, the
Cacophony Society is hosting a special 68th birthday party for Rod,
where else but atop his star on the Hollywood Walk of Fame. Before an
unwary audience of tourists, hookers and street crazies (perhaps Rod’s
ideal audience), we’ll offer straight and cocked interpretations of the
man’s various creative works, and original pieces loosely inspired by
them. Poet ("Listen to the Warm"), translator ("Seasons in the Sun"),
songwriter ("Jean"), cultural critic "Beatsville"), autobiographer
("Finding My Father"), the possibilities are limitless. The thrift
shops are full of source material, so get crackin’. Beatnik attire (and
Rod’s trademark sneakers) suggested. Visit http://www.rodmckuen.com for
inspiration, or ttp://www.geocities.com/scramarama/archive.html to
explore Rod’s take on the beats. We might visit the Hollywood Wax
Museum after, so bring some cash.
Where: 6743 Hollywood Blvd., near McCadden (opposite the Scientology
personality test site)
When: Sunday, April 29 2001, 2pm
Contact: Kim Cooper, scram@bubblegum.net
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From: "Darrell Brogdon"
Subject: (exotica) Retro Cocktail Hour
Date: 10 Apr 2001 08:06:25 -0500
Check out this week's Retro Cocktail Hour webcast for some tropic
tunes by Martin Denny, Ethel Azama, Don Tiki and Big Kahuna's Copa
Cat Pack.
Also, you'll find cool '50s flutes, bongos and hip talk from Jack
"Bongo" Burger, Herbie Mann and Del Close and John Brent's
classic LP "How to Talk Hip"; TV crime jazz from "The D.A.'s Man"
and "Staccato"; Sammy D sings in "Ocean's 11"; Don Elliott's
"Jamaica Jazz" (featuring Candido); bossa by Piero Piccioni and Joe
Harnell; and music for...seduction.
To hear The Retro Cocktail Hour on the web, just visit:
http://kanu.ukans.edu/retro.html
While you're there, tour the album gallery, sign up for our playlist
mailing service and enter the CD giveaway (this week: Phil the
Tremolo King's "A Man...A Mood...A Guitar").
As always, your comments and requests are welcome.
Darrell Brogdon
The Retro Cocktail Hour
KANU FM 91.5
Visit The Retro Cocktail Hour at:
http://kanu.ukans.edu/retro.html
Listen to The Retro Cocktail Hour at:
http://kanu.ukans.edu/retrolisten.html
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From: itsvern@attglobal.net
Subject: (exotica) correct link
Date: 10 Apr 2001 09:40:42 -0400
Here is the correct link to the great Rod Mckuen article "Tiptoe through
the Beatniks with Rod Mckuen"
Scroll down a little farther for the 7-11 corporate musical story.
http://www.geocities.com/scramarama/archive.html
Vern
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From: Hemmel@gmx.net
Subject: Re (exotica) Wynder K Frog
Date: 10 Apr 2001 15:52:53 +0200 (MEST)
The Album has an oustanding funk/soul/rnb/jazz GROOVE instro called
*Harpsichord Shuffle* and a nice version of Green Door, if you like that tune.
Hmm, More Organ ?
There is so much organ stuff, so I don’t know where to start. I think you
have already a lot ? Can you name some favorites, that I know more what kind of
style you are looking for ?
Maybe you would like:
Johnny Pate *You re Starting Too Fast* from LP Outrageous (with Pretty
Purdie on Drums)
Jay Jay Bailey *Walk Proud*
Larry Ellis and The Black Hammer *Funky Thing* both from VA Deep Funk (Soul
Patrol)
Ed Lincoln *Eu Quero Levar Voce Pra Casa (I want to walk you home) from LP
Organo E Piáno Elétrico
Lou Donaldson *Who’s Making Love* from LP Hot Dog (Blue Note) still
obtainable
Bill Doggett *The Worm* from LP Fingertips (still cheap to find)
And so on....
Martin
Charles Moseley wrote:
>>>One thing I did get recently that hasn't yet arrived is a classic (so =
I'm told) Hammond LP - Wynder K Frog - Out of the Frying Pan. Does anybody =
have any comment on this one or other Hammond recommendations?<<<
and djcheesemaster wrote:
>>>Someone gave me a copy of this (re-issue on CD) after I played them
Ananda
Shankars Jumping jack Flash, I think just because it also has a version of
the song. Its a bit more serious than I generally like, I don't recall it
being particularly groovy or even as psychy as, say Brian Auger. I mentally
filed it as late 60's blues/rock, and haven't touched it since I'm
afraid.<<<
--
visit the ***Space Escapade***
Exotic Club Pop Entertainment
with Guests and the Lemon Squeezer Sound System
at the Atomic Cafe, Neuturmstr. 5, Munich, every Tuesday Night
http://www.atomic.de/
GMX - Die Kommunikationsplattform im Internet.
http://www.gmx.net
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From: itsvern@attglobal.net
Subject: (exotica) Burlesque event
Date: 10 Apr 2001 10:53:15 -0400
I'm not sure if this has been mentioned on this list yet, but here is an
event that should be of interest to you fans of exotica.
Tease-O-Rama 2001 - A sultry, sizzlin' celebration of burlesque and
dance!
May 18-20 in New Orleans
http://www.teaseorama.com
I've seen several of the performers for this event at the past Vegas
Grind events, and I can vouch that they do a great job at trying to
recreate the old days of burlesque. This event should definitely have
an 'exotica' feel to it, and should be quite different than what passes
now for entertainment in today's modern adult strip clubs. Dixie Evans
from the 'Exotic World' burlesque museum in California will be there -
throw in a few great exotica DJs and you end up with an event I just
couldn't resist.
I'll be attending ..... anyone else??
Vern
---------------------------
"Journey with us back to a time when women had moxie and men were as
smooth and cool as dry martini. A time when wild and bawdy burlesque
dancers were viewed through the smoky haze of cigars and lipstick-kissed
cigarettes. They shocked. They titillated. They teased. Draped in boas
and swimming in sequins, the bold and bodacious beauties of yesteryear
shimmied their way into the hearts of audiences everywhere. And they're
about to do it again.
Welcome to Tease-O-Rama 2001 - a unique dance extravaganza celebrating
the glamor of days gone by! We've assembled some of the best and most
dynamic young performers of burlesque, cabaret, go-go, and the classic
show girl. Add the raw energy of live bands, a cool venue and smokin'
hot DJ's from across the country and you have the ingredients for an
explosive event like no other!
For more information, go to http://www.teaseorama.com
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From: itsvern@attglobal.net
Subject: (exotica) Shatner article
Date: 10 Apr 2001 11:07:13 -0400
Here's a pretty entertaining article about William Shatner, who will be
the host of this year's Miss USA beauty pageant. A good portion of the
write-up is devoted to his phrasing and his LP 'The Transformed Man'
http://washingtonpost.com/wp-dyn/articles/A62461-2001Apr9.html
Vern
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From: "Br. Cleve"
Subject: Re: (exotica) Burlesque event
Date: 10 Apr 2001 11:35:32 -0400
on 4/10/01 10:53 AM, itsvern@attglobal.net at itsvern@attglobal.net wrote:
> Tease-O-Rama 2001 - A sultry, sizzlin' celebration of burlesque and
> dance!
> May 18-20 in New Orleans
> http://www.teaseorama.com
>
> I've seen several of the performers for this event at the past Vegas
> Grind events, and I can vouch that they do a great job at trying to
> recreate the old days of burlesque. This event should definitely have
> an 'exotica' feel to it, and should be quite different than what passes
> now for entertainment in today's modern adult strip clubs. Dixie Evans
> from the 'Exotic World' burlesque museum in California will be there -
> throw in a few great exotica DJs and you end up with an event I just
> couldn't resist.
>
> I'll be attending ..... anyone else??
I'll be DJ'ing the gala ball on Sunday night (5/20) at the Shim Sham Club,
then again on Monday night, along with New York City's incredible World
Famous Pontani Sisters go-go dancers, at the Circle Bar (at Lee Circle at
the beginning of St. Charles Ave). I'm spinning Go-Go, shake, ye-ye, Now
Sound, breakbeat and clubpop.
check out www.pontanisisters.com
br cleve
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From: Brian Phillips
Subject: (exotica) More Hammond Grooves
Date: 10 Apr 2001 12:31:17 -0400
Bzzz - Jimmy Gordon
Gonzo - James Booker
Take 1 - Golden Pot
Shhhh...For a Little While - James Brown (Yes, it's him on the "oggin"
(They Might Be Giants pronunciation).
Also, try Odell Brown and the Organ-izers.
Eggs (see subject line),
Brian Phillips
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From: Ben Waugh
Subject: Re: (exotica) More Hammond Grooves
Date: 10 Apr 2001 11:03:39 -0700 (PDT)
And there's The James Taylor Quartet:
http://www.amazon.com/exec/obidos/ASIN/B000000OIF/qid=986925704/sr=1-2/ref=sc_m_3/104-5452492-2161562
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From: tikiman
Subject: (exotica) Mahalo!
Date: 10 Apr 2001 11:52:56 -0700 (PDT)
Mahalo to all who sent along birthday wishes for
Martin Denny... rest assured that all will be
presented to him at a small dinner party tonight.
Magnus, JB, et al were not too late as today's the day
and with the time difference here, it's still only
9am... dinner's @ 7pm, so keep it coming luv if you
feel it.
Aloha,
FF
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From: Ben Waugh
Subject: (exotica) Exotica Slacking
Date: 10 Apr 2001 13:12:48 -0700 (PDT)
Tiki Pinball:
http://www.flipside.com/games/arcade/pinball/tiki/index.cfm
=====
"Cold stars watch us, chum. Cold stars and the whores."
- Kenneth Patchen
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From: Dlsmay@aol.com
Subject: Re: (exotica) Burlesque event
Date: 10 Apr 2001 21:04:59 EDT
Cool! I saw the Shim-Shamettes in NOLA for Valentine's Day. Great mix of
burlesque and the sultry song stylings of Ingrid Lucia (8 mo.s pregnant and
wearing a leather gown).
> Tease-O-Rama 2001 - A sultry, sizzlin' celebration of burlesque and
> dance!
> May 18-20 in New Orleans
> http://www.teaseorama.com
>
> I've seen several of the performers for this event at the past Vegas
> Grind events, and I can vouch that they do a great job at trying to
> recreate the old days of burlesque. This event should definitely have
> an 'exotica' feel to it, and should be quite different than what passes
> now for entertainment in today's modern adult strip clubs. Dixie Evans
> from the 'Exotic World' burlesque museum in California will be there -
> throw in a few great exotica DJs and you end up with an event I just
> couldn't resist.
>
> I'll be attending ..... anyone else??
I'll be DJ'ing the gala ball on Sunday night (5/20) at the Shim Sham Club,
then again on Monday night, along with New York City's incredible World
Famous Pontani Sisters go-go dancers, at the Circle Bar (at Lee Circle at
the beginning of St. Charles Ave). I'm spinning Go-Go, shake, ye-ye, Now
Sound, breakbeat and clubpop.
check out www.pontanisisters.com
br cleve >>
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From: Lou Smith
Subject: (exotica) [obits] Pedro Depestre, Myra English
Date: 10 Apr 2001 23:03:37 -0400
BBC online reports -- April 9, 2001
Violinist Pedro Depestre Gonzalez, who plays with the Cuban group Buena
Vista
Social Club, has died after collapsing on stage in Basel, Switzerland.
Depestre, 55, collapsed after performing a solo at Sunday's concert and
could
not be revived. Following his death, the group cancelled a planned concert
Monday in Cologne, Germany. Depestre was due to play with Cachaito Lopez at
the Royal Festival Hall as part of the La Linea festival this weekend. That
concert will go ahead as planned. The Buena Vista Social Club are a group
of
Cuban musicians gathered together by Ry Cooder in 1997 for one last album of
music that had long since gone out of fashion in Cuba.
Now the musicians - some of whom are in their seventies and eighties - have
sold at least four million copies of their album. They were also featured
in
a 1999 film by the German director Wim Wenders. As well as playing with the
Buena Vistas, Depestre plays solo violin on the track Mariposita de
Primavera,
on singer Omara Portuondo's last album. Portuondo is due to play in London
on
12 April. He is one of the stars of the Buena Vista show along with singer
Ibrahim Ferrer and virtuoso pianist Ruben Gonzalez. But there are usually
about 18 musicians onstage at a concert, each applying an individual touch
to
the collective.
---------------
Posted on: Tuesday, April 3, 2001
Myra English, 'Hawai'i's champagne lady,' dead at 68
By Wayne Harada
Advertiser Entertainment Editor
They called her "Hawai'i's Champagne Lady," because of her signature
hit, "Drinking Champagne."
And, indeed, singer Myra English, who died Thursday at age 68, is being
recalled as one who was always as effervescent as the bottled bubbly of
which she sang.
English, whose formal name was Myra English Gibbs, was "totally unique,
a one-of-a-kind," said singer-composer Jay Larrin. "She sang exactly
what she loved and she rattled the chandeliers whenever she performed.
She just knew how to have fun."
"Her 'Drinking Champagne' will live on forever," said Cha Thompson, vice
president of Tihati Productions, who occasionally hired English to
perform at functions. "She was one entertainer who got along with
everybody ... and everybody loved Myra and her sexy, gravelly voice."
Melveen Leed, her longtime buddy, said she made frequent visits to the
Queen's Medical Center to see English, who had been ailing for months.
"Music was her life and she put the sparkle in 'Drinking Champagne,' "
Leed said. "I will really miss her; she was always happy-go-lucky and
I've never seen her sad. She would always be the one to make other
people happy and we often talked about doing a concert together. She
came to visit me a couple of months ago at Chai's Island Bistro, and she
just lit up when she got up to sing."
Said veteran entertainer Don Ho: "Myra was one of the free spirits; she
just loved to sing for people.Whenever you got her on a stage, she
wanted to stay forever because she loved working before an audience. She
just had that Gabby (Pahinui), Sonny (Chillingworth) spirit; always
sharing. And I thought her voice was just beautiful; she always brought
down the house whenever I called her on stage to sing."
English was an old-school vocalist who endeared herself to audiences at
the old Blue Dolphin Room of the Outrigger Waikiki Hotel in the '60s and
'70s, when Hawaiian music was undergoing an identity crisis, swayed by
altering influences. English, however, maintained her traditional
Hawaiian approach, often adding her kolohe (rascally) nature into her
music.
Besides club and recording work, English also was a regular guest on the
"Hawai'i Calls" radio show, made appearances at Club Polynesia and the
'Ilikai Hotel, and worked at the State Legislature.
English was born on Feb. 22, 1933, in Makawao, Maui, and graduated from
Maui High School. She attended Honolulu Business College and Peterson's
School of Business in Seattle.
Services will be held in Honolulu and on Maui. Friends may call from 6
to 9 p.m. Thursday at Diamond Head Mortuary, where a prayer service will
be at 7 p.m. On Maui, visitation will be from 10 a.m. to noon Saturday
at Holy Rosary Church in Pa'ia, at 954 Baldwin Ave., where Mass will be
celebrated at noon; burial will follow at Maui Memorial Park. Casual
attire; no flowers.
Survived by husband, Chelliot Gibbs; daughter, Pat Cabrera; sons,
Chelliot Jr., Kenneth and John; 11 grandchildren; four
great-grandchildren; a brother, Ralph English; sister, Winona Gulick.
For story and photo:
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From: Dlsmay@aol.com
Subject: Re: (exotica) Burlesque event
Date: 10 Apr 2001 21:04:59 EDT
Cool! I saw the Shim-Shamettes in NOLA for Valentine's Day. Great mix of
burlesque and the sultry song stylings of Ingrid Lucia (8 mo.s pregnant and
wearing a leather gown).
> Tease-O-Rama 2001 - A sultry, sizzlin' celebration of burlesque and
> dance!
> May 18-20 in New Orleans
> http://www.teaseorama.com
>
> I've seen several of the performers for this event at the past Vegas
> Grind events, and I can vouch that they do a great job at trying to
> recreate the old days of burlesque. This event should definitely have
> an 'exotica' feel to it, and should be quite different than what passes
> now for entertainment in today's modern adult strip clubs. Dixie Evans
> from the 'Exotic World' burlesque museum in California will be there -
> throw in a few great exotica DJs and you end up with an event I just
> couldn't resist.
>
> I'll be attending ..... anyone else??
I'll be DJ'ing the gala ball on Sunday night (5/20) at the Shim Sham Club,
then again on Monday night, along with New York City's incredible World
Famous Pontani Sisters go-go dancers, at the Circle Bar (at Lee Circle at
the beginning of St. Charles Ave). I'm spinning Go-Go, shake, ye-ye, Now
Sound, breakbeat and clubpop.
check out www.pontanisisters.com
br cleve >>
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-------------------------------------------------------------------------------
From: leslie gilotti
Subject: (exotica) Re: Mute
Date: 11 Apr 2001 12:03:33 +0100
(Sorry, a bit behind on digests here)
Maybe I'm a bit biased cos I used to work there (it was my favourite
label _long_ before that tho), but Mute gets a bit of an unfair deal
by music journos who lazily tag the label as Krautrock-fixated.
Okay, Daniel Miller does have a fondness for German-esque
bleepy-bloopy (Kreidler, Can re-issues, Echoboy, Appliance and To
Rococco Rot, but all brilliant IMHO), but the label has put out some
fantastic stuff recently that is decidedly un-'noisy neo-teutonic
concept art'. Goldfrapp's 'Felt Mountain' debut album is absolutely
beautiful cinematic stuff - Morricone and John Barry (um, and
Portishead) fans would probably like. It wouldn't be too unfair to
call Add N to (X) artsy, but the recent 'Add Insult to Injury' album
has much more of an increased fun factor over the first three. And
of course there's Moby, Nick Cave, and the Jon Spencer Blues
Explosion. Mute UK has also owned Blast First for quite some time
now, and that encompasses all of the early Sonic Youth and Butthole
Surfers albums, plus new stuff like Labradford and Pan American
(though Pan Sonic will definitely fuel Mo's argument). But Erasure
and Depeche Mode are still going strong...
I think Mute has one of the most diverse and exciting rosters out
there, without Miller ever having compromised his principles or sold
out to anyone - and I'm no longer paid to say so ;).
back to lurking...
Leslie
============
Moritz wrote:
> > For me part of the problem remained not knowing where the label fit
> > in after the new wave ended.
> that's true. they have gone a bit too far into this noisy neo teutonic
> concept art scene for my taste. Where's the silly pop fun of Silicon Teens
> today? Or gay disco like the Communards? It has all become so dead
> serious.
That reminds me that on this same subject, that the other pioneering label
of the industrial/new wave era, Rough Trade, also suffered from the same
identity problem. Is it a coincidence that both Mute and RT still exist
today in spite of the all that's happened since the late 70's? Both have
gone through a similar kind of transformation/reflection period and, at
least I think, have been able to remain independent. I went through a period
where I really detested RT, probably because to me they seemed to abandon
the sound they helped pioneer, but I've since come to respect the label
again, much the same way as Mute.
Brian
--
::: leslie gilotti : label manager. writes stuff. plays records.
::: features : the sea and cake. leila. jah wobble. cousteau.
::: reviews : south. stereophonics. thighpaulsandra. gorillaz. nick cave.
::: radio : avalanches. wire. esg. hopeton lewis. treva whateva. spanky.
::: http://www.playlouder.com
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From: Ben Waugh
Subject: (exotica) Occult Art
Date: 11 Apr 2001 05:48:06 -0700 (PDT)
This was sent to me by a Mr Fernee. Exotic or campy?
For those amused by the grimly humorless, this might
be interest. "The Austin Osman Spare Collection":
http://www.occultartgallery.com
=====
"Cold stars watch us, chum. Cold stars and the whores."
- Kenneth Patchen
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From: Charles Moseley
Subject: RE: (exotica) More Hammond Grooves - James Taylor Quartet
Date: 11 Apr 2001 13:52:21 +0100
JTQ are interesting because they play real Hammond driven funk tunes and
they sound the business - but not on record. The only way you can sound like
a proper funk band now is by recording on early 70s equipment in an early
70s studio and making records with an early 70s engineer. I've always found
their records lack something compared to the real thing. The classic track
is the Theme From Starsky and Hutch - originally by Tom Scott - which is
much better by JTQ.
On stage though, with the drummer going mad and the Hammond screaming -
nothing else compares.
Charles Moseley
Editor - C3 Magazine
3 St Peter's Street, London, N1 8JD
Direct: +44 (0) 20 7704 3313
Main: +44 (0) 20 7226 8585
ISDN: +44 (0) 207 359 6756
www.c3mag.com www.c3mag.com www.c3mag.com
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From: HOUSEOBOB@aol.com
Subject: Re: (exotica) Re: Mute
Date: 11 Apr 2001 10:10:56 EDT
In a message dated 4/11/2001 6:59:06 AM, leslie.gilotti@playlouder.com writes:
<< Goldfrapp's 'Felt Mountain' debut album is absolutely
beautiful cinematic stuff >>
I second that opinion. What a great album. Bob
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From: nytab@pipeline.com
Subject: Re: Re: (exotica) Re: goldfrapp
Date: 11 Apr 2001 10:24:11 -0400
HOUSEOBOB@aol.com wrote:
>
In a message dated 4/11/2001 6:59:06 AM, leslie.gilotti@playlouder.com writes:
>I second that opinion. What a great album. Bob
-------------
You guys may enjoy listening to this episode of Spinning On Air:
November 10
Listen http://stream.realimpact.net/?file=realimpact/wnyc/soa/fall00/soa111000.ra
Goldfrapp is the name of a new British band which consists of singer/composer Alison Goldfrapp and arranger/composer Will Gregory. They've created an album of songs that are intimate and panoramic, somewhat electronic and very human. Complexities and ambiguities enrich these finely crafted songs. Goldfrapp and Gregory are interviewed by phone from London.
More info at their website.
lousmith@pipeline.com
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From: alan zweig
Subject: RE: (exotica) More Hammond Grooves - James Taylor Quartet
Date: 11 Apr 2001 13:01:02 -0400
At 01:52 PM 4/11/01 +0100, Charles Moseley wrote:
>
>JTQ are interesting because they play real Hammond driven funk tunes and
>they sound the business - but not on record.
I think I've said before that I love the organ. (How many okay tunes are
elevated by a little organ phrase coming out of nowhere? I'm thinking of a
certain Xavier Cugat cut. I think it was "Night Train" but I'm not sure.)
As an organ lover (if anyone is looking for a chat identity, it's yours), I
would never recommend against today's modern musician employing the organ
or even trying to pay tribute to those great 50's/60's/70's organ
groovemeisters.
But most of the time when I hear the modern organ purveyors, there's
something almost too perfect about the sound. It feels like an imitation
or a tribute. But it doesn't feel genuine.
That's probably some kind of prejudice but I can't shake it. The JTQ are
both great and kind of boring at the same time.
AZ
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From: tikiman
Subject: Re: (exotica) Mahalo!
Date: 11 Apr 2001 14:47:52 -0700 (PDT)
Dateline Honolulu-- This one's for Tiki Bob and all
who sent their heartfelt birthday wishes along to
Martin Denny. There was a small, swank dinner party
for 14 people at the Kahala Mandarin last night
graciously hosted by Marty. Although she wasn't able
to attend, the best present for Martin was that he
brought June, his wife of 43 years, home from the
hospital the day before. He renewed his driver's
license at 90 (!) so he could visit her without being
dependent on friends and neighbors to take him there.
It was a swellegant night, and I read your messages
aloud to the guests. He was very moved and proud to
hear from his fans around the country and from around
the world including Canada, England, Sweden... you
know who you are. The big treat happened after dinner
when we went upstairs to the hotel's jazz lounge where
the Betty Loo Taylor trio acknowledged Martin's
birthday to the standing ovation of the crowd and
turned over the piano to him for 3 tunes... Our Day
Will Come, Taste of Honey, and Quiet Village (audience
supplied the bird calls). He played beautifully,
gently swinging, on time, and in command. In a message
to me --- Rcbrooksod@aol.com wrote:
> he sounded more thoughtfull than
> jubilent about his birthday.
Tis true... at 90 he sat and discussed current events
like the Ehime Maru sub incident, the China jet
stand-off, middle east situation, a Woody Guthrie
special he saw on PBS, and more in a very lucid,
philosophical way.
He is an amazing man and an inspiration to all of us
facing the aging thang. Music must be the key!
Alohaderci,
Fluid Floyd
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From: alan zweig
Subject: (exotica) Martin Denny, McArthur's Park and the Surfmen
Date: 11 Apr 2001 19:35:36 -0400
So I was at the counter asking the record store guy about this sealed
record. The band was called something like the Nitelighters It's a
Harvey Fuqua record. He showed me a blurb that compared them to the
Meters. The reason I was interested was that they did a version of
McArthur's Park, albeit a medley with "What's going on?" and some original
tune by Harvey.
Anyway this woman walks up to the counter holding Martin Denny's "Exotica"
and that Surfmen record with the woman emerging from a flower.
And she asks "Which one is cheesier?"
The clerk was stumped for an answer. But I took her at word and told her
that if she wanted "cheese", the bird and animal calls on the Surfmen
record were way cheesier (and funnier) than the Martin Denny bird calls on
which they were undoubtedly based.
But she didn't seem to understand my answer.
So she asked "Which one is better if you want background Hawaiian music?"
Which you'll all agree is a quite different question.
I said "In that case, take the Denny. It's a classic".
The clerk agreed but said they were both good records. I agreed with that.
She took both of them.
AZ
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-------------------------------------------------------------------------------
From: clayton black
Subject: Re: (exotica) Martin Denny, McArthur's Park and the Surfmen
Date: 12 Apr 2001 21:16:42 -0400
>
> The clerk agreed but said they were both good records. I agreed with that.
> She took both of them.
Care to say what the cost was?
Clayton
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-------------------------------------------------------------------------------
From: "Colleen Pyles"
Subject: (exotica) 60's "dance" music
Date: 11 Apr 2001 20:45:57 -0500
Hey guys,
Here's a question for you:
Back in the 60's, in almost all of the sit coms, like Patty Duke
Show, Bewitched, I Dream of Jeannie, whenever they'd show a party
scene, with people dancing, they played this sort of generic music
(usually surf-type)no real tune or artist. Who usually did this
stuff. I remember as a teen, I thought it was so stupid they never
played "real" artists. Although, I do remember a couple of episodes
of Dick Van Dyke where Chad and Jeremy...or was it Peter and Gordon,
were on.
Thanks for letting me ramble...on and on and on......
Colleen
_____________________________________
Get your free E-mail at http://www.ireland.com
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-------------------------------------------------------------------------------
From: Rcbrooksod@aol.com
Subject: Re: (exotica) Mahalo!
Date: 11 Apr 2001 22:01:52 EDT
In a message dated 4/11/01 2:49:01 PM Pacific Daylight Time,
taboorecords@yahoo.com writes:
<< In a message
to me --- Rcbrooksod@aol.com wrote:
> he sounded more thoughtful than
> jubilant about his birthday.
Tis true... at 90 he sat and discussed current events
like the Ehime Maru sub incident, the China jet
stand-off, middle east situation, a Woody Guthrie
special he saw on PBS, and more in a very lucid,
philosophical way.
He is an amazing man and an inspiration to all of us
facing the aging thang. Music must be the key!
Alohaderci,
Fluid Floyd >>
Thanks for the details of the evening Fluid.
Yes, Marty was very happy, and almost bewildered, to turn 90. I have been so
fortunate to get to know this gentleman over the last few years. Our
discussion are usually not about music, believe it or not, but about life
stories, achievements and failures, loves and loves lost, the strong will of
man and his so many failings, and other similar discussions, more fitting of
a grandfather and son as opposed to an entertainer and fan.
He and I have talked about his 90th birthday a lot over the last year, and he
always says the same thing, "I never really thought I would live this long."
And no matter how fond you are of an individual, no matter how familiar, one
never knows how to respond to such a comment. And saying, "Well you have and
best wishes for many more," almost sounds like an admission that there
probably won't be "many" more.
Don't get me wrong. I have never perceived him to be preoccupied with death
and I have seen no signs of depression often associated with the last decade
of one's life. Eveb if the last year of his life was tortuous enough to send
anybody into depression. Marty's wife, June, has suffered numerous setbacks
related to osteoporosis. So bad that when I talked with him in December he
assured me that she would probably not be around when I was to visit a month
later in January (2001). Life support had been removed and the waiting game
had begun. But as often happens, the will to live took over and June had a
partial recovery. Still, her mobility is very limited and pain management is
a big part of her life now and will be from here on out.
43 years. A long time to be married. So long that I see both of them not
really existing without the other. I think they know that too. Marty was a
different man when I visited him in January.
June had had the near death experience and was destined to be in a full
service nursing facility for at least another 3 months. I could really sense
that Marty really disliked the late afternoons and evenings when he was at
home alone. He had stopped driving because of some neuralgia in his legs and
he was depending on friends and neighbors to drive him back and forth to the
nursing home, and anywhere for that matter.
He had indicated to me that he missed driving so but was so afraid of causing
an accident, or often times worse, the lawyers feeding frenzy. The fact that
June had taken over the driving for the last few years had not helped the
situation. He really debated if he should drive again. I indicated with a
little practice that he should be able to drive just fine during day light
hours. And so he is. He talks about the feeling of independence he has with
much jubilation. All just because he can get behind the wheel and drive to
the market for himself.
I quess we take stuff like that for granted. Still, on his birthday, when
most of us "youngsters" think he should be exuberant, he was pensive. Amazed
and grateful to be 90 but cautious not to be boisterous as it could all end
tomorrow.
And so as Floyd said, the greeting flowed in from around the globe. Each
greeting, though many from unfamiliar fans, were appreciated nonetheless. 90
years old. And yes the clock is still ticking but will eventually wind down,
more sooner than later.
So we celebrate the life of Martin Denny in our own little ways. We remember
fondly the man who, in all essence, start our whole little Exotica existence
-- 40 some odd years ago by a pond at an outside tourist bar.
Thanks again to those, as Floyd mentioned, that sent notes for Marty's
birthday. Don't doubt for a minute that those greetings were appreciated.
They were.
Happy birthday again Marty. Thanks for your contributions that have made our
lives that much more enjoyable. Somebody cue the frogs.
Tiki Bob
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From: Rcbrooksod@aol.com
Subject: Re: (exotica) Martin Denny, McArthur's Park and the Surfmen
Date: 11 Apr 2001 22:06:35 EDT
In a message dated 4/11/01 4:33:51 PM Pacific Daylight Time, azed@pathcom.com
writes:
<< Anyway this woman walks up to the counter holding Martin Denny's "Exotica"
and that Surfmen record with the woman emerging from a flower.
And she asks "Which one is cheesier?"
The clerk was stumped for an answer. But I took her at word and told her
that if she wanted "cheese", the bird and animal calls on the Surfmen
record were way cheesier (and funnier) than the Martin Denny bird calls on
which they were undoubtedly based.
But she didn't seem to understand my answer.
So she asked "Which one is better if you want background Hawaiian music?"
Which you'll all agree is a quite different question.
I said "In that case, take the Denny. It's a classic".
The clerk agreed but said they were both good records. I agreed with that.
She took both of them.
>>
What one often times starts out thinking of as cheesy, often turns into a
greatly admired musical (art if you will streatch this) form.
Alan, just think if, because of your insights, this woman becomes a big Denny
(OK and maybe Surfmen) fan. I discovered Denny on my own, but I can assure
you, if someone had "turned me on" to him I would be grateful to that
individual for life.
Balmy thoughts,
TB
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From: DJJimmyBee@aol.com
Subject: Re: (exotica) 60's "dance" music
Date: 11 Apr 2001 22:07:29 EDT
In a message dated 4/11/1 8:47:00 PM, colleen7@ireland.com wrote:
>Back in the 60's, in almost all of the sit coms, like Patty Duke
>Show, Bewitched, I Dream of Jeannie, whenever they'd show a party
>scene, with people dancing, they played this sort of generic music
>(usually surf-type)no real tune or artist. Who usually did this
>stuff. I remember as a teen, I thought it was so stupid they never
>played "real" artists.
That is the very exploitation that endears us to this music...it generally
falls into the go-go genre, but of course no hard and fast rules exist.
Whoever put it into the movie (often American International pix, but others
typify your topic I'm sure) usually missed the mark. That's the key...Missing
the Mark! Otherwise what fun could it possibly be 35 years hence?
JB/nostalgia sux
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From: Lou Smith
Subject: (exotica) [obit] Sir Harry Secombe, LUCIANA GIUSSANI
Date: 11 Apr 2001 22:15:06 -0400
British Goon Sir Harry Secombe Dies Aged 79
=20
LONDON (Reuters) - Sir Harry Secombe, the comedian, singer and entertainer
famous for his role in the Goon Show, has died of prostate cancer at 79, his
lifelong employer the BBC said on Wednesday.=20
Sir Harry, who had also suffered from diabetes and had had a stroke, died in
Guildford Hospital on Wednesday afternoon, the BBC said.=20
The Secombe family said in a statement: "We are grieving for a wonderful=
man,
and a much loved husband, father and grandfather."=20
Sir Harry's most recent work was as a presenter for Songs of Praise on BBC=
1.=20
-------
Wednesday, 11 April, 2001, 19:46 GMT 20:46 UK=20
Sir Harry Secombe dies
Sir Harry Secombe, the entertainer from Swansea famed for his work with The
Goon Show, has died aged 79.=20
He died on Wednesday afternoon in the Guildford Hospital from prostate
cancer with his wife, Myra, at his bedside.=20
The Secombe family said in a statement: "We are grieving for a wonderful
man, and a much loved husband, father and grandfather."=20
And a statement from Prince Charles, a long-established fan of the Goons,
said: "I was deeply saddened to learn of the death of Sir Harry Secombe, to
whom I spoke only recently in hospital.=20
"He was one of the great life enhancers of our age and gave pleasure and
constant happy laughter to so many of us throughout his life."=20
Fellow Goon Spike Milligan paid tribute by saying: "I grieve for an
unbelievable friend."=20
A funeral is planned for next week and a memorial service will be held later
in the year.=20
Sir Harry had suffered from health problems, including diabetes and a
stroke, and he announced his retirement from showbusiness in 1999.=20
During his last few months Sir Harry found his eyesight failing and he had
suffered some paralysis down his left side.=20
During a BBC One tribute screened last year he pointed out that he should
have been in a wheelchair but wanted to remain as active as possible.=20
Sir Harry was delighted with his knighthood
=20
"When I did the This Is Your Life special earlier this year I was determined
to walk on to the stage rather than be wheeled on," he said at the time.=20
"I'm also having hormone injections, which have a very strange effect on
your body," he said in a mock camp lisp.=20
Sir Harry said he learned how to make people laugh as a child.=20
"Because I had poor eyesight I had to wear glasses and was worried about
getting bullied," he said. "To make sure this didn't happen I started being
the fool - and it worked."=20
He went on to become one of Britain's best-loved entertainers.=20
Charity work
The veteran comic rose to prominence on BBC radio with his work on the
Goons, and was knighted in 1981.=20
The Goon Show, which also starred Spike Milligan, Peter Sellers and Michael
Bentine, was first broadcast in 1949, and enjoyed a nine-year run.=20
As well as counting Prince Charles among its fans, Beatle John Lennon was
also known to tune in to enjoy the show.=20
Sir Harry later became known as a singer and frequently appeared at the
London Palladium between 1956 to 1966.=20
He appeared in several films during the 70s, including the musical Oliver!
in which he played Mr Bumble.=20
More recently, Sir Harry, a committed Christian, presented the Sunday night
religious programme Highway on ITV as well as Songs of Praise on BBC One.=20
He had also been involved in charity work for organisations including the
Army Benevolent Fund and the Stars Organisation for Spastics.=20
The Harry Secombe golf classic was first held at Ifield in 1967, and has
since raised =A3250,000 for the physically and mentally disabled.=20
The worlds of royalty, arts and showbusiness have paid tribute to Sir Harry
Secombe, who has died aged 79.=20
They remembered a great all-round entertainer who was full of joy and loved
by the public and members of his profession.=20
Sir Spike Milligan, his Goon Show co-star and long-time friend said: "I
grieve for an unbelievable friend."=20
And Dame Thora Hird, who also knew Sir Harry for more than 40 years, said
she had lost a very great friend.=20
Spike Milligan has lost an "unbelievable" friend=20
"I will remember him with love and devotion. He was a great fellow, a great
comic, a dear man and a very great friend."=20
The Prince of Wales, who was a great admirer of Sir Harry and in particular
his works on The Goons, also paid tribute.=20
"I was deeply saddened to learn of the death of Sir Harry Secombe to whom I
spoke only recently in hospital," he said.=20
"He was one of the great life enhancers of our age and gave pleasure and
constant happy laughter to so many of us throughout his life.=20
=20
And the Archbishop of Canterbury, Dr George Carey, spoke of his admiration
for Sir Harry, who was also a committed Christian.=20
"From first seeing him on stage in the 1960s in Pickwick, then later meeting
him in person, I grew to know Harry as a magnificent entertainer, a good
friend and a man of shining Christian faith.=20
"He drew deep on his faith - it was the source of his joy, warmth and
humour, undimmed even during illness. It was his source of courage and
strength too."=20
Greg Dyke, director general of the BBC also paid tribute. "It is hard to
believe that it is 50 years since The Goons were first broadcast on BBC
Radio," he said.=20
"The Goons transformed comedy and their humour has transcended the=
generations.=20
"That humour, his magnificent voice which brought pleasure to millions, and
a deep compassion, made Sir Harry special. We will miss him."=20
Jenny Abramsky, Director BBC Radio and Music said Sir Harry and the Goons
played "a huge part in my falling in love with radio".=20
"He was a brilliant comedian and a great communicator. He will be sorely
missed," she added.=20
Television presenter Michael Parkinson, who was a close friend of Sir
Harry's for many years, said he was deeply saddened by the news of his=
death.=20
"He was one of my boyhood heroes, I used to see him on the theatre during
his variety act and I was fortunate enough to get to know him personally=
later.=20
"He was a lovely, wonderful man who had the great gift of laughter and he
shared it with everyone. It was impossible to be miserable when you were
around him."=20
The BBC's media correspondent Nick Higham said Sir Harry had boundless
energy and interests.=20
John Major said Sir Harry was a "comic genius"
"He was a doer of good works. He was a very religious man. He will be
remembered as a thoroughly good egg.=20
"He slimmed down in later life because of diabetes, but for much of his
career he was a jolly fat man with a wonderful singing voice."=20
Broadcaster Denis Norden, who was Sir Harry's close friend for more than 50
years, said the world would be a sadder place without him.=20
"I never met anyone who did not have the warmest of feelings for him - he
was exceptional in that way.=20
Jenny Abramsky was inspired by Sir Harry=20
"He was not one of those comedians who was gloomy off-stage and he always
cheered up the occasion wherever he was.=20
"He was mightily talented and one hesitates to say they don't make them like
that anymore but in those days you had to have more than one skill.=20
"He had his singing and his own gift for comedy - he was much more than just
an interpreter of lines. It is that multi-skill that we are missing badly.=
=20
And former Tory prime minister John Major, who had a great affection for Sir
Harry, said: "He was one of the loveliest of men and a comic genius who gave
pleasure to millions."=20
Singer and chat show host Des O'Connor added: "He was just so special in
every way you can think.=20
"He was so very special he will never be replaced."=20
Broadcaster Terry Wogan also voiced his sorrow, saying: "I am so very sorry,
it is a great loss, he was a very lovely person."=20
Sir Harry Secombe was one of the outstanding British entertainers of his
time, equally popular on stage and screen, television and radio.=20
He was also greatly admired within his own profession.=20
And at a lunch given to him by the Variety Club of Great Britain to
celebrate 25 years in showbusiness, he said: "Anyone who, for 25 years, has
built a career on such tenuous foundations as a high-pitched giggle, a
raspberry and a sprinkling of top 'Cs' needs all the friends he can get".=20
The son of a commercial traveller, Sir Harry was born in 1921 in Swansea,
and at an early age, appeared with one of his sisters in a double comedy act
at local charity concerts.=20
He joined the Territorial Army six months before the outbreak of World War
II and remained in the Army for seven years, including service in Tunisia
and Italy.=20
While he was in Italy he developed his talent as a comedian in army concert
party shows.=20
In London, after demobilisation, he got his first professional engagement at
the Windmill Theatre. He made his first broadcast in 1948 and later became
"resident comedian" in Variety Bandbox.=20
It was in 1951 that he and Spike Milligan, whom he had met in the Army,
together with two other ex-servicemen, Peter Sellers and Michael Bentine,
launched the radio series that was to become The Goon Show.=20
Sir Harry's main contribution was Neddy Seagoon, the boisterous character
famous for his raspberry blowing.=20
The Goon Show continued for nine years after which the team members went
their separate ways.=20
Although Sir Harry had sung in the church choir as a boy and was used to
including songs in his musical acts, it was not until 1952 that he took
steps to have his voice trained.=20
He joked that his voice was not so much "belcanto" as "can belto". His first
opportunity to combine his comic and singing gifts to any extent was in the
stage musical Pickwick in 1963.=20
One of its songs If I Ruled The World became something of a Secombe
signature tune.=20
He had since taken singing roles in the stage musical The Four Musketeers
and in the film musicals Oliver and Song of Norway.=20
He appeared in several Royal Command performances and was made a CBE in
1963. This is my Song reached number two in the British charts in 1967. The
Harry Secombe Show was a popular feature on television.=20
When his semi-autobiographical novel Twice Brightly was published in 1974,
it was reviewed in Punch by Prince Charles, a Goon and Secombe admirer.=20
His first novel Welsh Fargo was published in 1981, the year in which he was
knighted for services to entertainment and charity.=20
His friends dubbed him Sir Cumference! But he slimmed down rapidly after
collapsing with diabetes.=20
He was a religious man, presenting ITV's Highway programme during the 80s
followed by a stint on the BBC's Songs of Praise.=20
In 1998 he announced that he was undergoing radiotherapy for prostate
cancer. Sir Harry Secombe announced his retirement in September 1999
following a stroke.=20
--------
LUCIANA GIUSSANI DIES=20
'DIABOLIK' CREATOR WAS 72=20
Special to the SPLASH by Pedro Mota April 5: Luciana Giussani, who
along with her sister, Angela, created the famous comic character
Diabolik, died March 31, in Milan at the age of 72.
Diabolik first appeared in 1962, and sold more than 150 million albums.
Its success led the series to radio shows, television and even cinema.
Luciana's sister and Diabolik's co-creator Angela Giussani passed away
in 1987. In a recently published article Luciana said: "We =AD =AD and all
those who have worked with us in all these years, always thought of
Diabolik, Eva, Ginko and Altea as real persons, alive, with a
personality and a continuous growing, with ups and downs of humour, of
wich, in fact, we felt more like a biographer than like an inventor".
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From: Charles Moseley
Subject: RE: (exotica) More Hammond Grooves - James Taylor Quartet
Date: 12 Apr 2001 10:24:36 +0100
The JTQ are both great and kind of boring at the same time.
Exactly!. Crap on record, great on stage.
Charles Moseley
Editor - C3 Magazine
3 St Peter's Street, London, N1 8JD
Direct: +44 (0) 20 7704 3313
Main: +44 (0) 20 7226 8585
ISDN: +44 (0) 207 359 6756
www.c3mag.com www.c3mag.com www.c3mag.com
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From: "Magnus Sandberg"
Subject: Re: (exotica) Mahalo!
Date: 12 Apr 2001 11:25:50 +0200 (CEST)
Thanks so much for the birthday report. I only wished I could have
written something more substancial or rather poetic to honour him with.
But I am really happy he got to hear my greetings, I wrote it not only
from me, but from all of us swedes appreciating him. Think about it, 90
years! How fantastic it must be to see ones art become adored once
again by a whole new generation!
Despite the wars and all the trouble of the 20th century, how rich it
was in unique artistic expression. That is the thing to remember.
Magnus
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From: "Nathan Miner"
Subject: Re: (exotica) Martin Denny, McArthur's Park and the Surfmen
Date: 12 Apr 2001 09:17:08 -0400
Now, wait-a-minute. This gal at the store asked "Which one is cheesier??" =
That's a hell of a question.
I would've asked her if she's looking for cheese than how come she has two =
wonderful LP's in her hand? - and that if she wants cheese to go pick-up =
the latest "Mr Spanish Hunk of Muscle sings the Hawaiian hits" CD that =
just won an award at the MTV Music Awards at Best Buy!!!
Sheeesh.
- Nate
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From: "Nathan Miner"
Subject: Re: (exotica) 60's "dance" music
Date: 12 Apr 2001 09:20:44 -0400
Colleen:
There is a HUGE and VAST library of "stock music" that was provided by =
session musicians who were given phrases like "peppy," "patriotic," or =
"dance party" to clue them in as to what the hell they should be playing.
This stuff can probably never be "labeled and classified" - but I'm just =
making assumptions.
I talked to a guy that helped make the drive-in movie theater food =
trailers and he mentioned this stock music. He also said, although there =
were 100's of things to choose from, the guys grinding out this stuff =
really weren't striving for artistic perfection and usually just settled =
for whatever the hell was easily reachable in bins #1 to 10 - forget about =
climbing in the back to get to bin #62!!!
- Nate
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-------------------------------------------------------------------------------
From: Sem Sinatra
Subject: (exotica) le passager de la pluie - by SEVERINE
Date: 12 Apr 2001 22:09:37 +0900
anyone know anything about SEVERINE who sang "le passager de la
pluie" (co-composed by francis lai)?
what a great song ... if you want to have a listen
http://multimedia.fnac.com/multimedia/asp/audio.asp?audio=%2F5%2F2%2F8%2F3596971500825A24%2Era
track 24
Sem Sinatra
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-------------------------------------------------------------------------------
From: Moritz R
Subject: Re: (exotica) Martin Denny, McArthur's Park and the Surfmen
Date: 12 Apr 2001 16:32:27 +0200
Nathan Miner schrieb:
> if she wants cheese to go pick-up
if she wants cheese... well, no, I don't say it. Just this: America has passed a new law defining the size and number of holes that cheese must have to get the permission to be imported. Now, if there is just one hole in the cheese plus the cheese is black....
No seriously, Alan, you were way to friendly to that woman, but you certainly had your reasons.
Mo
--
studio R
senses for a senseless world
http://moritzR.de
.........................................................................
n.e.u.
Thierschstrasse 43
D 80538 Munchen
Germany
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From: "Nathan Miner"
Subject: Re: (exotica) Martin Denny, McArthur's Park and the Surfmen
Date: 12 Apr 2001 10:39:38 -0400
<>
Wasn't there a Zippy cartoon about this???
- Nate
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From: "Robert McKenna"
Subject: RE: (exotica) Thunderbirds
Date: 12 Apr 2001 16:49:51
>know the Anderson's were fond of modelling their figures on real people,
Lady Penelope was based on Sylvia Anderson. Sylvia also owned a lot of the
puppets from their divorce settlement and Gerry was pissed (in the american
sense) when she sold them at the height of Supermarionation retro fever in
Britain a few years ago.
rob 'always on time' mckenna
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From: alan zweig
Subject: Re: (exotica) Martin Denny, McArthur's Park and the Surfmen
Date: 12 Apr 2001 14:47:22 -0400
At 09:16 PM 4/12/01 -0400, clayton black wrote:
>> The clerk agreed but said they were both good records. I agreed with that.
>> She took both of them.
>
>Care to say what the cost was?
I think they were around 12 bucks each. (Canadian)
On a completely different off-topic note, I got a call yesterday about a
possible appearance on.... (exotic drum roll..........)
The Jenny Jones show.
They said that Jenny is suddenly really into documentary films but I think
I've got a secret admirer. (Homosexual of course.)
I'll let you know if it actually happens.
AZ
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From: "Nathan Miner"
Subject: Re: (exotica) Martin Denny, McArthur's Park and the Surfmen
Date: 12 Apr 2001 14:48:15 -0400
Hey AZ - when will your documentary be available for purchase?!?!
- Nate
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From: alan zweig
Subject: Re: (exotica) 60's "dance" music
Date: 12 Apr 2001 14:57:14 -0400
At 08:45 PM 4/11/01 -0500, Colleen Pyles wrote:
>
>Hey guys,
>Here's a question for you:
>Back in the 60's, in almost all of the sit coms, like Patty Duke
>Show, Bewitched, I Dream of Jeannie, whenever they'd show a party
>scene, with people dancing, they played this sort of generic music
>(usually surf-type)no real tune or artist. Who usually did this
>stuff. I remember as a teen, I thought it was so stupid they never
>played "real" artists.
Oh Colleen, I had the exact same experience.
But now that's my favorite music in the world.
I assume that the music was probably made by the same person who wrote the
other music for the show.
And that's what made the music so interesting although that's only true in
retrospect, I agree. At the time I had the same reaction as you.
For instance, Frank DeVol (also known as Happy Kyne) wrote the music for
such shows as My Three Sons but also made quasi-groovy music when required.
The best example of that is his soundtrack to "Guess Who's Coming to
Dinner" which is basically orchestral and kind of sappy. But there is one
"groovy" cut called, as it happens, "Groovy Delivery Boy".
To the degree I have any kind of focus in my record accumulating, it is now
on the very kind of music that we're talking about here. Fake rock music
by guys who shouldn't have been trying to make rock music but actually did
a nice job of it, in retrospect.
Although, I do remember a couple of episodes
>of Dick Van Dyke where Chad and Jeremy...or was it Peter and Gordon,
>were on.
Chad and Jeremy I think.
Which is kind of ironic since at the time, I thought Chad and Jeremy were a
pale version of Peter and Gordon but as it turns out, they were much much
more interesting.
AZ
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-------------------------------------------------------------------------------
From: alan zweig
Subject: Re: (exotica) Martin Denny, McArthur's Park and the Surfmen
Date: 12 Apr 2001 15:12:02 -0400
At 04:32 PM 4/12/01 +0200, Moritz R wrote:
>
>No seriously, Alan, you were way to friendly to that woman, but you
certainly had your reasons.
If you're implying what I think you're implying, she wasn't my type.
The thing is... I'm always happy when I see people in used record stores
actually digging through the stuff and making somewhat more interesting,
offbeat choices. At that same store, I was standing next to some kid who
kept pulling out records I actually had. Enoch Light, Ramsey Lewis, Mancini.
This woman did not look like a musical adventurer but still, you get so
tired of hearing those women ask for the same thing - Macy Gray, Nelly
Furtado, whatever was on Saturday Night Live last week - that it's
disarming and refreshing to see them holding two classic old records. It's
even refreshing that they're holding vinyl and not CD's.
I don't know if she wanted "cheese" or "cheese".
I think cheese can be a good thing. In fact, when I asked the clerk about
the sealed record I was interested in, I told him that this was the kind of
thing that needed a bit of cheese to make it work. It was a sixties
instrumental record by a black group. I don't want to go into a big
treatise but I find the more black records from this period to be often a
bit too "turgid". Well played but soul-less. No fun. They need to be a
little "greasy". Which is like the black form of cheesy.
Anyway I'm not sure that the woman wanted a record to laugh at. Something
to make fun of. She was obviously having a dinner party and she wanted to
surprise everyone with the right kind of music.
She wasn't my type but maybe she'd like some of my records.
AZ
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From: "Giovanni Berti"
Subject: (exotica) In the Heat of the Night
Date: 12 Apr 2001 22:11:43 +0000
I'm pretty much enjoying this soundtrack lp.
I see there are 4 sung tracks on it: the title track (by Ray
Charles), "Bowlegged Dolly" (by Glenn Campbell), "It Sure Is Groovy"
and "Foul Owl".
Is anyone familiar with this Lp, or actually has it, and can say
who's singing on the last 2 mentioned tracks?
Thanks for your help.
Ciao
Gionni
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From: "cheryl"
Subject: Re: (exotica) 60's "dance" music
Date: 12 Apr 2001 16:21:40 -0400
.
> The best example of that is his soundtrack to "Guess Who's Coming to
> Dinner" which is basically orchestral and kind of sappy. But there is one
> "groovy" cut called, as it happens, "Groovy Delivery Boy".
Speaking of which, this Friday, Bravo (in Canada, at least) is running
"Guess Who's Coming To Dinner" - it should be worth watching to catch this
piece! (it's on after "Sex & The City")
cheryl
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From: "Magnus Sandberg"
Subject: (exotica) more 60s dance music -Shanty Tramp
Date: 12 Apr 2001 22:58:21 +0200 (CEST)
Has anyone seen the film "Shanty Tramp"? Directed by Joseph G. Prieto
1966. Its a lowbudget sleazy drive-in picture. There are some
songs/tracks in it that sound so unique and lively, I have it on tape
but not here so I cant remember the artists name. A real pretty beat
that sets the movie on fire for a while. The young delinquents comments
during the music is great, cmon lets dance!
Maybe the sound of a local scene in the south of USA at that time? I
for one has not heard anything quite like it before.
An exotica track or two is featured in the film too.
I could recommend this film for the unique beat, but if you are a
sensitive soul you better stay away, because it is very dark and
gruesome.
Cant find any info on the performers at IMDB
Available at:
Sinister Cinema [us] (video)
Something Weird Video [us] (video)
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From: DJJimmyBee@aol.com
Subject: Re: (exotica)Jenny Jones Meets "Nat"
Date: 12 Apr 2001 17:15:54 EDT
In a message dated 4/12/1 1:45:51 PM, azed@pathcom.com wrote:
>I got a call yesterday about a
>possible appearance on.... (exotic drum roll..........)
>The Jenny Jones show.
It just doesn't get any better than this
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From: Jenna
Subject: Re: (exotica) 60's "dance" music
Date: 12 Apr 2001 17:36:50 -0400
I love that stuff. Like in "The Producers" when they hire the bikini
clad secretary and she just dances to the generic "groovy" go-go music.
The closest I have found to it is on the Beat at Cinecitta collection,
which is similar sounding but more interesting. Never have seen an
American comp of old go-go stuff.
jk
> ------------------------------
>
> Date: Wed, 11 Apr 2001 20:45:57 -0500
> From: "Colleen Pyles"
> Subject: (exotica) 60's "dance" music
>
> Hey guys,
> Here's a question for you:
> Back in the 60's, in almost all of the sit coms, like Patty Duke
> Show, Bewitched, I Dream of Jeannie, whenever they'd show a party
> scene, with people dancing, they played this sort of generic music
> (usually surf-type)no real tune or artist. Who usually did this
> stuff. I remember as a teen, I thought it was so stupid they never
> played "real" artists. Although, I do remember a couple of episodes
> of Dick Van Dyke where Chad and Jeremy...or was it Peter and Gordon,
> were on.
> Thanks for letting me ramble...on and on and on......
>
> Colleen
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From: Lou Smith
Subject: (exotica) [obit] Sandy Bull
Date: 12 Apr 2001 20:41:33 -0400
http://www.sandybull.com
http://allmusic.com/cg/amg.dll?p=amg&sql=Bjxkcikp6bbc9
http://www.google.com/search?q=%22SANDY+BULL%22
Thursday, 04/12/01
Eclectic musician Sandy Bull mixed cultures
The Nashville resident died yesterday.
By PETER COOPER
Staff Writer, Nashville Tennessean
Genre-melding musical visionary Sandy Bull, whose integration of eclectic
sounds and styles delighted fans such as Jimi Hendrix, Elton John, Joan Baez
and Steve Winwood, died in Nashville yesterday after a long illness. He was 60
years old and considered a master of stringed instruments exotic (the sarod,
the oud) and familiar (the banjo, the acoustic guitar).
''Only Sandy Bull would play an oud through a phase shifter or perform on the
Indian sarod a soul ballad composed by the Isley Brothers,'' asserted one New
York Times reviewer after a Bull show at Carnegie Recital Hall. Musician,
painter and Folk Boom-era compadre Bob Neuwirth said yesterday that ''Sandy
crossed all the barriers. He was one of the first advocates of what they now
call world music.''
Mr. Bull's first two Vanguard Records albums, 1963's Fantasias for Guitar and
Banjo and 1964's Inventions for Guitar and Banjo, made him a guru to scores of
broad-minded musicians.
''When I was in high school in Long Beach, Calif., all my finger-picking,
wannabe folkie buddies would listen to his early Vanguard records nonstop,''
said Jeff Hanna, a Nitty Gritty Dirt Band member who called Mr. Bull a
''legendary multi-instrumentalist'' and ''a seminal influence on the Dirt
Band.''
By 1970, however, Mr. Bull had disappeared from the spotlight. That year,
Rolling Stone magazine ran a profile on Mr. Bull titled ''Hey, I Thought You
Were Dead.'' He ultimately re-emerged and released a series of albums that
concluded with 1996's Steel Tears. He spent the final decade of his life as a
Middle Tennessee resident.
Yesterday, friends told stories of Mr. Bull's musical exploits and remarkable
life. Kevin Welch, a Nashville musician who utilized Mr. Bull's sarod solo on
his 1998 album, Beneath My Wheels, spent 10 minutes talking about Mr. Bull and
ended up describing scenes that name-checked Mr. Bull's connections with
friends that included flamboyant Latin jazz man Tito Puente, outrageous country
songwriter/mystery novelist Kinky Friedman and gonzo journalist Hunter S.
Thompson.
Neuwirth detailed Mr. Bull's first meeting with Bob Dylan (in the early 1960s
at the Indian Neck Folk Festival), and he remembered that Mr. Bull was
interested enough in traditional American music to take banjo lessons as a
teen-ager yet musically malleable enough to saw new fret positions on a Martin
guitar neck to better emulate the quarter-tone melodies of Indian sitar player
Ravi Shankar. Nashville guitarist Gary Nicholson noted that Mr. Bull's admirers
ranged in musical sensibility from country players and folkies to
rockabilly/swing revivalist Brian Setzer.
''He was a genius,'' Setzer said. ''He turned me on to a lot of instruments I'd
never heard of before, and he incorporated that into organic-sounding music.''
Said Welch, ''He loved the good things in life, and he made a wonderful life
for himself. He was quietly but profoundly influential.''
Mr. Bull is survived by his wife, Candy, his daughter, K.C., and his two sons,
Jesse and Jackson.
No public memorial service is planned. The family requests that donations be
made in lieu of flowers. Donations may be sent to the Alexander Sandy Bull Fund
For Neurosurgery, c/o Anderson Cancer Center at P.O. Box 297153, Houston, TX
77297. Those sending donations will wish to quote account number 8-0011804.
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From: robert blahut
Subject: (exotica) 60's "groovy music
Date: 12 Apr 2001 20:14:32 -0500
i don't know how on topic this is, but is it me or has anyone else
ever noticed how many variations on the theme music, in numerous
styles, there were on Hawaii 5-0. Some examples, if shu and dan-o
(or more likely, kono - - there was a sort of quiet racism on that
show that i have also noticed) have to go to the beach and talk to
some "hippies" on the beach, the "hippies" are playing the 5-0 theme
on bongoes and acoustic guitars, if they have to a strip club, there
is a sort of "bump and grind" version playing during that scene. but
as far as really groovy music, 5-0 has to win hands down because the
"drug crazed perpetrator" was listening to that devil's rock and roll
on his transistor radio while washing down his pills with large
swallows of booze straight out of the bottle while holding off the
uniforms and the hard assed mcgarret and his 5-0 forces with a high
powered rifle. but the music coming out of the transistor radio was
really nothing like popular rock and roll music, but it was groovy
(to me it was groovy) or at least the composer's idea of groovy
i rambled on long enough
tablah
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From: robert blahut
Subject: Re: (exotica) 60's "dance" music
Date: 12 Apr 2001 20:27:28 -0500
>I love that stuff. Like in "The Producers" when they hire the bikini
>clad secretary and she just dances to the generic "groovy" go-go music.
>The closest I have found to it is on the Beat at Cinecitta collection,
>which is similar sounding but more interesting. Never have seen an
>American comp of old go-go stuff.
>jk
>
and speaking of the producers, is there a soundtrack of that one
available? it would be worth it just to be able to listen to
"springtime for hitler" whenever i wanted to, not to mention being
able to learn all the words to the song that dick shawn sings for his
"audition"
actually, there is a theater company in milwaukee named bialystock
and blum and i have, since they first formed, wanted to do an
audition for them that was, dick shawn's audition from that movie - -
i am fairly certain that the vast majority of their subscribers don't
even know why the theatre company is named such, but to go in and do
that as an audition would probably be a little too much. besides, i
am not an actor and i get terrible stage fright. (like the vomiting
and hive producing kind)
tablah
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From: "basic hip"
Subject: Re: (exotica) 60's "dance" music
Date: 12 Apr 2001 18:47:24 -0700
> > The best example of that is his soundtrack to "Guess Who's Coming to
> > Dinner" which is basically orchestral and kind of sappy. But there is
one
> > "groovy" cut called, as it happens, "Groovy Delivery Boy".
>
> Speaking of which, this Friday, Bravo (in Canada, at least) is running
> "Guess Who's Coming To Dinner" - it should be worth watching to catch this
> piece!
Even without the piece, it is well worth watching. Spencer Tracy, Katherine
Hepburn, Sidney Poitier, wonderful location shots of San Francisco and for
1967, a pretty daring story. A girl (Joey) falls in love with a black
Doctor and brings him home to meet her very wealthy (and very white, of
course) parents.
I've always assumed everybody on this list has seen classic films from this
period many times over. Midnight Cowboy, In Cold Blood, Bonnie and Clyde,
To Sir With Love, you have, haven't you??
And there is one more pretty groovy number on that soundtrack, called "Drive
In". Not quite as good as the killer sitar track mentioned, but still good.
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From: "m.ace"
Subject: (exotica) music/tech news link
Date: 12 Apr 2001 21:43:33 -0400
http://www.canoe.ca/MoneyWSJ/wsj2-dow.html
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From: "Colleen Pyles"
Subject: Re: Re: (exotica) Martin Denny, McArthur's Park and the Surfmen
Date: 12 Apr 2001 21:04:48 -0500
Hey Alan,
Could the secret admirer from the Jenny Jones show be the girl in the
record store?????
Also, for some reason, the post from Clayton asking how much the cost
of the records are keeps coming back, no matter how many times I
delete it...is this happening to anyone else or does Clayton just
keep posting it?
Colleen
_____________________________________
Get your free E-mail at http://www.ireland.com
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From: "Colleen Pyles"
Subject: Re: (exotica) 60's "groovy music
Date: 12 Apr 2001 21:20:06 -0500
"i don't know how on topic this is, but is it me or has anyone else
ever noticed how many variations on the theme music, in numerous
styles, there were on Hawaii 5-0. Some examples, if shu and dan-o
(or more likely, kono - - there was a sort of quiet racism on that
show that i have also noticed) have to go to the beach and talk to
some "hippies" on the beach, the "hippies" are playing the 5-0 theme
on bongoes and acoustic guitars, if they have to a strip club, there
is a sort of "bump and grind" version playing during that scene. but
as far as really groovy music, 5-0 has to win hands down because the
"drug crazed perpetrator" was listening to that devil's rock and roll
on his transistor radio while washing down his pills with large
swallows of booze straight out of the bottle while holding off the
uniforms and the hard assed mcgarret and his 5-0 forces with a high
powered rifle. but the music coming out of the transistor radio was
really nothing like popular rock and roll music, but it was groovy
(to me it was groovy) or at least the composer's idea of groovy
i rambled on long enough
tablah
^^^^^^^^^^^^^^^^^^^^^
Yeah, I noticed that too...I love that about 5-0...I think Nash
Bridges sometimes does that.
Colleen
_____________________________________
Get your free E-mail at http://www.ireland.com
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From: clayton black
Subject: Re: (exotica) Martin Denny, McArthur's Park and the Surfmen
Date: 13 Apr 2001 23:57:56 -0400
> Also, for some reason, the post from Clayton asking how much the cost
> of the records are keeps coming back, no matter how many times I
> delete it...is this happening to anyone else or does Clayton just
> keep posting it?
I wish I could say I have the technical know-how to cripple the world's
computer systems in such a diabolical fashion, but it must just be some
snafu in the system. Sorry.
Clayton
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From: clayton black
Subject: Re: (exotica) 60's "groovy music
Date: 14 Apr 2001 00:08:16 -0400
> but
> as far as really groovy music, 5-0 has to win hands down because the
> "drug crazed perpetrator" was listening to that devil's rock and roll
> on his transistor radio while washing down his pills with large
> swallows of booze straight out of the bottle while holding off the
> uniforms and the hard assed mcgarret and his 5-0 forces with a high
> powered rifle.
Now I really feel like I've missed out on something. The closest I came to
seeing this kind of thing (our TV drew its signal from an antenna--in hilly
eastern Kentucky no less, and now that I'm an adult I'm relying on rabbit
ears) was one of those classic after-school specials called "Death of
Richie," about a kid who wastes his life on drugs and ends up shot to death
by his hyper-masculine father who can't cope. There were scenes of the
wayward youth in the "den" that he built behind his closet with the black
light on and a psychedelic guitar solo accompanying his descent into
barbituate bliss. It took me a few years to figure out why my brothers
laughed so hysterically at this tragic tale. "Reds" were Richie's drug of
choice.
Clayton
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From: "Magnus Sandberg"
Subject: (exotica) bad cowboy, good indian
Date: 13 Apr 2001 10:26:39 +0200 (CEST)
East German "Indian movies"
=20
Between 1966 and 1983, the East German state movie production company=20
DEFA produced 12 "Indianerfilme" ("Indian movies"). The common theme is=20
the life, culture and struggle of Native Americans during the 18th and=20
19th century, and the general history of the United States during that=20
period of time. Some of the movies are based on figures in Native=20
American history ("Tecumseh", "Osceola"), and one of them is based on=20
Cooper=92s "The Last Of The Mohicans".
East German "Indian movies" are adventure movies, with "good" and "bad"=20
guys, heroes and villains. The movies generally portray Native=20
Americans as proud, spiritual and cultured heroes, and white Americans=20
as greedy, power-hungry and insidious invaders. But they also feature=20
Native American traitors, half-castes, as well as honest and=20
sympathetic white Americans.
Most of the movies were filmed in the mountains of former Yugoslavia,=20
some in Romania, Cuba, Mongolia, and in the former Soviet Union. All of=20
them are 35mm and in color. The leading actor in all of the 12 movies=20
is Gojko Mitic, a Yugoslavian native. Because of these movies, he=20
became an East German superstar. Every summer, the=20
annual "Sommerfilmtage" (outdoor movie festivals all over East Germany)=20
were opened with a new "Indian movie".
The movies had an immense impact on how East Germans perceived Native=20
Americans. Several generations grew up with these images. This=20
contributed to the fact that when East German children played "Cowboys=20
and Indians", nobody wanted to be a "bad cowboy". Everybody wanted to=20
be the "good Indian". Mothers even named their children after the=20
leading actor. And the daughter of the actor who usually played=20
the "bad guy" had a hard time with her classmates, since her=20
dad "killed Gojko".
The first movie in the series was produced four years after the Berlin=20
Wall was erected. At this time, the East German Communist party gave=20
out new guidelines for the development of socialist culture. "Socialist=20
Realism" portraying working people building socialism was the slogan of=20
the day. Non-conformist movies were banned, and their makers=20
discredited. The production of "Indian movies" can be seen as an=20
attempt to calm down the frustrated East German populace, and to=20
satisfy their desire for western-style entertainment. Nevertheless, the=20
movies were not very well liked by East German Communist party=20
officials, who even wanted to discontinue their production after the=20
first three movies. Only a widespread wave of support allowed the=20
continuation of the series.
The movies can also be interpreted as an answer to popular West German=20
Karl May westerns. In contrast to the West German productions, which=20
were often historically inaccurate and full of clich=E9s, East German=20
filmmakers did extensive research in an attempt to be true to the=20
historical events in general, and the Native American culture in=20
particular.
The Hero: Gojko Mitic=20
http://216.254.0.2/~jensw/bagojko.htm
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From: "Magnus Sandberg"
Subject: (exotica) Kriminalfilmmusik vol 1-4
Date: 13 Apr 2001 11:08:00 +0200 (CEST)
Guten morgen, depending on where on earth you live.
I just saw some german cds with music from german "krimi" films.
Anyone have these series? I am specially interested in volume 4 with
music from the 60s Dr Mabuse films:
Kriminalfilmmusik Vol. 4 (Edgar Wallace & Dr. Mabuse)
Various
Label: Bsc Music (ZOMBA)
See coverscan here:
http://images-eu.amazon.com/images/P/B00004S60D.03.LZZZZZZZ.gif
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From: robert blahut
Subject: Re: (exotica) 60's "groovy music
Date: 13 Apr 2001 06:22:40 -0500
>There were scenes of the
>wayward youth in the "den" that he built behind his closet with the black
>light on and a psychedelic guitar solo accompanying his descent into
>barbituate bliss. It took me a few years to figure out why my brothers
>laughed so hysterically at this tragic tale. "Reds" were Richie's drug of
>choice.
>
i should have mentioned that the color episodes of "dragnet"
frequently had radios playing that groovy kind of music that would
work los angeles' drug crazed youth into a orgiastic frenzy. - -
there, too, were plenty of episodes of "way too many reds" one of my
favorite "after school specials" had a very young helen hunt in a
story about 'ludes, and that demon angel dust (pcp) produced in a
high school chem lab that caused poor helen to run out of the second
or third story window (a la dianne linkletter) just seconds after
smoking it.
one of the most amazing things about these types of films, coupled
with the ones that the police man would show you in your health class
unit on drugs is that i found that after seeing these films,
especially when i was really young (say 9 or 10) i wanted to try
drugs more than i was put off of drugs. i think that it may have had
something to do with the fact that the over thirty set was telling me
that this was bad so, in my own rebellious way, i figured that it had
to be good. and there was the fact that in these types of films, the
drugs removed the user from "reality" in such a profound way. i saw
LSD trips portrayed as these horrific scary cartoon times for the
user, coupled with the threat of a "flashback" and said to myself
"that is definitely for me" further, there is the absolutely
ridiculous portrayal of drugs and users. during the reagan
administration, they used to say that marijuana was "10 to 20 times
stronger that it was even 10 years ago" i just can not believe that
based on the effect that smoking a joint has on the piano player in
"reefer madness" - - at least not the marijuana i could get during
the reagan administration, never once did i smoke half a joint and
think that killing and raping were good ideas, nor did i ever see
any one get the kind of crazed look on their face that the piano
player got from smoking a little bit behind the door.
okay, enough, i could go on about this all day,
robert
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-------------------------------------------------------------------------------
From: "Magnus Sandberg"
Subject: Re: (exotica) 60's "groovy music
Date: 13 Apr 2001 13:43:02 +0200 (CEST)
citerar robert blahut :
> one of the most amazing things about these types of films, coupled
> with the ones that the police man would show you in your health class
> unit on drugs is that i found that after seeing these films,
> especially when i was really young (say 9 or 10) i wanted to try
> drugs more than i was put off of drugs.
I cant be the only one who have had deep religious experiences with
marijuana, I wouldnt like to live without those experiences, it has
given my life a meaning, when I am happy I'm spreading that on the
world in love missiles. Love is the greatest weapon you can have.
I think there are so many depressed people who could get help from
marijuana. Just to find their childhood laughter again. If their
childhood included laughter that is, not all were as fortunate as me.
Magnus heaven and hell
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From: Brad Bigelow
Subject: (exotica) More Hammond Groovers
Date: 13 Apr 2001 06:53:50 -0500
While we're talking about mysterious organists, does anyone have any idea
who played organ on Sammy Kaye's 60s LPs? These are the ones arranged by
Charles Albertine. Whoever it is, he/she single-handedly takes the band to
another level, with some smoking solos and an overall terrific smoky,
rockin' style.
Brad
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From: "Magnus Sandberg"
Subject: Re: (exotica) More Hammond Groovers
Date: 13 Apr 2001 14:00:46 +0200 (CEST)
citerar Brad Bigelow :
>
> While we're talking about mysterious organists, does anyone have any
idea
> who played organ on Sammy Kaye's 60s LPs? These are the ones
arranged by
> Charles Albertine. Whoever it is, he/she single-handedly takes the
band to
>
> another level, with some smoking solos and an overall terrific smoky,
> rockin' style.
Cant help you Brad, but you made me interested in Sammy Kaye, I loved
his films when I was little. I recently bought "Sounds in the night" by
Big Sam Marowitz, arr by Charles Albertine, and I like it alot.
When looking at your excellent site spaceagepop.com I see a Albertine
arranged Sammy Kaye album that naturally caught my interest: Swing and
Sway in Hawaii, Decca DL-74862, do you have that one? Are there any
other Sammy Kaye album you can recommend especially?
Magnus
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From: Clayton Black
Subject: Re: (exotica) More Hammond Groovers
Date: 13 Apr 2001 08:13:54 -0400
>> While we're talking about mysterious organists, does anyone have any
> idea
>> who played organ on Sammy Kaye's 60s LPs? These are the ones
> arranged by
>> Charles Albertine. Whoever it is, he/she single-handedly takes the
> band to
>>
>> another level, with some smoking solos and an overall terrific smoky,
>> rockin' style.
>
>
> Cant help you Brad, but you made me interested in Sammy Kaye, I loved
> his films when I was little. I recently bought "Sounds in the night" by
> Big Sam Marowitz, arr by Charles Albertine, and I like it alot.
> When looking at your excellent site spaceagepop.com I see a Albertine
> arranged Sammy Kaye album that naturally caught my interest: Swing and
> Sway in Hawaii, Decca DL-74862, do you have that one? Are there any
> other Sammy Kaye album you can recommend especially?
I've been wanting to ask this question for a long time. I bought one Sammy
Kaye album and swore I'd never have another. That saxophone chorus just
does not do it for me. Billy Vaughn's in the same category (although I
kinda like the "Pearly Shells" album). But maybe Sammy too has a few gems
that are worth finding?
Clayton
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-------------------------------------------------------------------------------
From: "Magnus Sandberg"
Subject: Re: (exotica) More Hammond Groovers
Date: 13 Apr 2001 14:20:15 +0200 (CEST)
citerar Clayton Black :
Billy Vaughn's
I've tried him three times but always more or less hated the records.
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From: "Nathan Miner"
Subject: (exotica) CD Recommendation.....
Date: 13 Apr 2001 09:27:56 -0400
Well, summertime is just around the corner so I'll recommend this cool =
"patio music."
Was listening to Killer Surf: Best of the Challengers last night while =
working out - it's great!! Not only do you get that vintage surf sound, =
you also get GREAT covers of pop standards like A Taste of Honey, The Work =
Song, and The Lonely Bull.
Lots of instrumentation on these tracks, and the "standard" surf tunes =
like Kami-Kazi (usually introduced to the pounding 1-2 1-2 beat on a tom =
to mimic the pom pom guns on a Naval ship) are ingeniously turned and =
twisted into almost totally new creations at certain points throughout the =
song.
Check it out.
- Nate
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From: "Brian"
Subject: (exotica) Re: Mute
Date: 13 Apr 2001 11:05:51 -0400
leslie gilotti wrote:
> Maybe I'm a bit biased cos I used to work there (it was my favourite
> label _long_ before that tho), but Mute gets a bit of an unfair deal
> by music journos who lazily tag the label as Krautrock-fixated.
One last comment though.. Mute was very much a cutting edge label when it
began and it shared a similar sense of humour that existed at that time in
music. It's this last trait that I find lacking today, and in this sense I
find labels like A-Musik, Monika, Gagarin, etc. following a lot more in the
this tradition. I have to say that other than Holger Hiller, who I've
followed from the days he was on AtaTak, I can't rememebr the last thing
I've bought on the label by a new act. The early releases by Kreidler & To
Rococo Rot are some of my favourites but I don't see them as Mute related...
were they? I listened to Goldfarab and its good, but to me Portishead has
perfected this sound so well its tough to make a fair comparison. AddN to
(X) were around a long time ago, I remember them from the new wave days if
it is indeed the same group? Depeche Mode.... well I lost interest there
even before the new wave ended! Anyway Mute has certainly earned respect
over the tears but to me anyway, it isn't the same kind of label it once
was.
Brian
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From: Michael Jemmeson
Subject: Re: (exotica) In the Heat of the Night
Date: 13 Apr 2001 19:25:26 +0100
Giovanni Berti wrote:
>
> I'm pretty much enjoying this soundtrack lp.
> I see there are 4 sung tracks on it: the title track (by Ray
> Charles), "Bowlegged Dolly" (by Glenn Campbell), "It Sure Is Groovy"
> and "Foul Owl".
> Is anyone familiar with this Lp, or actually has it, and can say
> who's singing on the last 2 mentioned tracks?
> Thanks for your help.
(from the sleeve)
It Sure Is Groovy - vocal by Gil Bernal
Foul Owl - vocal by Boomer and Travis (what a fantastic track!)
It's on an MGM cd with 'They Call Me Mister Tibbs', and both are
available separately on vinyl.
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-------------------------------------------------------------------------------
From: "Dave Van Allen"
Subject: (exotica) 50's POP with Steel Guitar
Date: 13 Apr 2001 14:53:10 -0400
for those of you interested in the subject line...
"Hot Club of America in Hi-Fi featuring the guitars of Johnny Cucci and Jody
Carver"
Coral Records 1957
Johnny Cucci-Stratocaster
Jody Carve-Fender Custom Steel
Fantastic POP /Lounge stuff from '57 - instrumental classics including
"Brazil", "Miserlou", "Autumn Leaves"...
My website tribute to this remarkable recording including facts about the
recording, and links to audio is at
http://www.voicenet.com/~vanallen/hcoahome.html
enjoy
Dave Van Allen
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-------------------------------------------------------------------------------
From: alan zweig
Subject: Re: (exotica) More Hammond Groovers
Date: 13 Apr 2001 16:33:04 -0400
At 08:13 AM 4/13/01 -0400, Clayton Black wrote:
But maybe Sammy too has a few gems
>that are worth finding?
Clayton, Clayton, I don't know if I'm more surprised or disappointed in you.
Sammy Kaye, Billy Vaughn, you name it. They all made records "late" in
their career trying to cash in on the various rock n roll trends.
Some of the greatest records of all time were made in this spirit.
You must know this.
Records by people like Les and Larry Elgart. (Elgart au Go-Go) Billy May
(Today) Les Brown (The Young Beat). Even Ray Anthony (Swim, Swim, C'mon
and Swim)
Billy Vaughn's "The Windmills of Your mind" is a pretty good record.
His "A Current Set of Standards" has the most wacked-out moogy version of
"The theme for Rosemary's Baby" you could ever want to hear.
And Sammy Kaye made "Swing and Sway Au Go Go" which is probably my favorite
record of the "genre".
But now I'll be looking for the ones Brad referred to.
This is the centre of my taste we're talking about here Clayton. I'm sure
you were just kidding.
AZ
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-------------------------------------------------------------------------------
From: alan zweig
Subject: Re: (exotica) 60's "groovy music
Date: 13 Apr 2001 16:33:02 -0400
At 06:22 AM 4/13/01 -0500, robert blahut wrote:
>>
>i should have mentioned that the color episodes of "dragnet"
>frequently had radios playing that groovy kind of music that would
>work los angeles' drug crazed youth into a orgiastic frenzy. - -
There were always sitars. Sitars and beaded curtains. I think that's the
reason I like sitars so much though I don't feel the same for beaded curtains.
(I think the sitars were acoustic not electric but I think I still prefer
electric.)
It's too bad you can't get ALL the incidental music for shows like Hawaii
Five Oh and Dragnet. Too bad you can't do a search for words like "LSD"
and "weed" and get the music playing everytime those words were uttered.
I always remember this particular episode of Dragnet where the guy jumped
out the window thinking he could fly. I think he was actually on grass
rather than the more appropriate acid or mushrooms.
(Smoking never made me think I could fly.)
The Dragnet boys go to tell the dead man's best friend. The sitars come on
as they part the beaded curtain and find the friend sitting on the floor
(or is it a beanbag chair) nodding off, his head hanging down and his hair
hanging in his face the way hair hangs when you do lots of drugs.
They call his name. He doesn't look up. They tell him his friend is dead.
He still doesn't look up but he does manage to mumble "What a bummer!"
Something about his drug-hazed reaction makes Friday and his partner look
at each other with that pursed lip look of disapproval.
What did they want him to do? His friend died. That IS a bummer. What
else should he do? Give up drugs? Jump out the window himself?
When I talk about this go-go Now Sound generic rock instrumental stuff I'm
obsessed with these days, I always refer to the go-go sequences on "Laugh
In" but they happened all over TV.
It's so curious that this music which so offended me - and colleen - when I
was a kid, is so interesting to me now.
I don't even know if it's actually interesting to me or if I just want it
because it's fun to find it.
In my continuing CDR project, this past week I've been revisiting (and
decimating) that part of my collection which I listened to and collected in
the seventies and eighties. The folk, folk rock, reggae etc. Right now
it's Toots and "Funky Kingston". It's good stuff but I don't want it
anymore. Someday virtually the only records left will be the kind of
records they could have played during a hippie episode on Dragnet.
What does that say?
I guess the drugs did have an effect on me.
AZ
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From: "Darrell Brogdon"
Subject: (exotica) Austin record stores
Date: 13 Apr 2001 15:40:23 -0500
Is there somebody on the list from Austin, Texas? I'll be there in a
couple of weeks and just curious about the best stores for used
vinyl. I read the piece in Cool and Strange Music about Austin
record stores but no way I can hit 'em all in the limited time I have.
Any recommendations? Thanks!
Darrell Brogdon
The Retro Cocktail Hour
KANU FM 91.5
Visit The Retro Cocktail Hour at:
http://kanu.ukans.edu/retro.html
Listen to The Retro Cocktail Hour at:
http://kanu.ukans.edu/retro/retrolisten.htm
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From: Clayton Black
Subject: Re: (exotica) More Hammond Groovers
Date: 13 Apr 2001 17:10:30 -0400
> This is the centre of my taste we're talking about here Clayton. I'm sure
> you were just kidding.
Naturally! Ahem-m-m!
Sorry, I have to admit it. I don't know a damn thing about that genre, so I
guess that makes me the worst sort of philistine. I once picked up one of
those Time albums with 20 songs that was sort of a "go-go" "now sound" album
that did nothing for me, so after giving it several shots, into the
throwaway pile it went. Like Magnus, I gave Billy Vaughn several attempts,
but couldn't reconcile myself to that sound. Not thinking about *when* the
albums were made, I have henceforth skipped past every Sammy Kaye or Billy
Vaughn album I've come across--and that's a heckuva lot of them. In fact,
the center of your taste sounds like the albums I skip past without fail.
Whenever I see that the songs are remakes of "rock" tunes (with a few
notable exceptions) I lose my interest, mainly because I don't care for the
melodies of most of them, and good melody is essential for me.
I don't need to be convinced to buy a Billy May album, and if I ever saw
Les and Larry Elgart's "Au Go Go" album I'd buy it. I'll consider giving
myself an education in this, but I'm not promising I'll share your
enthusiasm (but if Swing and Sway au Go Go has some good Hammond on it, I'll
put it on my want list).
I have the sense that this is a horse of a different color, but what's
your opinion of the Enoch Light "Discoteque" (sp?) albums? I don't much
care for them, but then again I haven't listened to them in a long time, and
a re-acquaintance might be in order.
By the way, I can at least agree with your enthusiasm for sitar. It
makes every song better. I don't seek sitar albums out, because I don't
need another record obsession, but I do love the sound.
One more thing (sorry to go on like this), we've discussed opinions on
trombone, sitar, harpsichord, hammond organs, but I've got to put in two
cents on flute--it's one of the key elements of a really groovy tune.
Someone asked a while back for songs we want associated with us--for me it's
Astrud Gilberto's "Stay" from the album "Beach Samba"--perfect in every way,
and the flute helps make it that way.
Clayton
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From: George Hall
Subject: (exotica) (promotional crap-o-la) Seks Bomba on tour!
Date: 13 Apr 2001 17:33:48 -0400
I'd call it careerism if we ever made a dime on these things... But; my band
Seks Bomba are playing a few shows in NY State next week; Buffalo, Clifton
Park (Albany) & NYC, info below. I'd also totally recommend the NYC show, on
the 107th Floor of the World Trade Ctr.
If you're unfamiliar with the band, we're a sort of eclectic quasi- spy jazz
/ surf / rock / etc combo, vocal & instro, with a record due out next month
called "Somewhere in this Town" - mainly originals, with a few covers that
may be famiiar to this list... themes from "Casino Royale" & "Charade,"
Dudley Moore's "Love Me" (from "Bedazzled") (the good one), and the Jobim /
De Moraes bossa "Agua De Beber."
More info at www.bomba.com
Wed 4/18 Buffalo, NY - The Backstage Pub http://www.backstagepub.com
> 9-9:40; 27 Dozen
> 10-10:40 Stray Bullets
> 11:00 SEKS BOMBA
_________________________________________________
Thu 4/19 Clifton Park, NY (near Albany) - Northern Lights
http://www.northernlights-live.com/first.htm
9:00 Pour Jayce
10:00 SEKS BOMBA
_________________________________________________
Fri 4/20 NYC, World Trade Center (107th floor) - Windows on the World
2 sets, 9:30 & 11:00; The World Famous Pontani Sisters will go-go dance
between sets.
Thanks for bearing with this...
gh
p.s. Cheryl, I haven't forgotten! just crazed n' busy, please forgive...
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From: "Dave Van Allen"
Subject: Re: (exotica) 50's POP with Steel Guitar
Date: 13 Apr 2001 21:48:17 -0400
HI magnus
I have had the good fortune to become acquainted on line with Mr Carver,
some 15 years after I discovered and fell in love with the album... the
historical details are all due to his generous reminiscences.
there is another artist I am seeking info on- Joe Maize, a steeler who had
several albums on Decca back in the same period- kind of a lounge act with
comedy and the like...
I just wish Louis and Keely and Sam had had a steel guitar picker :) I want
a time machine so bad I can taste it..
> I see Caravan is on it too, which makes it desirable for me. I love
> that you have made a webpage devoted to an album you like, I have some
> too that I could make a webpage off, but I know too little about the
> performers and the history behind them.
>
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From: alan zweig
Subject: Re: (exotica) More Hammond Groovers
Date: 13 Apr 2001 22:47:18 -0400
At 05:10 PM 4/13/01 -0400, Clayton Black wrote:
>Whenever I see that the songs are remakes of "rock" tunes (with a few
>notable exceptions) I lose my interest, mainly because I don't care for the
>melodies of most of them, and good melody is essential for me.
Well then we have nothing to talk about. Those are exactly the records I
look for. I never knew that was because I didn't need a good melody. But
I guess I don't.
These records have a certain attitude, energy and arrangement style.
That's what I'm interested in (and if I get another version of some
tune-less thing like "Up up and away" or "Groovin", so be it).
> I have the sense that this is a horse of a different color, but what's
>your opinion of the Enoch Light "Discoteque" (sp?) albums? I don't much
>care for them, but then again I haven't listened to them in a long time, and
>a re-acquaintance might be in order.
If you listen to the version of "Love Potion No.9" which leads off side one
on "Discotheque Vol.2" and you don't like it, well then we have different
tastes and you can disregard anything I say about "Now Sound" or "go-go" or
maybe even anything to do with music at all.
> By the way, I can at least agree with your enthusiasm for sitar.
Phew.
> One more thing (sorry to go on like this), we've discussed opinions on
>trombone, sitar, harpsichord, hammond organs, but I've got to put in two
>cents on flute--it's one of the key elements of a really groovy tune.
Hmm... I like flute but not all the time. Sometimes it can be too weak,
too airy, too anemic, too insubstantial. Even Herbie Mann can sometimes be
feeble with the flute. Flute can be the perfect thing but I can't give it
the unqualified recommendation I can give say the organ or electric sitar.
Flutes aren't as annoying as trombone but they can suck the air out of a
tune that was cooking along.
AZ
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From: alan zweig
Subject: Re: (exotica) (promotional crap-o-la) Seks Bomba on tour!
Date: 13 Apr 2001 22:47:19 -0400
At 05:33 PM 4/13/01 -0400, George Hall wrote:
>
>I'd call it careerism if we ever made a dime on these things... But; my band
>Seks Bomba are playing a few shows in NY State next week; Buffalo,
You're coming to Buffalo and not to Toronto? Too bad. If my car didn't
have a hole in the floor I could almost come to Buffalo to see you but the
last time I was in Buffalo (to see the Fat Possum Review) I accidentally
threw my wallet at a phalanx of crack whores and I'm still shaken up by the
incident.
It's tempting I must say.
AZ
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From: "Colleen Pyles"
Subject: Re: Re: (exotica) 60's "groovy music
Date: 13 Apr 2001 21:51:15 -0500
AZ said:
I don't even know if it's actually interesting to me or if I just
want it
because it's fun to find it
^^^^^^^^^^^^^^^^^^^^^^^^^
That's exactly how I feel about it. I am so intrigued with it, but I
don't know why.
Boy, do I ever remember the pinched up faces of McGarrett and Friday
when they came across the "drug induced hippies". I always wanted to
say..."Dude...just take a hit, it'll change your life". But, of
course, I never said it out loud.
Colleen
_____________________________________
Get your free E-mail at http://www.ireland.com
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From: clayton black
Subject: Re: (exotica) More Hammond Groovers
Date: 15 Apr 2001 00:30:06 -0400
> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.
--MS_Mac_OE_3070139406_1448773_MIME_Part
Content-type: text/plain; charset="US-ASCII"
Content-transfer-encoding: 7bit
>> I lose my interest, mainly because I don't care for the
>> melodies of most of them, and good melody is essential for me.
>
> Well then we have nothing to talk about. Those are exactly the records I
> look for. I never knew that was because I didn't need a good melody. But
> I guess I don't.
> These records have a certain attitude, energy and arrangement style.
> That's what I'm interested in (and if I get another version of some
> tune-less thing like "Up up and away" or "Groovin", so be it).
Okay, bad phrasing on my part. I didn't mean to imply that I am the
ultimate arbiter of what a good melody is (and I like both the tunes you
mention). What's usually "good" for me are the older tunes (but generally
not going back earlier than the thirties). I'll take another listen to Love
Potion No. 9, but I don't hold out much hope, because I don't even like the
original.
Like on other occasions, I got to thinking about what I said in the
original post about melody and I realized the silliness of the assertion. I
had to remind myself that for several years I was completely under the spell
of a-melodic minimalism like Steve Reich and Philip Glass, as well as Eno's
ambient stuff. I still like it, but I don't listen to it too often and I
know it's not for everybody. For now, however, I'm just more captivated by
the show-tuney melodies redone by the likes of Marty Gold or Vic Schoen. If
an album has "Baubles, Bangles, and Beads" or "A Summer Place," I'll buy it
almost every time.
Well, once again my tastes have earned a "hmmm" from Alan, so, as much as
I hate to admit that "we have nothing to talk about," I'll return to lurking
philistinism for a while.
Clayton
--MS_Mac_OE_3070139406_1448773_MIME_Part
Content-type: text/html; charset="US-ASCII"
Content-transfer-encoding: quoted-printable
Re: (exotica) More Hammond Groovers
>> I lose my interest, mainly because I don't care for the
>> melodies of most of them, and good melody is essential for me.
>
> Well then we have nothing to talk about. Those are exactly the r=
ecords I
> look for. I never knew that was because I didn't need a good mel=
ody. But
> I guess I don't.
> These records have a certain attitude, energy and arrangement style.
> That's what I'm interested in (and if I get another version of some
> tune-less thing like "Up up and away" or "Groovin"=
, so be it).
Okay, bad phrasing on my part. I didn't mean to imply that I am the u=
ltimate arbiter of what a good melody is (and I like both the tunes you ment=
ion). What's usually "good" for me are the older tunes (but =
generally not going back earlier than the thirties). I'll take another=
listen to Love Potion No. 9, but I don't hold out much hope, because I don'=
t even like the original.
Like on other occasions, I got to thinking about what I =
said in the original post about melody and I realized the silliness of the a=
ssertion. I had to remind myself that for several years I was complete=
ly under the spell of a-melodic minimalism like Steve Reich and Philip Glass=
, as well as Eno's ambient stuff. I still like it, but I don't listen =
to it too often and I know it's not for everybody. For now, however, I=
'm just more captivated by the show-tuney melodies redone by the likes of Ma=
rty Gold or Vic Schoen. If an album has "Baubles, Bangles, and Be=
ads" or "A Summer Place," I'll buy it almost every time.
Well, once again my tastes have earned a "hmmm"=
; from Alan, so, as much as I hate to admit that "we have nothing to ta=
lk about," I'll return to lurking philistinism for a while.
Clayton
--MS_Mac_OE_3070139406_1448773_MIME_Part--
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-------------------------------------------------------------------------------
From: "Brian"
Subject: Re: (exotica) 60's "dance" music
Date: 13 Apr 2001 22:35:03 -0400
Jenna wrote:
> I love that stuff. Like in "The Producers" when they hire the bikini
> clad secretary and she just dances to the generic "groovy" go-go music.
> The closest I have found to it is on the Beat at Cinecitta collection,
> which is similar sounding but more interesting. Never have seen an
> American comp of old go-go stuff.
I can't get enough of this sound either! I've found the best place to look
is in the soundtrack section wherin you will usually find a sub-section of
TV series music. A number of labels come to mind, including Playtime
(France) and Sequel (UK) which feature not just French and British but also
American series. Playtime is a bit more obscure although here in Quebec we
can find them easier than most places in North America. The Sequel comps are
also very reasonably priced and mostly of the right vintage. Rhino is alsdo
big into this stuff and there are a number of other labels featuring TV
music although a lot of it isn't worth listening to. While I don't think
they are TV music, the Beat at Cinecitta comps are superb examples of this
sound. Also great are the three "Nymphomania" compilations although as they
are bootlegs I suspect they are not easy to find. Speaking of bootlegs,
does anyone know how I could get a set of this "Groovy Soundtracks" 3 volume
bootleg series that was mentioned on the list a while back?
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-------------------------------------------------------------------------------
From: "Brian"
Subject: Re: (exotica) bad cowboy, good indian - Kriminalfilmmusik vol 1-4
Date: 13 Apr 2001 22:23:09 -0400
Magnus wrote:
> Between 1966 and 1983, the East German state movie production
> company DEFA produced 12 "Indianerfilme" ("Indian movies").
There is a CD collection of music from these very films. I can't remember
the exact label, but I was led to believe the music wasn't too interesting.
I still find the concept totally bizarre... particularly coming from East
Germany!
> I just saw some german cds with music from german "krimi" films.
> Anyone have these series? I am specially interested in volume 4 with
> music from the 60s Dr Mabuse films:
> Kriminalfilmmusik Vol. 4 (Edgar Wallace & Dr. Mabuse)
Yes, I have this set, although I was never sure the four volumes were
intended as a set given the variety of titles and themes. Volume 4 features
Gert Wilden among others and it is good but nowhere near as beat heavy as "I
Told You not to Cry" which is among the most played CDs in my collection!
Volumes 1 & 2 are Martin Boettcher, and Volume 3 is Peter Thomas. For fans
of crime jazz these are all essential collections, but if its the
beat/exploitation sound you're after, there are better choices. All are on
the Prudence label. I know some of these (Wallace) films are on video but
I've never come across anything in NTSC format or even subtitled for that
matter.
Brian
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From: "Magnus Sandberg"
Subject: Re: (exotica) bad cowboy, good indian - Kriminalfilmmusik vol 1-4
Date: 14 Apr 2001 17:47:41 +0200 (CEST)
citerar Brian :
>
> Magnus wrote:
>
> > Between 1966 and 1983, the East German state movie production
> > company DEFA produced 12 "Indianerfilme" ("Indian movies").
> There is a CD collection of music from these very films. I can't
remember
> the exact label, but I was led to believe the music wasn't too
interesting.
> I still find the concept totally bizarre... particularly coming from
East
> Germany!
Maybe I saw them as a kid on television, there were a lot of strange
things from the eastern block on TV. Did the cartoon "Dr Baltazar"
screen in your countries? That was Checkoslovakian I think... Balt!
Baltazar... Balt! Baltazar... Baltazaaar...
We played cowboys and indians too when I was a kid, but I cant remember
if I wanted to be a cowboy or an indian, I thought indians were cooler
but the cowboy had a gun.
volume 4 features
> Gert Wilden among others and it is good but nowhere near as beat
heavy as
> "I Told You not to Cry" which is among the most played CDs in my
collection!
Yes that is indeed a nice record, I bought the LP reissue.
Thanks Brian, I was interested in some "new" crime/spy jazz sounds, but
I think I skip the Kriminal filmmusik cds after your short review. I
recently saw two 60s Dr Mabuse films (one of them Fritz Lang's last
film) but as usual I "forgot" to listen to the soundtrack. Must be good
music if it merge with the pictures though.
Magnus
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From: alan zweig
Subject: Re: (exotica) More Hammond Groovers
Date: 14 Apr 2001 12:07:07 -0400
At 12:28 AM 4/15/01 -0400, clayton black wrote:
> What's usually "good" for me are the older tunes (but generally
>not going back earlier than the thirties). I'll take another listen to Love
>Potion No. 9, but I don't hold out much hope, because I don't even like the
>original.
> ... For now, however, I'm just more captivated by
>the show-tuney melodies redone by the likes of Marty Gold or Vic Schoen. If
>an album has "Baubles, Bangles, and Beads" or "A Summer Place," I'll buy it
>almost every time.
.
No big deal. We have different taste. When I started down this
exotica/lounge trail seven or eight years ago, I mostly bought the stuff
from the fifties and early sixties. Marty Gold, Enoch Light, David
Carroll. And the endless versions of Baugles and Bangles, El Cumbanchero,
In a little Spanish town, the breeze and I, taboo, in a persian market, Oye
negra, I love Paris, cumana, under Paris skies, cumana, poor people of
Paris...
And eventually I got sick of it. I like some of those tunes but some of
them I actually dislike. I often enjoy the arrangements or the attitude
that went into them. And I still do. I still occasionally buy this stuff.
The best of it is great. But I found that overall, I could - and did -
get sick of it.
Whereas that almost never happens with the sixties "rock" instrumental
covers. A bad organ player doing hits of the Monkees. Fine. (In fact that
record exists.) Bob Dylan songs redone by a string orchestra. Bring it on.
I can't say that I love all the sixties tunes. But as it turns out, I like
a surprising number of them. And a bunch of them, I REALLY like. A bunch
of them, apparently, I can't get enough of.
And I get more from the whole attitude of the these records. The
over-the-hill gang trying to cash in on this newfangled rock music. The
happy accidents.
I may "hmmm" your taste but I'm not judging. I actually kind of wish that
I liked the stuff you like rather than the stuff I like. I think it would
be kind of more interesting of me to enjoy the tunes from before my birth
to the tunes that I grew up with. It's kind of boring on some level that
I'm still listening to "Light my fire" and "McArthur's Park", albeit in
quite different versions than the originals.
We have way different taste. I liked "Love Potion number 9" when it came
out and then I forgot about it and didn't hear it for a couple of decades
until I heard the Enoch Light version. Now I love it again in a whole new
way. Great guitar sound. Great organ sound. It's groovy as all hell.
If you don't like that, more power to you but it's going to be hard for me
to recommend anything or comment on anything you like.
But that's no reason to get divorced, is it?
AZ
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From: "James"
Subject: Sv: (exotica) bad cowboy, good indian - Kriminalfilmmusik vol 1-4
Date: 14 Apr 2001 18:57:57 +0200
I remember Professor Balthazar great cartoon, great inventions and great =
signature tune. Does anyone remember SuperVip =E9 MiniVip, an italian =
cartoon
that made fun of superheroes. It had great music. Or the Czech series =
Pan Tau about a little doll in a pinstripe suit and a bowlerhat who =
turned human
when he touched his hat ?
The Winnetou films were quite biq on the matin=E9e scene here in Denmark =
in the early 70=B4s. I believe that Karl May the author of the books
wrote most of them while doing time in an East-German prison.
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From: "m.ace"
Subject: Re: (exotica) More Hammond Groovers
Date: 14 Apr 2001 15:48:56 -0400
>I have the sense that this is a horse of a different color, but what's
>your opinion of the Enoch Light "Discoteque" (sp?) albums? I don't much
>care for them, but then again I haven't listened to them in a long time, and
>a re-acquaintance might be in order.
I only have the first Light "Discotheque" album, but I'm fond of it. It has
an atmosphere of industrial functionalism that I get a kick out of. (And I
don't mean industrial in the recently mentioned "industrial album" sense,
or in the Throbbing Gristle sense. Geeze, that word has acquired a lot of
baggage.)
Plus, you get that nifty Killer Joe Piro dance instruction book!
--m.ace
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From: "m.ace"
Subject: (exotica) Robert Maxwell "Peg O' My Heart"
Date: 14 Apr 2001 15:49:51 -0400
Robert Maxwell, His Harp and Orchestra
"Peg O' My Heart"
(Decca)
No tracks to stand up with "Solfeggio", but I find it a nice album anyway.
Not really an orchestra, but a smallish combo: organ, polite rhythm guitar,
electric bass, drums/percussion, sax, flute (on "Adios") and Maxwell on
harp. He's pretty low-key -- no prepared harp, he barely even plays on a
couple of tracks.
Interesting little arrangements. Tracks that strike me offhand are "Adios",
"Don't Get Around Much Anymore", "Manha de Carnaval", "Sophisticated Lady",
"What Is This Thing Called Love".
I do have unfortunate "issues" with the organist. He or she is very
prominent in the mix and sticks with very 'skating rink' voicings, making
the proceedings awfully soupy sometimes. To reference a current thread, he
or she is a Hammond Anti-Groover. If a Hammond is what it is. (that's
almost like a Popeye line)
m.ace mace@ookworld.com
http://ookworld.com
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From: "Magnus Sandberg"
Subject: Re: (exotica) Robert Maxwell "Peg O' My Heart"
Date: 14 Apr 2001 22:15:39 +0200 (CEST)
citerar "m.ace" :
>
> Robert Maxwell, His Harp and Orchestra
> "Peg O' My Heart"
I only have Robert Maxwell's Shangri-La, includes a version of Nature
boy. I love that one, besides Peg O' my heart, what else is there to
look for?
M
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From: "Darrell Brogdon"
Subject: (exotica) College Confidential
Date: 14 Apr 2001 15:55:19 -0500
Get your VCRs ready -- AMC is running "College Confidential" next
month, part of their American Pop series. Features a great, crime
jazz-y score by Dean Elliott, played by some stellar West Coast-ers.
And wotta cast! Here's the synopsis, from the AMC site:
"Steve Allen plays a sociology professor styddying the mating
rituals of students. The eclectic cast includes Mamie Van Doren,
Rocky Marciano, Conway Twitty and Walter Winchell."
10pm Eastern/9pm Central time on Saturday, May 5. Catch the repeat
at 4am Eastern/3am Central and follow it up with "The Thing from
Another World", featuring Dimitri Tiomkin's classic outer space
score, complete with theremin!
I luv TV.
Darrell Brogdon
The Retro Cocktail Hour
KANU FM 91.5
Visit The Retro Cocktail Hour at:
http://kanu.ukans.edu/retro.html
Listen to The Retro Cocktail Hour at:
http://kanu.ukans.edu/retrolisten.html
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From: "Darrell Brogdon"
Subject: (exotica) Robert Maxwell "Peg O' My Heart"
Date: 14 Apr 2001 16:07:52 -0500
> I only have Robert Maxwell's Shangri-La, includes a version of Nature boy.
> I love that one, besides Peg O' my heart, what else is there to look for?
I like him, too, though I'm partial to his earlier stuff for MGM,
which tends to include more original tunes. Hi-Fi Harp, Red Hot Harp
and The Harp in Hi-Fi come to mind. On these and others you'll find
Maxwell originals like "Bing Bang Boomerang", "Injury Music for
Football Games", "Accidental Slip On an Oriental Rug" (included on
one of the Rhino comps), "Stompin' at the Stork Club" and the blazing
"Tarantula", my favorite. As the titles suggest, they're a little
bit Raymond Scott-like.
Two posts in one day?! Gotta go take a nap.
Darrell Brogdon
The Retro Cocktail Hour
KANU FM 91.5
Visit The Retro Cocktail Hour at:
http://kanu.ukans.edu/retro.html
Listen to The Retro Cocktail Hour at:
http://kanu.ukans.edu/retrolisten.html
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From: "m.ace"
Subject: (exotica) Louis Prima tv
Date: 14 Apr 2001 18:49:23 -0400
The documentary, "Louis Prima: The Wildest!" gets another airing on AMC
this coming Wednesday at 6:30pm (eastern).
--m.ace
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From: "Magnus Sandberg"
Subject: (exotica) Paul Conrad -Exotic Paradise
Date: 15 Apr 2001 12:54:16 +0200 (CEST)
I think it's on the hawaiian label "Mahalo"
Doea anyone have a copy of this for trade? CDr or LP.
Email me.
Magnus
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From: "James"
Subject: (exotica) Radiojingles
Date: 15 Apr 2001 14:05:19 +0200
Would just like to mention, if anyones into the newsgroup thing, that=20
there are lots of radiojingles to be found at: =
alt.binaries.sounds.mp3.1960s
ranging from the 50s til present day. As it it is the nature of jingles=20
to be a part of a certain zeitgeist they cover a broad range of styles=20
defining the times and the particular radiostations they were made for. =
So we get=20
it all ! Tiki, Gogo, Acid and a lot of these vocoderized jingles that =
were
to be found on The Who For Sale Album.
I especially admire the vocal work on many of these jingles when they=20
sing out the stations name, like: W K R B Cincinaaatee.
Anyway just wanted to pass on the info.
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From: "cheryl"
Subject: (exotica) Playlist For Space Bop, April 15
Date: 15 Apr 2001 12:00:23 -0400
Beyond kitsch, Space Bop is one hour of full galactical wonder, and can
be heard every Sunday from 4 to 5 pm Eastern time on CKUT 90.3 FM in
Montreal, Canada, and on RealAudio (real time only, for now) at:
http://www.ckut.ca
As usual, all comments, questions, and feedback welcome.
Space Bop #138 More Of...Those Wacky Germans
This week, we're featuring recent releases from Germany. Not exactly wacky,
but...more along the lines of ranging from interesting to quirky. Quite a
diverse bunch of things, but all are (as usual) quite good.
Blutsiphon: The Finest Of "Tammus"
Schlammpeitziger: Quietschquarklaute "Augenwischwaldmoppgeflote"
L@N: Tibtan "Twoinone"
Sack Und Blumm: Tony One "Shy Noon"
A Certain Frank: Nothing "Nothing" (thanks, Frank!)
Holger Hiller: Once I Made A Snowman "Holger Hiller"
Quarks: Konigin "Konigin"
Blutsiphon: Wrong Beat "Tammus"
Sack Und Blumm: Greg B. Roy "Shy Noon"
A Certain Frank: We Belong To Someone "Nothing"
Blutsiphon: Die Nachricht "Tammus"
Schlammpeitziger: Karbidboybeule "Augenwischwaldmoppgeflote"
Holger Hiller: Pulver "Holger Hiller"
Thanks for reading, and thanks for listening
cheryls@dsuper.net
brian@phyres.lan.mcgill.ca
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From: Clayton Black
Subject: Re: (exotica) More Hammond Groovers
Date: 15 Apr 2001 13:38:01 -0400
>
> But that's no reason to get divorced, is it?
Well, maybe not until the kids have grown.
The evolution of my tastes may eventually take me in the direction you've
gone. I've often wondered about that, whether my musical journey will,
given enough time, eventually take me back to the Sex Pistols, Dead Boys,
Ramones, etc. that I listened to when I was in high school. I can say that
one of the things that appeals to me about the late fifties, early sixties
stuff is that it suits my energy level at this point in life. If I have
short bursts of adrenaline, I can count on Warren Kime's Mas Que Nada (Pow,
Pow, Pow!) or Ted Heath's version of Wives and Lovers, but most of the time,
I'll settle for something about the speed of Robert Maxwell (to segue into
the current thread).
Clayton
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From: Will Straw
Subject: Re: (exotica) 60's "groovy music
Date: 15 Apr 2001 14:07:41 -0400
>
>In my continuing CDR project, this past week I've been revisiting (and
>decimating) that part of my collection which I listened to and collected in
>the seventies and eighties. The folk, folk rock, reggae etc. Right now
>it's Toots and "Funky Kingston". It's good stuff but I don't want it
>anymore. Someday virtually the only records left will be the kind of
>records they could have played during a hippie episode on Dragnet.
>What does that say?
>I guess the drugs did have an effect on me.
>
>AZ
>
What you're doing, Alan, is erasing any evidence that you lived into the
1970s and beyond. And when all your 1970s and 1980s records are gone,
Sergeant Friday will knock at your door and find you nodding off behind the
beaded curtain, with some fuzztone groovy guitar record playing. The
thirty years you thought happened afterward were all a hallucination, and
nobody will believe your description of them. I'm part of that
hallucination, Alan.
Will
Will Straw,
Associate Professor and Acting Chair,
Department of Art History and Communications Studies
McGill University
853 Sherbrooke Street W.
Montreal, QC H3A 2T6
Canada
Phone: (514) 398 7667 Fax: (514) 398 7247
Co-Investigator, Culture of Cities Project,
http://www.yorku.ca/culture_of_cities/
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From: Lou Smith
Subject: (exotica) [obits] Joey Ramone, etc.
Date: 15 Apr 2001 21:23:54 -0400
WORCESTER, Mass. (AP) -- Harvey R. Ball, inventor of the Smiley Face,
died Thursday after a short illness. He was 79.
Ball, who co-owned an advertising and public relations firm in
Worcester, designed the Smiley Face in 1963 to boost the morale of
workers in two recently merged insurance companies.
Ball was paid $45 for his artwork by State Mutual Life Assurance Cos. of
America -- now Allamerica -- in 1963. He never applied for a trademark
or copyright.
At its peak of popularity in 1971, more than 50 million Smiley Face
buttons were sold. In 1999, the U.S. Postal Service issued a Smiley Face
stamp.
http://www.nytimes.com/2001/04/14/obituaries/14BALL.html
-------
Richard Evans Schultes, a swashbuckling scientist and influential
Harvard University educator who was widely considered the preeminent
authority on hallucinogenic and medicinal plants, died on Tuesday, April
10, 2001, in Boston. He was 86 and lived in Waltham, a Boston suburb.
Dr. Schultes (pronounced SHULL- tees) was often called the father of
ethnobotany, the field that studies the relationship between native
cultures and their use of plants. Over decades of research, mainly in
Colombia's Amazon region, he documented the use of more than 2,000
medicinal plants among Indians of a dozen tribes, many of whom had never
seen a white man before. "I do not believe in hostile Indians," Dr.
Schultes was quoted as saying in a 1992 article about him in The New
Yorker by E. J. Kahn Jr. "All that is required to bring out their
gentlemanliness is reciprocal gentlemanliness."
--------
Robert Moon, the man who came up with the zip code number system in 1963,
has died after a lengthy illness. He was 83.
Moon, whose exact date of death was not given, was known as "Mister Zip"
after his invention. He'd begun his postal career in the 1940s and began
work on the system he termed "Zoning Improvement Plan". He retired in
1965, but went to Washington in 1970 for a seven-year stint as director of
delivery services for the U.S Postal Service.
http://www.nytimes.com/2001/04/14/obituaries/14MOON.html
--------
Sully Boyar, a character actor who worked in films, on television and in
theater, died on March 23 while waiting for a bus in Whitestone, Queens,
where he lived. He was 77.
Reared as one of seven children in the Williamsburg section of Brooklyn, Mr.
Boyar was an established lawyer when he started thinking about giving it all
up and enrolling in acting classes.
He eventually became a member of the Actors Studio. His career progressed
from small parts in summer stock productions to Off Broadway, often in
experimental works at places like Judson Poets Theater.
Soon, movie parts began to come his way. He appeared in more than a score of
films, including "The Panic in Needle Park," "Last of the Red Hot Lovers,"
"The King of Marvin Gardens," "Dog Day Afternoon," "Car Wash," "Fort Apache,
the Bronx" and "Prizzi's Honor."
He appeared on Broadway in the 1977 revival of David Rabe's "Basic Training
of Pavlo Hummel," which starred Al Pacino. His television credits included
roles in "Barney Miller," "Kojak," "Charlie's Angels," "Law and Order" and,
most recently, "The Sopranos."
---------
Joey Ramone, lead singer of seminal punk act the Ramones, has died from
lymphoma.
Ramone, born Jeffrey Hyman, formed the punk rock band in his hometown of
Queens, New York, in 1974, along with John Cummings (Johnny Ramone) and
Douglas Colvin (Dee Dee Ramone).
The group's boiled-down, sped-up pop-rock style reinvigorated the rock scene
and influenced the sound of punk acts such as the Sex Pistols and the
Buzzcocks. The band was one of the first punk acts to sign a record
contract, in 1975.
Though the band's most well-known songs - including "Rock and Roll High
School," "I Wanna Be Sedated," and "Sheena Is a Punk Rocker" - were recorded
in the 1970s and early '80s, the act continued, with several lineup
shuffles, until 1995's Adios Amigos.
Joey Ramone, lead singer of legendary punk band the Ramones, passed away at
2:40 p.m. Sunday at the age of 49.
The towering front man, born Jeffrey Hyman, did not respond to treatment for
lymphatic cancer, a disease that attacks the body's ability to fight=
infection.
Along with his cohorts Johnny, Tommy and Dee Dee =97 all of whom adopted
Ramone as a surname =97 Joey was credited with helping found the modern punk
movement. In mixing the griminess of the New York streets with a love of
bubblegum pop, '60s girl groups and the Stooges, the Ramones inspired
everyone from the Sex Pistols and the Clash to Green Day and Blink-182 to
stake their turf on four dirty chords and an (often) inane hook.
With his trademark rose-colored shades, black leather jacket,
shoulder-length hair, ripped jeans and alternately snarling and crooning,
hiccoughing vocals, Joey was the iconic godfather of punk. He gave voice to
some of the most revered songs in the punk canon: "Blitzkrieg Bop," "Gimme
Gimme Shock Treatment," "Rock 'n' Roll High School," "I Wanna Be Sedated,"
"Sheena Is a Punk Rocker."
His profile was indelible.
The image of Joey's body, left foot forward, right foot back, left hand
strangling the microphone, fist pumping in the air as he shouted one of the
band's unofficial mantras, "Gabba Gabba Hey!," is forever imprinted in the
minds of any fan who attended one of the band's 2,263 shows.
Born in the Forest Hills section of Queens, New York, on May 19, 1952, Joey
founded the Ramones in 1974 with Johnny, Dee Dee and Tommy. Originally the
drummer, Joey switched to vocals two months after the band played it first
show in March 1974 at New York's Performance Studio.=20
The group soon became a staple at the dingy New York punk club CBGB, home to
fellow downtown bands Talking Heads, Patti Smith and Blondie. In 1975 the
Ramones became the first punk band to sign a record contract. Their
self-titled debut, recorded for $6,000, was released in 1976 and featured
such rock landmarks as "Judy Is a Punk," "Now I Wanna Sniff Some Glue" and
"Beat on the Brat."=20
Destroying the '70s prog-rock idea that rock had to be played by learned
musicians in full command of their instruments, the Ramones pioneered the
do-it-yourself ideal that inspired thousands of punk bands with lots of
energy but dicey chops to pick up instruments and rock.
Their 1977 album Ramones Leave Home featured a quintessential mix of
gutter-punk anthems and homages to classic pop songs ("I Remember You," "Oh
Oh I Love Her So"). It also featured the unofficial Ramones anthem
"Pinhead," in which Joey sang, "I don't want to be a Pinhead no more/ I just
found a nurse that I could go for."
The Ramones not only prodded bands such as the Sex Pistols, the Clash and
X-Ray Spex to take up their instruments and take on the world, but they also
laid the path for the next generation of new wave and punk bands to rock
maximally with minimal flourish.=20
Inspired by the Ramones' wide-open subject matter =97 which ranged from
sniffing glue to male prostitution to lobotomies =97 as well as by the=
music,
'80s bands such as Husker Du, the Replacements and Devo further exploded the
notion of how rock could sound.
The Ramones released what is arguably their best album, Rocket to Russia, in
1977. Featuring such concert staples as "Cretin Hop," "Rockaway Beach" and
"We're a Happy Family," the album not only summed up the glum outlook of the
punk generation, it was a shrill counterpoint to the disco music that was
sweeping the nation in the wake of "Saturday Night Fever." After trying
their hands at the movies, starring in 1979's "Rock 'n' Roll High School,"
the group entered the studio with one of their idols, '60s' "wall of sound"
producer Phil Spector. The resulting 1980 album, End of the Century,
included a cover of "Baby I Love You" by the Ronettes, who were fronted by
one of Joey's favorite singers, Ronnie Spector (Phil's ex-wife).
The group followed with 10 more studio albums of speedy, anti-social punk
and a relentless touring schedule, and enjoyed Beatlemania-style fame in
Argentina and Japan.
Although the band rarely cracked the album charts and achieved marginal
album sales during a 22-year career, its influence continues to this day.
With most of his contemporaries faded, dead or inactive, Joey became the
embodiment of first-wave punk, with a shy, soft-spoken manner that belied
his band's twisted songs about social misfits too bored, disconnected or
disaffected to play by the rules.
Joey may have shared a last name with his bandmates, but familial love
couldn't keep them from their constant bickering, leading to the Ramones'
dissolution in 1996. After the group played its final show on August 9, 1996
=97 such fans as Pearl Jam's Eddie Vedder and Soundgarden's Chris Cornell
jammed with the Ramones that night =97 Joey continued to carry the torch for
the music he loved.
In addition to producing an EP and an album by horror-ska rockers the
Independents =97 whom he tirelessly championed and managed for much of the
late '90s =97 Joey co-produced a 1999 EP by his idol Ronnie Spector.
The EP featured one of Joey's most poignant tunes, "She Talks to Rainbows,"
a ballad he wrote for the Ramones' 1995 studio swan song, Adios Amigos!. It
was about a girl Joey would often see in his neighborhood, who he said
looked like she was in her own world.
"She's a little lost girl in her own little world/ She looks so happy, but
seems so sad/ Oh yeah/ I'd like to help her/ I'd like to try/ Oh yeah,"
Spector sang in her trademark yearning voice on the EP.=20
In addition to trying to help resurrect the career of his hero Spector, Joey
was working on his debut solo album over the past three years.=20
Collaborating with long-time Ramones producer Daniel Rey, Ramone had written
nearly 20 new tunes that he planned to record with a band that included Andy
Shernoff of the punk group the Dictators, Cracker drummer Frank Funaro and
Rey on guitar.
Joey kept a low profile over the past few years, jumping onstage to belt out
occasional Ramones songs at birthday parties in his honor thrown by his
punk-rocker friends in New York. In February 2000, he buried the hatchet
with former Ramones drummer Marky Ramone, recruiting Marky to play on a
handful of his solo songs.
=97Gil Kaufman
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From: Brad Bigelow
Subject: (exotica) "Swing and Sway in Hawaii"
Date: 16 Apr 2001 07:01:38 -0500
I give this LP two thumbs up, although every Sammy Kaye album does have a
few "syruppy saxes" cuts amongst the great "shuffle rock" numbers. "Tiny
Bubbles" is great, and the "Hawaiian War Chant" won out as the "HWC"
version to make my Hawaiian music compilation CD.
Brad
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From: Brian Phillips
Subject: (exotica) So this Everett says to this Yamaha...
Date: 16 Apr 2001 08:32:37 -0400
Yes, that's right! From my growing-ever-more-obscure subject lines you may
have guessed that I have indeed picked up some new records!
1. Inferno! - John Buzon Trio
2. Bill Doggett - Fingertips. I thought I would list this one, because of
all the organ talk of late. Slower than I thought it would be but rather nice.
3. Discotheque, Vol. 2 - Enoch Light (Haven't listened to it yet)
4. Sparky's Magic Piano. Yes, indeed! Very happy to have this one after
hearing bits of it on Fantastica.
By the way, there is a CD copy advertised of SMP
http://www.wecollect2.com/Sparky's%20Magic%20Piano.htm which also plays a
sound clip of "Sparky and the Talking Train.", although they also say that
they have the song "Surfin' Bird" by the "Trashmemn" and I may not
necessarily know themn.
And now I will play two Goldberg Variations at the same time,
Brian Phillips and unbilled "helper"
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From: Brian Phillips
Subject: (exotica) The Smiley Face Controversy continues!
Date: 16 Apr 2001 08:52:28 -0400
http://www2.wi.net/~rkurer/funnyco.htm
Also, in Japan, 60 Minutes reported that there were several stores that
sold "Smilley Badges".
Keep smilling,
Brian Philips
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From: Brian Phillips
Subject: Re: (exotica) 60's "groovy music
Date: 16 Apr 2001 09:11:41 -0400
>When I talk about this go-go Now Sound generic rock instrumental stuff I'm
>obsessed with these days, I always refer to the go-go sequences on "Laugh
>In" but they happened all over TV.
>It's so curious that this music which so offended me - and colleen - when I
>was a kid, is so interesting to me now.
>I don't even know if it's actually interesting to me or if I just want it
>because it's fun to find it.
Odd that you mention that. It used to bug me, too, but I know why. It
smacked to me of cheapness or unhipness, as in, "couldn't they get a REAL
rock band"? Now, having been able to collect a great deal of what I want,
I can now go back to the "Batman" music (that's the show I associate with
Go-Go music) and find that some of it is rather good.
If any of you see Lord Rockingham's XI's Hoots Mon!/Oh Boy single, buy it
and quick. Strange vocal drop-ins (Hoots mon, that's a braw brecht
moonlecht necht!) and screechy women (one who wasn't screeching was the
woman on the organ) it's a classic!
Today's now au-go-go woman (Firesign Theatre ref),
Brian Phillips
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From: "Darrell Brogdon"
Subject: (exotica) Retro Cocktail Hour
Date: 16 Apr 2001 08:18:05 -0500
You'll find lots of Latin and bossa-flavored tunes on this week's
Retro Cocktail Hour webcast. From classics by Esquivel, Billy
May and Bert Kaempfert to new stuff by Bebel Gilberto, Les
Hommes and Ursula 1000; Morricone's "Danger: Diabolik";
percussion ace Rolley Polley's "Mad Drums"; the Now Sound of
Mel Torme and Nelson Riddle; smokin' Latin jazz by Bobby
Montez (his "Jungle Fantastique" has just been reissued by
CuBop); and assorted tunes from Les Baxter, Jackie Davis, Piero
Umiliani and Berry Lipman.
To hear The Retro Cocktail Hour on the web, just visit:
http://kanu.ukans.edu/retro.html
As always, your comments and suggestions are welcome.
Darrell Brogdon
The Retro Cocktail Hour
KANU FM 91.5
Visit The Retro Cocktail Hour at:
http://kanu.ukans.edu/retro.html
Listen to The Retro Cocktail Hour at:
http://kanu.ukans.edu/retro/retrolisten.htm
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From: Ben Waugh
Subject: Re: (exotica) So this Everett says to this Yamaha...
Date: 16 Apr 2001 08:14:53 -0700 (PDT)
Recent finds. I have not done this in some while but
these might be worth a mention:
Cal Tjader: Several Shades of Jade. Great jazz,
exotica style - Tjader's Latin sounds with middle
eastern flourishes. Most of the compositions are Lalo
Schifrin's. He conducted and played piano on the lp.
Great record, probably my favorite of CT's Verve
stuff.
Jack Marshall: The Marshall Swings. Great music and
great cover. Marshall, in his cap, is on the scaffold
with a rope around his neck and an abundantly healthy
yet starkly clad young lady sheriff is about to pull
the lever. All the songs have wild west/wagon trail
titles, but as the jacket notes say, roughly: they
demonstrate closest this marshall ever got to the wide
open planes was speeding past them in his car.
Harpsichord, bongos, Mr Marshall on guitar... fun
stuff indeed.
Ferrante & Teicher: Sound Proof. Wow.
Esquivel: Four Corners. Not as full blown as his
orchestral lps, but very nice nonetheless.
__________________________________________________
Do You Yahoo!?
Get email at your own domain with Yahoo! Mail.
http://personal.mail.yahoo.com/
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From: "Marco \"Kallie\" Kalnenek"
Subject: (exotica) new Beau Hunks CD
Date: 16 Apr 2001 21:45:27 +0200
From www.bastamusic.com:
AVAILABLE NOW: Basta has released the complete OUR RELATIONS SUITE by Leroy
Shield, performed by the Beau Hunks and the Metropole Orchestra. The first
edit of the 1936 Laurel & Hardy film, titled "Our Relations," was considered
too slow, and not very funny. It was re-edited to a much shorter and faster
version. The editing obviously effected the soundtrack composed by Shield.
Even we weren't sure what to expect when we started recording, but rest
assured: the final result is fantastic! The CD will come in a beautifully
Piet Schreuders-designed slipcase, which holds a seperate booklet (with
loads of info and a lot of never before published photographs!) and a
jewelcase that comes with an overview of the Beau Hunks recordings from the
past eight years... -
Marco
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From: "cheryl"
Subject: Re: (exotica) new Beau Hunks CD
Date: 16 Apr 2001 15:59:45 -0400
And better yet, there is finally a decent North American distributor for
Basta releases, so it's easy to find them now!
cheryl
> AVAILABLE NOW: Basta has released the complete OUR RELATIONS SUITE by
Leroy
> Shield, performed by the Beau Hunks and the Metropole Orchestra
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From: nytab@pipeline.com
Subject: (exotica) The Sims have a Tiki Party
Date: 16 Apr 2001 16:47:36 -0400
http://www.gamespot.co.uk/stories/screens/0,2160,2044127-2,00.html
lousmith@pipeline.com
(PS - I've heard that Bowie is recording Nature Boy for the Moulin Rouge soundtrack.)
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From: Hemmel@gmx.net
Subject: Subject: Re: (exotica) More Hammond Groovers / Caravan Billy Vaughn
Date: 16 Apr 2001 23:11:18 +0200 (MEST)
I don't know much of his stuff, but he made that fantastic DANCEABLE version
of CARAVAN that is on the Exotic Trilogy Vol 1
Anybody know where this came from ? an album? a comp? a single?? I would
love to have it on vinyl
Thanks a lot for help
Martin
"Magnus Sandberg" m.sandberg@telia.com Wrote:
citerar Clayton Black :
Billy Vaughn's
I've tried him three times but always more or less hated the records.
--
visit the ***Space Escapade***
Exotic Club Pop Entertainment
with Guests and the Lemon Squeezer Sound System
at the Atomic Cafe, Neuturmstr. 5, Munich, every Tuesday Night
http://www.atomic.de/
GMX - Die Kommunikationsplattform im Internet.
http://www.gmx.net
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From: Hemmel@gmx.net
Subject: Subject: RE: (exotica) More Hammond Grooves - James Taylor Quartet / Big Boss Man
Date: 16 Apr 2001 23:13:49 +0200 (MEST)
I total agree. It is the same with the new Big Boss Man Lp on blow up. It is
not a bad record but it has the wrong production.
The Desco Label makes this much better
http://www.descorecords.com/
when I did buy there singles first, I thought they where reissues from
original late 60s early 70s rare tracks
Charles Moseley charlesm@contentrepublic.com wrote:
JTQ are interesting because they play real Hammond driven funk tunes and
they sound the business - but not on record. The only way you can sound like
a proper funk band now is by recording on early 70s equipment in an early
70s studio and making records with an early 70s engineer. I've always found
their records lack something compared to the real thing. The classic track
is the Theme From Starsky and Hutch - originally by Tom Scott - which is
much better by JTQ.
On stage though, with the drummer going mad and the Hammond screaming -
nothing else compares.
--
visit the ***Space Escapade***
Exotic Club Pop Entertainment
with Guests and the Lemon Squeezer Sound System
at the Atomic Cafe, Neuturmstr. 5, Munich, every Tuesday Night
http://www.atomic.de/
GMX - Die Kommunikationsplattform im Internet.
http://www.gmx.net
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From: "Benito Vergara"
Subject: RE: (exotica) StereoLab
Date: 16 Apr 2001 14:58:45 -0700
> -----Original Message-----
> From: owner-exotica@lists.xmission.com
> [mailto:owner-exotica@lists.xmission.com]On Behalf Of Charles Moseley
> Sent: Monday, April 09, 2001 4:38 AM
> I heard a great StereoLab record yesterday - Simple Headphone Mind. Does
> anybody have any other recommendations for further similar listening?
That would be a little difficult, since "Simple Headphone Mind" is a
collaboration with Nurse With Wound and thus sounds quite different from
their other records (except "Crumb Duck," which is also a NWW
collaboration). Maybe mid-period Stereolab (circa "Mars Audiac Quintet") or
NWW's "Rock 'n' Roll Station" (which utilizes some of the same sound/rhythm
elements from "Simple Headphone Mind") would do the trick.
Bear in mind, though, that NWW's output is widely varied in terms of sound
(surrealist collage, drone, exotica mishmash, death ambient, industrial,
etc.). So is Stereolab, branching out to jazz and funk, but they still
employ the same basic Can-like rhythm all throughout. =)
Later,
Ben
np: kings of convenience, "quiet is the new loud"
http://members.tripod.com/~tamad2/
ICQ: 12832406
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From: Tipsydave@aol.com
Subject: Re: (exotica) Kriminalfilmmusik vol 1-4
Date: 16 Apr 2001 19:24:26 EDT
In a message dated 4/14/01 7:16:55 AM, brian@phyres.lan.mcgill.ca writes:
<< > . ...I know some of these (Wallace) films are on video but
I've never come across anything in NTSC format or even subtitled for that
matter.>>>
There's a bunch of them available from Something Weird and Sinister Cinema...
a really cool one I just saw is called Hand of Power (Im Banne des
Unheimlichen/Spell of the Sinister One), with a Peter Thomas score featured
on Futuremusic (with a hot nightclub singer) and a scene where two characters
take time out to drink a couple zombies out of shrunken-head glasses...
ultra entertaining!!!
-dave
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From: clayton black
Subject: Re: (exotica) More Hammond Groovers / Caravan Billy Vaughn
Date: 17 Apr 2001 23:42:25 -0400
> I don't know much of his stuff, but he made that fantastic DANCEABLE version
> of CARAVAN that is on the Exotic Trilogy Vol 1
>
> Anybody know where this came from ? an album? a comp? a single?? I would
> love to have it on vinyl
>
> Thanks a lot for help
>
> Martin
>
This discussion prompted me to get out the one remaining Billy Vaughn album
in my collection, "Pearly Shells," and, sure enough, there it is--Caravan.
And you're right, it's a great version, as is his take on Girl From Ipanema
(always a favorite of mine). I knew there was a reason I kept this one.
Clayton
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From: G.R.Reader@bton.ac.uk
Subject: (exotica) Go Go music
Date: 17 Apr 2001 14:54:52 +0100
Some of the best go-go music I've found turns up on the Italian Soundtracks.
Allegretto por signora from Ennio Morricone's 'Foto Proibite....'
About half of the tracks on the EP's that come with Il Giaguaro (second plug
in a month, but they're good and theres a new one due soon). The rest are
good, just slower.
Some of the Erotica Italia compilation.
A couple of the tracks on Vampyros Lesbos (OK so German Italian then) CX9
and Not Satisfied
Others I like in the same vein
The Black Queen's beads from the Barbarella OST.
Eleanor Rigby from Spaced Out by Enoch Light. Wild stuff, theres a couple
more on here as great.
The Schudelmadchen Report LP by Gert Wilden, i can't remember titles for
these tunes, but theres 3 or 4 uptempo tracks that are just great.
Some tracks from the Shake Sauvage compilation.
Miniskirt Blues by the Flower Children off 'Pebbles Highs of the Mid Sixties
vol 5(?) Mondo Hollywood a go-go' The rest is 66/67 folk/rock /psych, quite
fun if you like that sort of thing.
Nice set of cross-overs to my Organ loves there.
One I've never figured out was the music from the Pigeon toed Orange Peel
section from a Clint Eastwood film (Dirty Harry? Presumably Lalo Schiffrin
then?).
El Maestro Con Queso
djcheesemaster@yahoo.com
grr@brighton.ac.uk
http://www.shitola.freeserve.co.uk/cheese/cheese.htm
http://www.geocities.com/djcheesemaster/
The Stare
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From: "Darrell Brogdon"
Subject: Re: (exotica) Go Go music
Date: 17 Apr 2001 10:37:44 -0500
> One I've never figured out was the music from the Pigeon toed Orange Peel
> section from a Clint Eastwood film (Dirty Harry? Presumably Lalo
> Schiffrin then?).
It's Schifrin, all right, but it's from "Coogan's Bluff". I don't think this
one's ever been issued on LP or CD, except as a private pressing
that's been floating around for the last few years (backed with
another, unrelated movie score, if I'm remembering this right).
Anybody got a copy?
Darrell Brogdon
The Retro Cocktail Hour
KANU FM 91.5
Visit The Retro Cocktail Hour at:
http://kanu.ukans.edu/retro.html
Listen to The Retro Cocktail Hour at:
http://kanu.ukans.edu/retro/retrolisten.htm
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From: "Nathan Miner"
Subject: (exotica) Blackula!
Date: 17 Apr 2001 12:35:27 -0400
Yahoo's "CD Jukebox" site currently has the Razor and Tie re-issue of =
Blackula up for your listening pleasure!!!
Groovy -
Nate
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From: "Daniel Shiman"
Subject: (exotica) Playlist for Dial-ated Pupils: April 14, 2001
Date: 17 Apr 2001 17:52:47
On this week's show I mostly concentrated on sounds, ersatz and authentic,
of the Mediterranean and North Africa. And did a
half-satisfactory/half-forced job of sequeing into a set of straight-up
organ soul jazz with a selection from Paul Gonsalves' excellent "Cleopatra
Feelin' Jazzy" LP. Which features some exquisite, slinky organ courtesy of
Dick Hyman.
How obscene does that sound?
-Dan
Artist -- Song -- Album -- Format -- Label
Roland Kirk -- Three for the Festival -- We Free Kings -- LP -- Mercury
Quincy Jones w/Roland Kirk -- Cotton Curtain -- In the Heat of the Night --
LP -- United Artists
Harry Betts and his Orchestra -- Theme from "Moment of Fear" -- The Jazz
Soul of Doctor Kildare and Other Great Television Themes -- LP -- Choreo
Heinie Beau and His Hollywood Jazz Stars -- Scotland Yardbird -- Moviesville
Jazz -- LP -- Coral
The Agents -- A Man Called Dagger -- Themes for Secret Agents -- LP --
Sunset
Neal Hefti -- Scene of the Crime -- How to Murder Your Wife -- LP -- United
Artists
Pete King -- The Place -- The Last of the Secret Agents -- LP -- Dot
Neal Hefti -- Turkish Delight -- Hefti in Gotham City -- LP -- RCA
Zoitsa Kouroukli -- Athina -- Athena: The New Sound of Greece -- LP --
Columbia
John Scott Trotter -- Tunisian Interlude -- Escape to the Magic
Mediterranean -- LP -- Warner Brothers
Rena Dalia -- O Zontanos O Horismos -- Rena Dalia, Queen of Song -- LP --
Nina
unknown Greek artist --???? -- 78 -- Victor
The Feenjon -- Zorba -- The Feenjon Goes Greek -- LP -- Monitor
unknown Greek artist --???? -- 78 -- Kaliphon
Mohamed Taha -- Habebi E Lasmar -- Hits From Egypt -- LP -- Request Records,
Inc.
unknown Greek artist --???? -- 78 -- Liberty
Georges Delerue -- (excerpt from) Side 2 Part 2 -- Here History Began -- LP
-- Ministry of Culture and Information - Arab Republic of Egypt
Chris Vardakis and His Bouzoukias Orchestra -- Pantheon Party -- Greek Fire
-- LP -- Colpix
Lacura -- The Five Ways -- Greece Today -- LP -- Philips
Henry Mancini -- The Zoo Chase: Part II, Aquarium Scene -- Arabesque -- LP
-- RCA
Axel Stordahl and His Orchestra -- Cyprus -- The Lure of the Blue
Mediterranean -- LP -- Decca
Paul Gonsalves -- Antony and Cleopatra Theme -- Cleopatra Feelin' Jazzy --
LP -- Impulse!
Jimmy McGriff -- M.G. Blues -- I've Got a Woman -- LP -- Sue
Richard "Groove" Holmes -- Dahoud -- Soul Message -- LP -- Prestige
Wild Bill Davis -- At Dawn with Davis -- Wild Bill Davis in Hollywood -- LP
-- Imperial
Jack McDuff and Gene Ammons -- Watch Out -- Brother Jack Meets the Boss --
LP -- Prestige
Bo Rhambo Combo -- Blues for the Doll -- Enchanted Melodies -- LP --
Imperial
Hear! "Dial-ated Pupils" -- every Saturday 4-6 pm CST exclusively at
www.radio1austin.com. I will lead you safely through the perilous dark
jungles of Austin's scratchiest record collection. Exotic jazz. Obscure
Latin, Afro, and Eastern grooves. Easy listening arcana. Bring your bug
spray.
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com
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From: "james brouwer"
Subject: (exotica) Tomorrow's "Back-Ward" Playlist, April 18
Date: 17 Apr 2001 17:53:46 -0000
"The Back-Ward" is a show featuring cool soundtracks from the 60's
and 70's; exotica; lounge; now-sounds; incredibly-strange;
tropicalia;forgotten country and western; obscure garage & psychedelia;
funk/70's instro'; moog; early high-brow electronic; industrial and/or
post-punk from the late 70's/early 80's. More recent material may creep in
from time to time.
The show can now be heard Wednesday mornings from 10:00 am to 11:00 am EST
on CFRU 93.3fm in Guelph, Ontario, Canada. Comments & questions
welcome.
The show is also available in RealAudio. Click on "Listen to us live
via the net" at:
http://www.uoguelph.ca/~cfru-fm/
TOMORROW'S RAW DEAL:
- John Cameron - Swamp Fever
- Charles Wilp - Nanci For Soft-Ice
- Jacques Louissa - Ballet Photo Rouge, "You Only Live Once" OST
- Coaty De Olivera - One Note Samba
- Os Mutantes - O Relegio
- The Freakscene - Million Grains of Sand
- Nirvana Sitar and String Group - You Keep Me Hangin' On
- The Cyrkle - Nicole, "Minx" OST
- Les Baxter - Psychedelic Senate, "Wild in The Streets" OST
- Ennio Morricone - Black Glove Underground II, "Crystal Plumage" OST
- Pink Floyd - Paint Box
- Faust - Party 2
- Stooges - Down on the Street, from "Funhouse"
- The Sleepers - Step Back, from "Painless Nights"
- The Sleepers - Forever, from "Painless Nights"
- Joy Division - These Days
hope it fits...
jb
_________________________________________________________________________
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From: "Daniel Shiman"
Subject: (exotica) identifying Greek 78's
Date: 17 Apr 2001 17:53:51
I picked up a chronologically wide-ranging (I think) batch of American
pressed Greek 78's from a thrift store a while ago (apparently San Antonio
had a small Greek population), and played 3 of them on my show last weekend.
I've posted a scan of them, so if any of you 78 folks can tell me anything
about these labels, or their approximate year, or if anyone knows Greek and
can translate the song titles for me, I and my playlists would much obliged.
http://www.angelfire.com/jazz/dialatedpupils/Greek78s.htm
thanks!
Dan
Hear! "Dial-ated Pupils" -- every Saturday 4-6 pm CST exclusively at
www.radio1austin.com. I will lead you safely through the perilous dark
jungles of Austin's scratchiest record collection. Exotic jazz. Obscure
Latin, Afro, and Eastern grooves. Easy listening arcana. Bring your bug
spray.
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com
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From: Brian Phillips
Subject: Re: (exotica) identifying Greek 78's
Date: 17 Apr 2001 14:00:59 -0400
Check http://www.diodinos.com/rebetes2.htm for a Manabaki reference. Great
labels!
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From: Mimi Mayer
Subject: (exotica) Kahiki update
Date: 17 Apr 2001 13:58:06 -0500
Don't think this has shown up here:
The Kahiki has a new (?) website at http://www.kahiki.com/. Apparently
Michael Tsao's plans to market Kahiki brand frozen entrees nationwide
lifted off, with lines of frozen entrees carried in the States by Sam's
Club and Costco as well as some regional chains. Details at
http://www.kahiki.com/news.cfm. A photo of the restaurant adorns the
packaging as does the logo from the sign. Those of you who partook of the
farewell party can reminisce with a few more photos from the restaurant
http://www.kahiki.com/aloha.cfm. Damn, I never realized how many awards the
place won. Prowl through the site--there's good info here, including a
bittersweet shot of the four-ton tiki hoisted by crane for storage.
"The management of Kahiki Foods plans to open a larger, grander Kahiki
restaurant in downtown Columbus by the end of 2002. All of the Polynesian
artifacts are stored in a special warehouse and will be used again in the
new Kahiki." Yippee, the Kahiki will rise again! Mimi
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From: "Nathan Miner"
Subject: Re: (exotica) Greek 45's.....
Date: 17 Apr 2001 15:04:34 -0400
Speaking of Greek music, I picked up a couple of 45's. One has a wild =
"psychedelic" cover with a submarine on it and that endearingly aged =
"balloon lettering" type font.
Can't recall what it sounds like, should spin it again soon. It's not =
unlike a Donovan rip-off kinda thing.......
- Nate
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From: Brian Phillips
Subject: (exotica) What the Kahiki?
Date: 17 Apr 2001 15:05:46 -0400
When I am in San Diego, I sometimes eat at the Bali Hai, a favorite of my
Aunt and Uncle's:
http://www.samchoysbalihai.com/
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From: jmhuber@mindspring.com
Subject: (exotica) Farfisa/Vox Continetal groovers
Date: 17 Apr 2001 15:12:44 -0400
Hey - how about some Farfisa/Vox Continental organ groovers?
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From: "Nathan Miner"
Subject: Re: (exotica) What the Kahiki?
Date: 17 Apr 2001 15:26:39 -0400
Brian:
Isn't that "Mr. Bali Hi" ontop of the roof??
It looks from the website that they are trying to "upscale" (I use that =
term in a bad sense) the restaurant and downplay it's crazy polynesian =
influences. =20
I was disappointed that there were no close-up shots of Mr. Bali Hi. Can =
you still drink out of his cranium?? - I guess those mugs are long gone =
and sitting on shelves all across America!!
Any tikis left inside?
- Nate
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From: "Robbie Baldock"
Subject: (exotica) Enoch Light - Beatles Classics
Date: 17 Apr 2001 20:55:51 +0100
You might be interested to know that Varese have just reissued
Enoch Light's 1974 Project 3 album "Beatle Classics" alongwith
loads of Beatle-flavoured bonus tracks from "Spaced Out" and
other Project 3 LPs:
http://www.varesesarabande.com/details.asp?pid=302%2D066%2D
218%2D2
And I wrote the liner notes!
Yours smugly...
Robbie
Spaced Out - the Enoch Light website
http://www.enochlight.com/
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From: Brian Phillips
Subject: Re: (exotica) What the Kahiki?
Date: 17 Apr 2001 16:06:39 -0400
>It looks from the website that they are trying to "upscale" (I use that
>term in a bad sense) the restaurant and downplay it's crazy polynesian
>influences.
>
>I was disappointed that there were no close-up shots of Mr. Bali Hi. Can
>you still drink out of his cranium?? - I guess those mugs are long gone
>and sitting on shelves all across America!!
>
>Any tikis left inside?
Not being a drinker (Uh oh! Am I off the list!?), I don't recall seeing
anyone's head I could drink out of. As far as the decor is concerned,
there are still tikis and while it has changed, I don't think that they
have completely de-Polynesianed the place. The old decor was looking worn
down before it became Sam Choy's.
Food's still pretty good, though. Fortunately, I can still go to Trader
Vic's here in Atlanta.
Polynesian up, Mother Brown,
Brian Phillips
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From: "Nathan Miner"
Subject: Re: (exotica) Sam Choi's
Date: 17 Apr 2001 16:23:07 -0400
So, is that a huge "Mr. Bali Hi" head on top of the roof still?!?!?
(Last dumb inquiry I promise) -=20
Nate
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From: "Brian"
Subject: (exotica) A good day at the record store!
Date: 18 Apr 2001 00:11:57 -0400
A good day at the record store! last visit I listened to four expensive
library records and none of them were interesting enough to even consider.
Today was much better:
The Three Suns - Fever & Smoke - Been looking for a good copy of this one a
long time. All I ever came across before were beat up copies.
Werner Mueller - Tanz Party 68 - The cover caught my eye, plus of course the
name. None of the big beat numbers but a medium beat version of Fiddler on
the Roof which is quite the thing, along with some powerhouse latin sounds
sold me. At CDN$2.98 how could I refuse?
Rick Powell - Switched on Country - Passed on this one before as it was too
expensive but at CDN$2.98 and reasonably clean, I decided to go for it. The
best version of "I Walk the Line" I ever heard, ie Moog.. Even outdoes
Johnny Cash's version sung in German! Did someone once mention he did "The
Plasic Cow Goes Moog?
But the big find was some new product: Two compilation volumes, vinyl
only, and serious stuff!!! The tites are "Ouh la la!!..." (Volumes 1 & 2)
and the label
is "Cosmogol". They come from France, obviously, as there is no language
other
than French on them and I've never seen them before let alone heard of the
label. Not a bad track on either one in fact not any one less than
amazing at that! These things are in the vein of the first Nymphomania and
Inflight Entertainment series comps and they blow Ultra Chicks right out of
the
water! These records have it all for you groovy now sound fans so if you
see them offered do not hesitate! Legitimacy is, as always questionable
given the lack of notes, but the good news is the sound quality is superb!
Many of these
names I don't recognize but I suspect these are originals you ain't never
going to see anywhere too soon... Sure I have a few tracks off of volume 1
but... They sold here for CDN$20 each but that's no more than a domestic CD
sells at. The store only got in two copies of each. Here's a list of
tracks:
Volume 1
Syd Dale: Disco-Tek
Michael Viner's Bongo band - Bongolia
Peter Beasson - Top Signal Two
Werner Mueller - Bodybuilding
Armando Troviaioli - Sesso matto
Peter Beasson - Choro Belingo
David Whitaker - Strip Poker at Caesar's Palace
L. Muller - Steve Says
Gary Burton - Vibrafinger
Steve Gray - Soft Soled Shoes
Jacques Hendrix - Haunted House
The Barigozzi Group - Silver Legs
Les Baxter - Psychedelic Senate
Volume 2
Peter Laine et les nanas - Keep Movin'
Jean Cournoyer et son orchestre - Venus
Andre Brasseur , son orgue et ses rythmes - Cathedral
Travelling Orchestra - Depart de nuit
Soundsational Birds & Brass - Mexican Fiesta
The Juergen Franke Sextet - Brother Michael
Don Diego et son orchestre - L'amour qui tourne autour de nous
Ambiente erotico - The Party
Luc Harvey et les requins - Nothing To Do
Ray Martin and his Orchestra - Flash! There Goes Gordon!
The Golden Pot - Motive
Xaba - Emavungwini
Ju Ju Sound - Voodou
The Living Seafood - Gravy Samnolence
Its not the first series of vinyl only comps to come from France. Two others
worth looking out for are the three volumes of "Ils sont fous ces gauloises"
and two volumes of "Swingin' mademoiselles", all vinyl only and all limited
pressings. I'm not sure if all of them are even available anymore as I
couldn't find a copy of "Ils sont fous... - vol"1 even in Paris.
Brian
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From: G.R.Reader@bton.ac.uk
Subject: (exotica) Lord Rockingham's XI
Date: 18 Apr 2001 09:18:59 +0100
Strange vocal drop ins? Thats Scottish! It means its a very cold moonlight
night. The other one (Theres a moose loose aboot this hoos) is a reference
to a rodent rather than an elk.
I'd say it was more wild early sixties rock'n'roll than go-go music. The
saxophone (which, massively overblown leads the whole track) was played by
Bennie Green, who typically thought very little of it. It was quite a big
band of session musicians who thought the whole 'pop' and 'rock and roll'
thing quite beneath them.
BTW the (XI) Eleven is probably a reference to Cricket.
Its a blast, and one of my dad's favourite records.
El Maestro Con Queso
djcheesemaster@yahoo.com
grr@brighton.ac.uk
http://www.shitola.freeserve.co.uk/cheese/cheese.htm
http://www.geocities.com/djcheesemaster/
The Stare
If any of you see Lord Rockingham's XI's Hoots Mon!/Oh Boy single, buy it
and quick. Strange vocal drop-ins (Hoots mon, that's a braw brecht
moonlecht necht!) and screechy women (one who wasn't screeching was the
woman on the organ) it's a classic!
Today's now au-go-go woman (Firesign Theatre ref),
Brian Phillips
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From: Charles Moseley
Subject: (exotica) Folkswingers - Raga Rock
Date: 18 Apr 2001 10:27:40 +0100
Does anybody have this LP and care to comment? Is it simply generic
instrumental sitar pop or is there an edge of quality lurking underneath?
Charlie
Charles Moseley
Editor - C3 magazine
3 St Peter's Street, London, N1 8JD
Direct: +44 (0) 20 7704 3313
Main: +44 (0) 20 7226 8585
ISDN: +44 (0) 207 359 6756
www.c3mag.com www.c3mag.com www.c3mag.com
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From: G.R.Reader@bton.ac.uk
Subject: (exotica) re: kahiki site
Date: 18 Apr 2001 12:43:45 +0100
http://www.kahiki.com
Thanks to whoever posted the link, what a place, i can certainly see what
the fuss was about it closing down. I do hope that a replacement will be
built, I may even have to cross the pond to check it out.
That fireplace - incredible. Absolutely incredible.
El Maestro Con Queso
djcheesemaster@yahoo.com
grr@brighton.ac.uk
http://www.shitola.freeserve.co.uk/cheese/cheese.htm
http://www.geocities.com/djcheesemaster/
The Stare
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From: Clayton Black
Subject: Re: (exotica) A good day at the record store!
Date: 18 Apr 2001 08:02:57 -0400
> None of the big beat numbers but a medium beat version of Fiddler on
> the Roof which is quite the thing
I love the unexpected combinations that come up in these albums. Edmundo
Ros doing Sound of Music (or, for that matter, Hair, which I've never heard)
or, better yet, Jose Quijano's "Fiddler on the Roof Goes Latin." It's a
surprisingly good album, in my opinion, and the mix of latin rhythm and East
European melody manages to work. I suppose you can "Latinize" just about
anything, but does anybody know of other bizarre combinations like this?
Clayton
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From: "basic hip"
Subject: Re: (exotica) Folkswingers - Raga Rock (click N play)
Date: 18 Apr 2001 06:51:39 -0700
Charlie asked about this one:
Does anybody have this LP (Folkswingers - Raga Rock) and care to comment? Is
it simply generic
instrumental sitar pop or is there an edge of quality lurking underneath?
I've got this one and have uploaded 4 one minute MP3's for you to check out
as well as the cover: http://www.basichip.com/covers/folkswingers.jpg
Since there are only a handful of instrumental sitar pop albums that I know
of, I'm not sure where you draw the line between generic and having that
edge of quality. Rajput and the Sepoy vs Big Jim Sullivan or Lord Sitar, I
assume..
I'd recommend this Folkswingers LP - it's on World Pacific (WPS-21846).
Personal includes:
Sitar - Harihar Rao
Dennis Budmir - Electric 12 string (did a record called The Creeper on
Mainstream)
Tommy Tedesco, Howard Roberts, Herb Ellis - Guitar
Hal Blaine - Drums
Tracks include the usual commonly covered Paint It Black, Eight Miles High
and Norwegian Wood. I like how they have versions of hits you don't often
see:
Kicks
http://www.basichip.com/sounds/kicks.mp3
Hey Joe
http://www.basichip.com/sounds/joe.mp3
Along Comes Mary
http://www.basichip.com/sounds/mary.mp3
Time Won't Let Me
http://www.basichip.com/sounds/time.mp3
Sizes on these files are just under 600kb and with a DSL or Cable
connection, you'll have em in less than half a minute.
After a listen, tell us what you think.
By the way, Al Caiola's "Let The Sunshine In" has two nice sitar cuts on it,
Windmills of Your Mind and Stiletto! Look for it - here's the cover:
http://www.basichip.com/covers/al_caiola.jpg
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From: "basic hip"
Subject: (exotica) Third Wave, sweet pop
Date: 18 Apr 2001 07:41:43 -0700
hi -
Sorry if I was not paying attention and missed any discussion on these
discs, spotted at dusty groove:
Third Wave -- Here & Now -- Arranged & Conducted By George Duke
MPS/Crippled Dick (Germany), 1970
Incredibly groovy! This rare MPS recording features the totally obscure
vocal group The Third Wave -- five Philippino sisters from California who
were discovered and produced by George Duke. The band has this amazing
breathy vocal style -- similar to work by 60s groups like the Swingle
Singers, Anita Kerr Singers, or Les Double Six -- but a lot more hip!
Roger Nichols & The Small Circle Of Friends -- Complete Works Of Roger
Nichols & The Small Circle Of Friends . . .
A&M (Japan), Late 60s
Some of the grooviest LA pop you'll ever find! If you're a fan of late 60s
LA sweet pop -- artists like Harper's Bizarre, The Sandpipers, or post-Pet
Sounds Beach Boys -- you'll really dig Roger Nichols & The Small Circle of
Friends. The style is sweet A&M vocal pop -- with an emphasis on groovy
harmonies in a male/female style that reminds us of We Five or The Free
Design, but hipper
Thanks for any comments on these
Also while there, I saw the Sweden's answer to Sergio Mendes, The Gimmicks,
usually pretty hard to find. I have this one, but if you were looking for
them (they are on Espresso Espresso) now is your chance.
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From: Brian Phillips
Subject: (exotica) Re: Lord Rockingham's XI
Date: 18 Apr 2001 10:47:55 -0400
>Strange vocal drop ins? Thats Scottish! It means its a very cold moonlight
>night. The other one (Theres a moose loose aboot this hoos) is a reference
>to a rodent rather than an elk.
Thank you for the information on the record! I wouldn't have picked up on
the Cricket reference (nor would I have known that the flip, "Oh, Boy" was
a theme to a TV show). I still don't think it very common to have a Rock
'n' Roll record to have a Robert Burns quote stuck in the middle of it, for
which the music comes to a complete stop for. It reminds me of a version
of "Not Me" by Gary "U.S." Bonds, which has similar pauses (someone badly
imitating a woman, as if they couldn't find one near the studio, saying,
"Come on over baby, let's do the Madison", followed by another voice
saying, "What about your boyfriend called Battlin' Jim?").
That is what I found odd, not the fact that the vocals were in Scottish. I
am a teetotaler, but NOT a Scot-basher. I even watched part of "The 39
Steps" this morning, and...and...yeah.
Please Deoch my pay,
Brian Phillips
P.S. In "A Civl Tongue" by Edwin Newman about the use of doublespeak,
giving way to his penchant for puns, he heard a newscast mention shopping
"...for all the giftees on your holiday list", so he imagined this exchange:
"What hae ye there, lass?"
"'Tis a wee giftie for the giftee."
"Ay, would some power the giftee gie us..."
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From: delicado@cheerful.com
Subject: (exotica) experimental lounge tiki torch Esquivel style orchestrations
Date: 18 Apr 2001 12:42:58 -0400 (EDT)
According to this ebay listing:
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1423725467
, Martin Denny's orchestrations are 'experimental lounge tiki torch Esquivel style orchestrations'. Amazing what people will say to try and sell a beat up record.
Jonny
post/view song recommendations:
www.musicaltaste.net
Get free personalized email at http://email.lycos.com
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From: Brian Phillips
Subject: Re: (exotica) experimental lounge tiki torch Esquivel style
Date: 18 Apr 2001 12:48:17 -0400
>, Martin Denny's orchestrations are 'experimental lounge tiki torch
>Esquivel style orchestrations'. Amazing what people will say to try and
>sell a beat up record.
I know what you mean!
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1423516795
At least a quarter will buy it. But "rare"?
Brian Phillips
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From: "William"
Subject: (exotica) mp3 bust
Date: 19 Apr 2001 00:52:21 +0800
hi all,
sorry for this off topic post but i thought some of you would be
interested in this mp3 bust in taiwan that happened recently. the story link
is to the second part where the students respond but there's a link to the
original story as well.
http://www.theregister.co.uk/content/6/18292.html
william in taipei.
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From: "m.ace"
Subject: Re: (exotica) mp3 bust
Date: 18 Apr 2001 14:22:50 -0400
>sorry for this off topic post but i thought some of you would be
>interested in this mp3 bust in taiwan that happened recently. the story link
>is to the second part where the students respond but there's a link to the
>original story as well.
>
> http://www.theregister.co.uk/content/6/18292.html
The latest report on the storyline:
http://www.theregister.co.uk/content/6/18320.html
m.ace mace@ookworld.com
http://ookworld.com
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From: alan zweig
Subject: Re: (exotica) A good day at the record store!
Date: 18 Apr 2001 15:25:46 -0400
At 12:11 AM 4/18/01 -0400, Brian wrote:
! These records have it all for you groovy now sound fans so if you
>see them offered do not hesitate!
Well at least I have one of the cuts:
>Ray Martin and his Orchestra - Flash! There Goes Gordon!
AZ
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From: Rcbrooksod@aol.com
Subject: Re: (exotica) experimental lounge tiki torch Esquivel style orchestrations
Date: 18 Apr 2001 16:27:10 EDT
In a message dated 04/18/01 12:43:58 PM Eastern Daylight Time,
delicado@cheerful.com writes:
<< According to this ebay listing:
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1423725467
, Martin Denny's orchestrations are 'experimental lounge tiki torch Esquivel
style orchestrations'. Amazing what people will say to try and sell a beat
up record.
Jonny >>
this also gets the seller more hits on searches.
tb
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From: "Dr Chris R. Tame"
Subject: Re: (exotica) Lord Rockingham's XI
Date: 19 Apr 2001 01:10:28 +0100
In article <08C89600D966D4119C7800105AF0CB6B0236589E@moulsecoomb.bton.ac
.uk>, G.R.Reader@bton.ac.uk writes
>
>I'd say it was more wild early sixties rock'n'roll than go-go music.
1950s, actually. The band plaid on the first British TV rock 'n' roll
show, Six Five Special, produced by the brilliant Jack Goode (who also
produced Lord Rockingham's XI).
> The
>saxophone (which, massively overblown leads the whole track) was played by
>Bennie Green, who typically thought very little of it.
Bennie Green hated rock 'n' roll, and wore dark glasses when the band
performed to disguise his identity from his jazzer colleagues.
Ironically, it drew more attention to him as the kids thought he looked
cool!
--
Dr. Chris R. Tame, Director
Libertarian Alliance | "The secret of Happiness is Freedom, |
25 Chapter Chambers | and the secret of Freedom is Courage" |
Esterbrooke Street | Thucydides, Pericles' Funeral Oration |
London SW1P 4NN
England
Tel: 020 7821 5502
Fax: 020 7834 2031
Email: chris@rand.demon.co.uk
LA Web Site: http://www.libertarian-alliance.com/
Free Life Web Site: http://www.whig.org.uk
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From: "Dr Chris R. Tame"
Subject: Re: (exotica) Re: Lord Rockingham's XI
Date: 19 Apr 2001 01:08:28 +0100
In article <4.3.2.7.2.20010418102304.0296b378@172.16.0.1>, Brian
Phillips writes
>
>
> I still don't think it very common to have a Rock
>'n' Roll record to have a Robert Burns quote stuck in the middle of it, for
>which the music comes to a complete stop for.
The Robert Burns' phrase ("Its a braw brecht moonlecht necht") was a
very common and well known one at the time, used by anyone wanting to
signify/parody Scottish identity. Actually, lots of rock 'n'
instrumentals have similar breaks for vocal exclamations/phrases
(admittedly not usually drawn from Scottish poets).
--
Dr. Chris R. Tame, Director
Libertarian Alliance | "The secret of Happiness is Freedom, |
25 Chapter Chambers | and the secret of Freedom is Courage" |
Esterbrooke Street | Thucydides, Pericles' Funeral Oration |
London SW1P 4NN
England
Tel: 020 7821 5502
Fax: 020 7834 2031
Email: chris@rand.demon.co.uk
LA Web Site: http://www.libertarian-alliance.com/
Free Life Web Site: http://www.whig.org.uk
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From: Dlsmay@aol.com
Subject: Re: (exotica) Third Wave, sweet pop
Date: 18 Apr 2001 21:07:59 EDT
More hip than Les Double Six doing an acapella version of Coltrane's "Naima"
in French?
<< similar to work by 60s groups like the Swingle
Singers, Anita Kerr Singers, or Les Double Six -- but a lot more hip!
>>
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From: HOUSEOBOB@aol.com
Subject: (exotica) Napster/AOL
Date: 18 Apr 2001 21:27:52 EDT
Is anyone else having problems using napster through AOL ? Everytime I try to
download something I get cut off.
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From: "basic hip"
Subject: (exotica) Re: Third Wave, sweet pop
Date: 19 Apr 2001 05:50:44 -0700
I wrote:
how's this?
> Third Wave -- Here & Now -- Arranged & Conducted By George Duke
> MPS/Crippled Dick (Germany), 1970
> Incredibly groovy! This rare MPS recording features the totally obscure
> vocal group The Third Wave -- five Philippino sisters from California who
> were discovered and produced by George Duke. The band has this amazing
> breathy vocal style -- similar to work by 60s groups like the Swingle
> Singers, Anita Kerr Singers, or Les Double Six -- but a lot more hip!
Dusty Groove is a great place and I have to hand it to them for their
enthusiastic descriptions, even if they are a bit misleading sometimes.
I found samples of the above to listen to last night. Nothing like Anita
Kerr and definitely not as hip as Double Six doing that Coltrane tune or any
others...
Rare schmere. I'll pass !
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From: alan zweig
Subject: (exotica) steve fisk
Date: 19 Apr 2001 12:47:11 -0400
The new Steve Fisk record "999 Levels of Undo"
If you like the second Tipsy record more than the first one, I think you'll
like this one.
I didn't say that in my review because it's... well... you know, I try not
to make those comparisons in a review. But for you guys, I don't have such
rules.
(It's cool when you get a review copy of something you'd actually like to
buy. In the past, I've gotten these new age "jazz" records that were just
painful.)
AZ
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From: "m.ace"
Subject: Re: (exotica) "RARE" Whipped Cream (was: experimental lounge
Date: 19 Apr 2001 13:40:38 -0400
>>Martin Denny's orchestrations are 'experimental lounge tiki torch
>>Esquivel style orchestrations'. Amazing what people will say to try and
>>sell a beat up record.
>
>I know what you mean!
>
>http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1423516795
>
>At least a quarter will buy it. But "rare"?
Holy cow, that's mad! Mad, I say!
Note that the cover is "FAIR WITH MILDEW AND WATER DAMAGE ON THE BACK."
And there's a mandatory additional $5 for shipping.
At first I thought it might be a prank auction, to see how silly eBay
buyers can be, but then I checked the seller's 36 other auctions.
http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItems&userid=kenman32&include=0&since=-1&sort=2&rows=25
EVERY record is described as "RARE" (to be fair, there is a Bacharach
Baroque (with more water/mildew damage)) and all that I checked were in
similarly shabby condition. It's like a box of abused garage sale records,
but at a minimum of $5.25 each! So far, sanity is prevailling with no bids
on anything. Except... a 1 dollar bid on The Monkees first album, condition
described thus: "RECORD IS FAIR WITH MUCH SCRATCHING. COVER IS GOOD, BUT
IS SEPERATED ON TWO SIDES." Yeah, now there's a buy at $6. I'll leave it to
Nat to figure the additional costs for Canadian buyers.
sheesh,
m.ace mace@ookworld.com
http://ookworld.com
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From: Ben Waugh
Subject: Re: (exotica) "RARE" Whipped Cream (was: experimental lounge tiki torch Esquivel style orchestrations)
Date: 19 Apr 2001 11:41:35 -0700 (PDT)
Is it the case that there are some people who are
neither very bright nor very scrupulous on E-Bay? I
implore you, say it ain't so....
speaking of canada. got my several slabs of 60s
quebecois garage & "surf" from up dare just yesterday.
c'est super-cool!
--- "m.ace" wrote:
> Holy cow, that's mad! Mad, I say!
> Note that the cover is "FAIR WITH MILDEW AND WATER
> DAMAGE ON THE BACK."
...
__________________________________________________
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http://auctions.yahoo.com/
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From: tikiman
Subject: Re: (exotica) Re: Third Wave, sweet pop
Date: 19 Apr 2001 13:17:56 -0700 (PDT)
agreed... being an ad copywriter by day, i find myself
vulnerable to a well written review, and dusty's are
masters of "must have" copy. i bought the third wave,
burned the 1st track, "waves lament" (which i love)
and dumped the cd... rather limpid/insipid and
deserving of being "totally obscure."
alohaderci,
fluid floyd
--- basic hip wrote:
> > Third Wave -- Here & Now -- Arranged & Conducted
> By George Duke
> > MPS/Crippled Dick (Germany), 1970
> > Incredibly groovy! This rare MPS recording
> features the totally obscure
> > vocal group The Third Wave -- five Philippino
> sisters from California who
> > were discovered and produced by George Duke. The
> band has this amazing
> > breathy vocal style -- similar to work by 60s
> groups like the Swingle
> > Singers, Anita Kerr Singers, or Les Double Six --
> but a lot more hip!
>
> Dusty Groove is a great place and I have to hand it
> to them for their
> enthusiastic descriptions, even if they are a bit
> misleading sometimes.
>
> I found samples of the above to listen to last
> night. Nothing like Anita
> Kerr and definitely not as hip as Double Six doing
> that Coltrane tune or any
> others...
>
> Rare schmere. I'll pass !
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http://auctions.yahoo.com/
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From: Larry
Subject: Re: (exotica) "RARE" Whipped Cream (was: experimental lounge
Date: 19 Apr 2001 17:12:46 -0400
This clown has discovered a clever little trick...offer up a piece of crap
for a minimal price and hope that the rubes don't read the fine print and
see what the shipping charges are. I can almost guarantee he'll ship it
Media Mail for $1.50 or so and pocket the additional $3.50 as his profit.
The one flaw in this clever scheme is nobody in their right mind is going
to bid on this garbage, even if it was free! Looks like this guy is going
to be out his 30 cent listing fee per album, his time, and whatever
pittance he paid for that box of trash. He's not rocket scientist material,
for sure....
Larry
At 01:40 PM 4/19/01 -0400, m.ace wrote:
>>http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1423516795
>>
>>At least a quarter will buy it. But "rare"?
>
>Holy cow, that's mad! Mad, I say!
>
>Note that the cover is "FAIR WITH MILDEW AND WATER DAMAGE ON THE BACK."
>
>And there's a mandatory additional $5 for shipping.
>
>At first I thought it might be a prank auction, to see how silly eBay
>buyers can be, but then I checked the seller's 36 other auctions.
>
>http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItems&userid=kenman32&include=0&since=-1&sort=2&rows=25
>
>EVERY record is described as "RARE" (to be fair, there is a Bacharach
>Baroque (with more water/mildew damage)) and all that I checked were in
>similarly shabby condition. It's like a box of abused garage sale records,
>but at a minimum of $5.25 each! So far, sanity is prevailling with no bids
>on anything. Except... a 1 dollar bid on The Monkees first album,
>condition described thus: "RECORD IS FAIR WITH MUCH SCRATCHING. COVER IS
>GOOD, BUT IS SEPERATED ON TWO SIDES." Yeah, now there's a buy at $6. I'll
>leave it to Nat to figure the additional costs for Canadian buyers.
>
>sheesh,
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From: "m.ace"
Subject: Re: (exotica) "RARE" Whipped Cream (was: experimental lounge
Date: 19 Apr 2001 21:23:23 -0400
>Is it the case that there are some people who are
>neither very bright nor very scrupulous on E-Bay? I
>implore you, say it ain't so....
Well, I wouldn't call it unscrupulous (being charitable and leaving aside
the overuse of "RARE") -- the seller is detrimentally honest about the
condition of the records and covers. And the shipping charge is there in
big ol' CAPITAL LETTERS along with everything else. It's just a remarkably,
er, optimistic batch of postings.
I still half wonder if it isn't an experiment in buyer behavior.
--m.ace
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From: Lou Smith
Subject: (exotica) [obits] Jeanette Salvant Kimball, Alfred Moen, Giacomo
Date: 19 Apr 2001 22:14:56 -0400
Jeanette Salvant Kimball
http://allmusic.com/cg/amg.dll?p=3Damg&sql=3DBxc7uak8kgm3k
http://www.google.com/search?hl=3Den&lr=3D&safe=3Doff&q=3D%22Jeanette+Salvan=
t%22
New Orleans pianist who played Dixieland jazz with key bands for 70 years
Peter Vacher
Friday April 20, 2001
The Guardian
Early jazz bands in New Orleans would often select women pianists to play
for them during the music's formative years. A skilled reader who could
provide the correct harmonic foundation for the other (male)
instrumentalists, yet still be clearly heard, was a definite asset. Jeanette
Kimball, who has died aged 94, fitted this description perfectly, her
excellent musicianship and solo capability kick-starting a remarkable
career, which spanned 70 years and took in some of the formative names of
the New Orleans circuit.
Jeanette Salvant was born in Pass Christian, a small town near New Orleans,
into a family with strong French Creole ties. She took piano lessons at the
age of seven, and played in church and at school events. She said later that
she "lived at the piano - my teacher couldn't keep me in lessons".
Classically trained yet adept at improvisation, when she was only 11 she was
teaching other children and adults.
She went on to perform professionally at weekends with a local string band,
but was drawn to jazz when she heard visiting groups from New Orleans in the
streets of her home town. In 1926, she joined Celestin's Tuxedo Orchestra
(so-called because its members always wore evening dress), travelling
throughout the Southern states, playing prestigious white dance jobs and
carnival balls. The orchestra's style secured it a position as a "society"
orchestra suited to "polite" occasions - worlds away from the
rough-and-ready jazz bands who performed in the Crescent City's dives and
clubs.
Celestin specialised in well-structured arrangements, clean execution and a
danceable beat, with room for "hot" solo extemporisations. Commended for her
"ladylike presence", the demure Salvant thought it all "wonderful". She
stayed on when Celestin turned his nine-piece into a touring big band,
participating effectively in the band's recordings.
In 1929, she met and married the banjoist and guitarist Narvin Kimball while
both were playing with Celestin, and in 1935 came off the road to raise her
daughters. When the marriage foundered, she retained her married name,
devoting herself to her family and to her continuing musical career.
At home in New Orleans, she began to teach again and then moved into local
club work in the mid-1940s, playing at the Dew Drop Inn with the Buddy
Charles band, which often included trumpeter Dave Bartholomew, best known as
the musical mentor of bluesman Fats Domino. She was also hired to play with
the city's best big bands, run by trumpeters Herb Leary and Sidney
Desvignes, and commenced a long association with the Holy Ghost Catholic
Church as organist and choir director.
When the traditional jazz revival got under way in the 1950s, Papa Celestin
re-emerged to head a popular jazz group (still called the Tuxedo Band
although the dress code had changed) and Jeanette Kimball was reunited with
her old leader. She continued to play Dixieland jazz throughout the ensuing
decades, staying with Celestin's unit and its successor, run by Papa French,
before playing for the tourists with the famed Preservation Hall Jazz Band.
In her latter years, she was a member of expatriate British trumpeter Clive
Wilson's Original Camellia Jazz Band, and recorded reward ingly for his New
Orleans label. "Her style of syncopation would really drive the band,"
Wilson said. In 1998, she was given the Black Men of Labor Jazz Legacy
Award.
Prompted by her daughters, she left New Orleans for good in the late 1990s,
sharing her time with them in Ohio and South Carolina. She is survived by
her former husband, her daughters and their extended families.
=95 Jeanette Salvant Kimball, jazz pianist, born December 18 1906; died=
March
29 2001
-----------
CLEVELAND (AP) - Alfred Moen, whose invention of a single-handle faucet led
to the creation of Moen Inc., one of the world's largest producers of
plumbing products, has died. He was 86.
Moen came up with the idea for a single-handle faucet in 1937 after he
turned on a two-handle faucet and burned his hands. Moen sold the first
single-handle faucets in 1947. Today more than 70 percent of kitchen faucets
sold in the United States are single-handle, according to the company.
Moen held more than 75 patents and headed the company's research and
development group until his retirement in 1982.
"Al Moen was a giant in the plumbing industry. The conveniences many of us
enjoy in our homes today came from the ideas of this gentle, inventive man,"
said Bruce Carbonari, Moen's chairman and chief executive officer.
---
http://www.google.com/search?q=3D%22Giacomo+Gentilomo%22
http://allmovie.com/cg/avg.dll?p=3Davg&sql=3DB91278
Tuesday, April 17, 2001
From today's L.A. Times --
Director Giacomo Gentilomo Dies
ROME--Italian director Giacomo Gentilomo, who made a series of popular=20
sword-and-sandal movies in the 1950s and 1960s, has died in Rome at age 92.
He died Monday, his family said.
His movies include the 1961 "Goliath and the Island of Vampires," and the=
=20
1964 "Hercules Against the Moon Men," featuring the lead character in a=20
fight=20
against lunar monsters holding human captives.
Born in the northeastern city of Trieste, Gentilomo was a movie critic,=20
screenwriter and assistant director before making his first feature film,=20
"Rome Symphonies," in 1937.
Ten years later, he directed an adaptation of Fyodor Dostoyevsky's "The=20
Brothers Karamazov." He also made "Young Caruso," starring Gina Lollobrigida=
=20
and "The Accusation" with Marcello Mastroianni. In 1964, he quit cinema to=
=20
devote himself to painting.
A funeral was held Tuesday.
=20
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From: "F. Cobalt"
Subject: Re: (exotica) "RARE" Whipped Cream
Date: 19 Apr 2001 21:22:35 -0700
I like when people try to sell dime-a-dozen thrift store records on eBay as though they had discovered something utterly precious that thousands of people are looking for. I think more than anything the people that do this, the people that offer up "rare" dime-a-dozen copies of Sound of Music or Around the World in 80 Days or A Star is Born, simply haven't done any sort of homework and have no clue. How could anyone who has spent any time in thrifts or flea markets or garage sales NOT know that Whipped Cream and Other Delights could probably be found in 9 out of 10 thrifts? That it's one of the more hated albums just because of its omnipresence (though it's certainly not a bad album) in used bins? That even in stellar mint condition it's still not going to be worth more than say, what, a few dollars? Every time I run across an eBay seller offering up a "rare" copy of the dread Sound of Music soundtrack, I want to send an email to them and say, Look, this isn't rare by any stret
ch of the imagination! Sometimes, for entirely personal reasons, when "browsing" through soundtracks on eBay, I wish there was a way for certain LPs to be banned from sale, simply to save time for both the buyers and sellers. I'm talking the top level dime-a-dozen old LPs that people can't send to the trash heaps fast enough. Okay, rant finished.
Mr. Unlucky
Get 250 color business cards for FREE!
http://businesscards.lycos.com/vp/fastpath/
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From: delicado@cheerful.com
Subject: Re: (exotica) Roger Nichols, Gimmicks (was Third Wave, sweet pop)
Date: 20 Apr 2001 00:48:06 -0400 (EDT)
>Thanks for any comments on these
Hi,
happy to weigh in on these:
-Roger Nichols & The Small Circle Of Friends -- Complete
I think this is excellent; I picked it up recently after someone mentioned it in passing on this list a very long time ago. It's a lovely mix of late 60s pop vocals with something subtley magical about them. Some people might recognize the opener 'Don't take your time' from the 'a new light' album by The Match, also mentioned on this list. There are some really glorious and uplifting summer pop songs here - 'love so fine' and 'just beyond your smile' are the stompingly great standouts. Also great are the covers of the beatles 'I'll be back', bacharach's 'don't go breaking my heart' and Carole King's 'Snow Queen'.
My only complaints are 1) There are 19 tracks, and 4 or 5 of these are alternate versions. I want more! (alas I don't think there is any more) and 2) some of the material they chose isn't really to my taste - I guess I've just heard 'with a little help with my friends' and 'cocoanut grove' too many times.
basichip, from what I know of your taste, this may not be for you. I say this just because the appeal is quite subtle, and if you're not generally into sunshine pop/A&M this might sound rather ordinary. But I'd highly recommend it to fans of spanky & our gang, mamas and papas; even free design.
The Gimmicks - I have this one too compilation CD. It's pretty good, but I think I know what Brad meant when he described them as a Brasil 66 ripoff group. On this CD, their best songs are the brasil 66 ripoffs; the other ones tend to be later 70s funky things which appeal to me less. I heard a track from a mojo club compliation by them - 'california soul' which was very cool though.
I bought this and a few other Swedish CDs from www.skivhugget.se, which I highly recommend. They were friendly, the 3 CDs came in about 5 days, and cost around 20 USD altogether, including shipping. I'm slowly compiling a list of reliable international CD sellers, and would welcome any input on this. So far the loser for me was amazon.de, who took 2 months to send me something. Dustygroove are pretty cool - they will stock stuff just because you ask them to, it seems, which is nice.
cheers,
Jonny
post/view song recommendations:
http://www.musicaltaste.net
Get free personalized email at http://email.lycos.com
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From: "Brian Karasick"
Subject: Re: (exotica) Napster/AOL
Date: 20 Apr 2001 09:58:42 -0400
HOUSEOBOB@aol.com
> Is anyone else having problems using napster through AOL ?
> Everytime I try to download something I get cut off.
I could say serves you right for using AOL, a service I have next to
no use for, but I suppose people must use this service or it
wouldn't be out there. But I discovered something myself this week
on a very much related subject. Our own University backbone system
was recently ugraded to T3 speed using a new type of high speed
"intelligent"switch, instead of the old router/hub system. We were
told these swithches were "intelligent" but had no idea just how
intelligent... As of very recently, they have been programmed to
impede the download of certain file types (Mp3 is at the top of the
list) and rather than stop them completely, it slows down the
transfer to near 56K modem speed so as to make it slow enough to
discourage anyone from using it. With the already congested Napater
servers, this results in almost certain time outs and makes it almost
impossible to download anything. Anyone running though a business or
institutional connection should be aware that this may happen to you
too! I wouldn't put it at all past AOL to do the same in order to
keep their own system from congesting. Granted its a bit harder with
non-fixed IP adresses but how would you ever know this was happening?
Brian Karasick
Physical Planner
McGill University
Montreal, Canada
Ph: (514) 398-4411
Fax: (514) 398-7358
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From: chuck
Subject: (exotica) Whipped Creaming a Wall
Date: 20 Apr 2001 07:19:04 -0700 (PDT)
I believe I have enough Whipped Creams to cover a wall in the
guest bedroom. I really plan on doing this. Does anyone have a
suggestion on how to attach the covers to the wall? Tacks? Tape?
I kind hate to tack through a cover.
Thanks for any help
Easy listening in the Big Easy
Chuck
--- "F. Cobalt" wrote:
> > and have no clue. How could anyone who has spent any time in
> > thrifts or flea markets or garage sales NOT know that Whipped
> > Cream and Other Delights could probably be found in 9 out of 10
> > thrifts? That it's one of the more hated albums just because of
__________________________________________________
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http://auctions.yahoo.com/
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From: Charles Moseley
Subject: RE: (exotica) Whipped Creaming a Wall
Date: 20 Apr 2001 15:28:39 +0100
I believe I have enough Whipped Creams to cover a wall in the
guest bedroom. I really plan on doing this. Does anyone have a
suggestion on how to attach the covers to the wall? Tacks? Tape?
I kind hate to tack through a cover.
Cut off the fronts and paste them up as you would with wallpaper. There is a
massive supply of covers so you don't even need to worry about destroying
them.
Charles Moseley
Editor - C3 magazine
3 St Peter's Street, London, N1 8JD
Direct: +44 (0) 20 7704 3313
Main: +44 (0) 20 7226 8585
ISDN: +44 (0) 207 359 6756
www.c3mag.com www.c3mag.com www.c3mag.com
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From: nytab@pipeline.com
Subject: (exotica) [obit] Hiroshi Teshigahara
Date: 20 Apr 2001 11:13:58 -0400
April 20, 2001
http://allmovie.com/cg/avg.dll?p=avg&sql=B113890
http://www.google.com/search?q=%22Hiroshi+Teshigahara%22
Hiroshi Teshigahara, Avant-Garde Japanese Film Director, Dies at 74
By CALVIN SIMS
TOKYO -- Hiroshi Teshigahara, a celebrated Japanese filmmaker and grand master of the Sogetsu School for flower arrangement, died on Saturday at a hospital here. He was 74.
The cause was leukemia, his family said.
Mr. Teshigahara, who gained international acclaim for his avant- garde films and artwork, sent shock waves through the world of cinema in 1964 with the release of "Suna no Onna" ("Woman in the Dunes"), a haunting, poetic and timeless metaphor made in Japan. The film, written by Kobo Abe and based on a novel by him, won a special award at the Cannes International Film Festival and was nominated for an Academy Award for best director and best picture.
Noted for its technical brilliance, originality and power, the film featured a city-bred entomologist who is tricked into living with a widow whose shack rests at the bottom of a deep, inescapable sand pit, where he is forced to shovel sand endlessly. The detainee finds entrapment and escape into his ultimate destiny.
Mr. Teshigahara became interested in Surrealism and the avant-garde as an art student in the 1940's. In 1962 he made his first feature film, "Otoshiana" ("Pitfall"), also written by Abe. The director established his own production company and went on to make a series of films, often with Abe. In addition to "Woman in the Dunes," his films included "Tanin no Kao" ("The Face of Another") in 1966 and "Moetsukita Chizu" ("The Ruined Map") in 1968.
In the late 1960's Mr. Teshigahara was the toast of the international film community, appearing at festivals, collecting awards and promoting Japanese film. After releasing "Natsu no Heitai" ("Summer Soldiers") in 1972, Mr. Teshigahara withdrew from feature filmmaking and turned his attention to ceramics and experimental cinema.
The director was the son of Sofu Teshigahara, the founder of the Sogetsu School of Ikebana, who was a leading figure in the movement that transformed traditional flower arrangement into a highly expressive art form. In 1980, after the death of his father and his sister, Mr. Teshigahara became the third head of the school, which reports 50,000 licensed followers and 450,000 students.
After a 17-year hiatus, Mr. Teshigahara returned to films in 1989 with "Rikyu," about the subtle conflict between a petty warlord and a distinguished master of the ancient art of the tea ceremony. It won the award for best artistic contribution at the Montreal World Film Festival. His last film was "Goh-hime" ("Basara: The Princess Goh") in 1992.
He is survived by his wife, Toshiko Kobayashi, a former actress, and two daughters.
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From: Ben Waugh
Subject: (exotica) 6tz Quebec
Date: 20 Apr 2001 08:12:13 -0700 (PDT)
Here are a couple of links with photos and information
a few on this list might appreciate. Great and, in the
States at least, sadly neglected bands:
http://www.mindspring.com/~felinefrenzy/jaguars.htm
http://www.oricom.ca/jgagne/index.htm
__________________________________________________
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Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/
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From: susanna
Subject: (exotica) new motion reviews 20/04/01
Date: 20 Apr 2001 18:03:08 +0100
hi all
latest reviews up on motion and a couple of plugs
----+ new reviews ---+ http://motion.state51.co.uk/reviews/
Songs:Ohia - Ghost Tropic, Secretly Canadian
Christina Rosenvinge - FrozenPool, Smells Like Records
Stephen Malkmus - Stephen Malkmus, Domino
Various Artists - Soul Ecstasy (OST), Emperor Norton
Lolita Storm - Sick Slits, Digital Hardcore Recordings
T Power - Long Time Dead, Botchit and Scarper
Future Pilot AKA - tiny waves, mighty sea, geographic
Pulseprogramming - Pulseprogramming, Aesthetics
Various Artists - Plastic Surgery 2, Hospital Records
----+ couple of plugs ---+
motion is supporting an event with 4ad and domino recordings
featuring live performances by magnetophone and fizzarum.
more info here: http://motion.state51.co.uk/features/spitznight/
also, we have a pair of tickets to give away to see arto lindsay and
vinicius cantuaria at the barbican, london, on 6 may as part of their
urban beats series.
more info here: http://motion.state51.co.uk/features/urbanbeats/
thanks, and apologies for cross-postings
susanna glaser
-----+ motion
http://motion.state51.co.uk/
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From: "m.ace"
Subject: (exotica) "Hawaiianette"
Date: 20 Apr 2001 14:17:34 -0400
Annette Funicello
"Hawaiianette"
(Buena Vista Records)
I know there are at least a couple of parties on the list that like this
one. Hawaiian-themed lightweight pop from the early 60s (or thereabouts?).
Endearingly silly lyrics, and overall a pleasurably benign warmth. Songs
that struck me: "Hawaiianette", "Pineapple Princess", "Hukilau", "(Every
Night Is) Date Night In Hawaii", "Blue Muu Muu", "Luau Cha Cha Cha"
(amusing Prado swipes), a nifty version of "My Little Grass Shack" (a
couple of years ago, a clueless cd reviewer would have called it a swing
version). With The Afterbeats plus Four, music directed by CAMARATA,
several songs by the Sherman brothers. Any educated guesses on who the
session players might have been? Plenty of steel guitar.
The inner sleeve includes a coupon to order "3 Annette Records only $1.00
(reg. $2.94 value)". An earlier owner checked off "Lonely Guitar"/"Love Me
Forever", "First Name Initial"/"My Heart Became Of Age" and "Tall
Paul"/"Ma, He's Making Eyes At Me". But they never sent it in. I'd like to
order "That Crazy Place From Outer Space"! Did Sun Ra cop "Space Is The
Place" from Annette?!? But seriously, anyone heard that one?
thanks,
m.ace mace@ookworld.com
http://ookworld.com
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From: "m.ace"
Subject: Re: (exotica) Napster/AOL
Date: 20 Apr 2001 15:12:43 -0400
>Our own University backbone system
>was recently ugraded to T3 speed using a new type of high speed
>"intelligent"switch, instead of the old router/hub system. We were
>told these swithches were "intelligent" but had no idea just how
>intelligent... As of very recently, they have been programmed to
>impede the download of certain file types (Mp3 is at the top of the
>list) and rather than stop them completely, it slows down the
>transfer to near 56K modem speed so as to make it slow enough to
>discourage anyone from using it.
And that's how net censorship will probably be implemented... upstream
filtering.
--x.xxx
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From: Tipsydave@aol.com
Subject: (exotica) paul mauriat question
Date: 20 Apr 2001 15:40:13 EDT
Does anyone know which Paul Mauriat album has his version of Rodrigo's
Concerto de Aranjuez?
-dave
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From: alan zweig
Subject: Re: (exotica) "RARE" Whipped Cream
Date: 20 Apr 2001 16:07:36 -0400
At 09:22 PM 4/19/01 -0700, F. Cobalt wrote:
>
>I like when people try to sell dime-a-dozen thrift store records on eBay
as though they had discovered something utterly precious that thousands of
people are looking for.
This really shouldn't surprise anyone. If you weren't on this list or
really making an effort to keep in touch with other "collectors", you could
easily believe that you were the only person in the world who owned this
record or still liked that one.
I know I've had the experience of finding a record and feeling like that
was the only copy in town and now I had it.
I still think with certain artists who I must be their only fan and that's
simply because I've never heard anyone else mention them.
I recently joined and then quit a mailing list. I won't mention it because
I know at least one person here who is also on it. This is one of those
lists dedicated to a single artist. I joined because I assumed it was more
like this list. I thought it was sort of about that artist but also about
that kind of music in general. Wrong.
Anyway I couldn't believe how many people knew and cared so much about one
artist. I obviously like this particular artist but I couldn't believe
anyone could like them that much.
I think this was an analogous kind of ignorance on my part. I certainly
never thought I was the world's expert on this artist just because I have
ten or twelve of their records. But on the other hand, when you have ten
or twelve records by the same artist, you do tend to think that you're up
there.
Wrong! Ten is nothing.
I've met a lot of "isolated" people who have no idea there are other people
who know something about the records they collect. It's a fantasy but it's
an understandable one.
As we speak I'm making a CDR with all these long cuts on Sandy Nelson
records.where he would feature his surprisingly mediocre drumming. I like
his records in spite of these cuts but it's kind of fun to string them all
together like this.
I think I'm the only person in the world who owns a CDR like this. It's an
understandable assumption I think.
But the folks on Sandy Nelson mailing list right now are laughing their
heads off.
AZ
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From: alan zweig
Subject: Re: (exotica) Whipped Creaming a Wall
Date: 20 Apr 2001 16:22:40 -0400
At 07:19 AM 4/20/01 -0700, chuck wrote:
>
>I believe I have enough Whipped Creams to cover a wall in the
>guest bedroom. I really plan on doing this. Does anyone have a
>suggestion on how to attach the covers to the wall? Tacks? Tape?
>I kind hate to tack through a cover.
What do you mean you BELIEVE you have enough covers? Come on Chuck, you've
been threatening to do this for years.
I have to admit I think it would be somewhat more interesting to have a few
of those Whipped Cream ripoff covers mixed in with the real thing.
If you own the house you live in, I would suggest you put them up with
wallpaper paste or some other industrial strength adherent.
If not here's an alternative. There are these newfangled paper clip
alternatives. What do you call them? Damn Alzheimers! You pinch them
together and put them around the thing you want and then you let them go
and they hold on tight to your nipples... I mean your papers.
Anyway, if you put one on a record cover and put a tiny nail in the wall,
then you can hang the cover on the the part of the clip you hold when you
pinch it together.
Is that technical enough for you?
AZ
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From: chuck
Subject: Re: (exotica) Whipped Creaming a Wall
Date: 20 Apr 2001 13:40:45 -0700 (PDT)
Alan
My thrifted records that don't rank a must here now are all over
the place in 2 rooms in my house and some book shelfs. The whipped
creams are mixed in randomly. I believe I have enough since I have
thrifted more over the last year. Beleive it or not Whipped Cream
got kinda scarce down here, you only saw one a month. Its the
invasion of the 80s music in the thrifts down here these days.
Have other exoticats experienced less whipped creams this year?
Are these clips you are describing black metal with silver handles?
--- alan zweig wrote:
> What do you mean you BELIEVE you have enough covers?
> Is that technical enough for you?
>
> AZ
__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/
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From: "m.ace"
Subject: Re: (exotica) cartoon (was Whipped Creaming a Wall)
Date: 20 Apr 2001 17:51:44 -0400
At 01:40 PM 04/20/2001, you wrote:
>Alan
Argh! Speaking of filtering, Xmission is locking a post out again. Running
out of timeliness on the first half of it. I'll try sneaking that info in
like this. Kinda fun new cartoon on Nickelodeon, Friday nights at 9:00pm
(eastern): "Invader Zim" -- pipsqueak alien prepares earth for mass
invasion. Angular designs, overblown 50s sci-fi style music. First set-up
episode was a hoot, haven't caught enough following episodes to know if
they're maintaining standard. Give it a try.
--m.ace
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From: nytab@pipeline.com
Subject: (exotica) fwd: Aneurysm Brings on Musical Hallucinations
Date: 20 Apr 2001 17:53:46 -0400
April 20, 2001
Aneurysm Brings on Musical Hallucinations
By REUTERS
Filed at 5:25 p.m. ET
NEW YORK (Reuters Health) - Bulging blood vessels in the brain of a 61-year-old woman caused seizures that in turn brought on complex musical hallucinations, including Christmas songs during December and tunes with religious overtones at other times.
Fixing the two bulges, or aneurysms, ended the woman's hallucinations, Dr. Daniel L. Roberts and colleagues from the Mayo Clinic in Scottsdale, Arizona, report in the April issue of the journal Mayo Clinic Proceedings.
The woman had an isolated seizure of an unknown cause 27 years previously. She had been suffering dizzy spells for two years, and the musical hallucinations for one year, when she sought medical attention. While in the hospital with pneumonia, the woman began having ringing in her ears; the ringing progressed into persistent episodes of music that she recognized but could not control.
The researchers emphasize that the sounds the woman reported hearing were not merely disjointed tones, ringing or even rhythmically complex repetitions of noises but rather fully composed songs.
The doctors ran repeated tests using magnetic resonance imaging (MRI) equipment to identify the source of the hallucinations.
They found two aneurysms on the right side of the woman's brain. Neither had yet burst, a potentially life-threatening situation in which uncontrolled bleeding occurs in the brain. The patient underwent surgery to clip and remove the aneurysms, after which the hallucinations stopped completely.
Roberts and his team concluded that the patient was a very rare example of someone who had experienced ``psychic seizures''--seizures that strongly involve a person's memory and emotions and tend to occur almost exclusively in the temporal lobes of the brain.
The researchers noted that the woman was a prime example of this psychic interplay, in that she had specifically hallucinated music she had learned at a very young age that had either religious or seasonal connotations. These seizures occur frequently, and can be extremely difficult to diagnose, they note. They cautioned that auditory hallucinations in general can be attributed to a wide range of sources, including inner ear disease or psychiatric illnesses such as schizophrenia.
SOURCE: Mayo Clinic Proceedings 2001;76:423-426.
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From: "m.ace"
Subject: Re: (exotica) cartoon, two (was Whipped Creaming a Wall)
Date: 20 Apr 2001 18:16:06 -0400
At 01:40 PM 04/20/2001, you wrote:
>Alan
Monkees movie Head Monkees movie Head Monkees movie Head
This half of the message is being more troublesome. "Sheep In The Big City"
airs irregularly on Cartoon Network. This Sunday night at 7:00pm (eastern)
they are running a 3 hour block of six episodes. Reminds me a bit of Rocky
& Bullwinkle, with casual looking art and more wordplay than a message from
Brian Phillips. Plus, some rather now sound music in the soundtrack. I find
the whole thing has a bit of a late sixties feel to it.
Now if only someone would animate Gary Panter's "Jimbo" epics.
--m.ace
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From: nytab@pipeline.com
Subject: (exotica) [obit] Rupert Nurse, John Stoneman
Date: 20 Apr 2001 18:22:23 -0400
Rupert Nurse
The first musician to write big band arrangements of calypso
Wednesday April 18, 2001
The Guardian
Many British jazz fans in the 1950s had their first introduction to world music through the calypsos of Lord Kitchener, which appeared on the distinctive mauve-and-yellow Melodisc record label. These slice-of-life snapshots provided witty commentary on the circumstances of the new Caribbean arrivants, and through his inventive musical arrangements for these songs, Rupert Nurse, who has died aged 90, lifted them from their traditional community function and transplanted them into the modern world.
Full obit at http://www.guardian.co.uk/obituaries/story/0,3604,474375,00.html
---------
Stoneman Family band member dies
John Stoneman, 77, had traded his full-time singing vocation for farming in recent years.
John Stoneman, 77, one of the original members of the old-time band formed by country music pioneer Ernest ''Pop'' Stoneman, died yesterday morning at his home in Jonesville, Va.
Full obit at http://www.tennessean.com/local/archives/01/04/04344307.shtml?Element_ID=4344307
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From:
Subject: (exotica) Whip It!
Date: 20 Apr 2001 19:02:15 -0400
As long as we're talking about Whipped Cream and Other Delights being used
for, um, "nontraditional" purposes, be sure to check out the Whip It! car.
http://www.deuceofclubs.com/art_car/0_intro/main.htm
Dave
aka Gannet
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From: kiliki@mindspring.com
Subject: (exotica) new orleans fun
Date: 20 Apr 2001 20:02:43 -0400
Hey everyone!! Just got my tickets to Teaseorama 2001 in New Orleans and I need some help!
I'm trying to find some hair salons in New Orleans that could do some 40's and 50's hairstyles. I want to look extra special for the event so help me out!!!!
Email me directly!
Kiliki
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From: DJJimmyBee@aol.com
Subject: Re: Re: (exotica) "RARE" Whipped Cream
Date: 20 Apr 2001 20:11:37 EDT
In a message dated 4/20/1 3:05:50 PM, azed@pathcom.com wrote:
>But the folks on Sandy Nelson mailing list right now are laughing their
>heads off.
all three of 'em
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From: Christine Karkow
Subject: Re: (exotica) Whipped Creaming a Wall
Date: 20 Apr 2001 17:48:41 -0700
on 4/20/01 13:22, alan zweig at azed@pathcom.com wrote:
>
> At 07:19 AM 4/20/01 -0700, chuck wrote:
>>
>> I believe I have enough Whipped Creams to cover a wall in the
>> guest bedroom. I really plan on doing this. Does anyone have a
>> suggestion on how to attach the covers to the wall? Tacks? Tape?
>> I kind hate to tack through a cover.
hell, I'd just get out the ol' staple gun. It works and its fun.
christine
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From: Hemmel@gmx.net
Subject: Re (exotica) A good day at the record store! more French and Mambo
Date: 21 Apr 2001 03:00:46 +0200 (MEST)
Brian wrote:
>Its not the first series of vinyl only comps to come from France. Two
others
>worth looking out for are the three volumes of "Ils sont fous ces
gauloises"
>and two volumes of "Swingin' mademoiselles", all vinyl only and all limited
>pressings. I'm not sure if all of them are even available anymore as I
>couldn't find a copy of "Ils sont fous... - vol"1 even in Paris.
"Ils sont fous ces gauloises" was the first comp with obscure french 60s
stuff that came out about ca. 6 or 8 years ago (I can't remember exactly) and is
long gone. Vol 3 is still available. About vol 2 I don't know. Wasn't the
"Sexopolis" (Fantomas Rec. 1997) Comp also a Vinyl only ?
Anyway, there is another great French Comp out (CD and Vinyl ) called:
"WIZZZ" on Musiques Hybrides, France 2001
Just 3 track where before on other comps, and two of em where before on
Ultra Chicks 1 have here a MUCH BETTER sound. Especially Christie Laume's Rouge
Rouge sounds like a different and better recording (imo a fantastic beat fuzz
orchestra pop a go go tune). It has a great big booklet that I can't read.
There is a note on the booklet, that there is an english translation under
www.musiques-hybrides.com but at my last visit I could not find it. Maybe it is
now there.
Another great re that just came out:
Bobby Montez Quintet "Jungle Fantasique" re on Cubop,
note (from CuBop): Jungle Fantastique is one of the greatest Latin jazz
records ever recorded. Originally rel. In 1958, the orig. pressings were of poor
sound quality, nonetheless it has become a highly sought after record by
collectors, club DJs and rare groove fans alike. CuBop has lovingly remastered
the album for the first time from the original master tapes.
My (short) comment is: great Vibe and Piano loaded Mambo, with some good Up
Tempo as well as good Moody cuts on it (with names like African Fantasy or
Kon-Tiki). The Up Tempo Tracks reminds me on Bobby Matos "Mambo Maxims" (that
is on a comp. called "Rare Essence, a funky fusion of jazz, latin & soul, vol
1" on rare essence records US 1994) that maybe was recorded in the 60s (???)
and has a better production and is still a hot dancefloor club track.
Definitly *Jungle Mambo*. I did buy "Jungle Fantasique" mostly because I do want
have more stuff like "Mambo Maxims" but I am still not sure if the tracks from
"Jungle Fantasique" will also explode in a club like "Mambo Maxims" (but I
will check it out) Anyway, can someone who knows "Mambo Maxims" recommend me
more Mambo like that ?
(with lot's of flutes, vibes and groovy percussions)
Martin
--
visit the ***Space Escapade***
Exotic Club Pop Entertainment
with Guests and the Lemon Squeezer Sound System
at the Atomic Cafe, Neuturmstr. 5, Munich, every Tuesday Night
http://www.atomic.de/
GMX - Die Kommunikationsplattform im Internet.
http://www.gmx.net
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From: "cheryl"
Subject: (exotica) Playlist For Space Bop, April 22
Date: 20 Apr 2001 23:55:24 -0400
Beyond kitsch, Space Bop is one hour of full galactical wonder, and can
be heard every Sunday from 4 to 5 pm Eastern time on CKUT 90.3 FM in
Montreal, Canada, and on RealAudio (real time only, for now) at:
http://www.ckut.ca
As usual, all comments, questions, and feedback welcome.
Space Bop #139 Spring Songs
Well, spring is finally here, and we were in the mood to play some
light-hearted music to celebrate.
Tipsy: Hey! "Uh-Oh" (thanks, BR)
Fantastic Plastic Machine: One Minute Of Love "Beautiful"
De Phazz: Nu Chic "Death By Chocolate"
Fantastic Plastic Machine: Lupin The Third (FPM Reconstruction Mix) "Punch
The Monkey! Lupin The Third Remixes And Covers 3" (thanks, William)
Arling And Cameron: Fun Shopping "Sound Shopping" (thanks again, BR)
Stereo de Luxe: Initials BB
Tipsy: Moisture Seekers "Uh-Oh"
Minus 8: Elysian Fields "Glucklich 4" (thanks, Chuck)
Ken Nordine: Hello "A Transparent Mask" (and thanks yet again, BR!!)
Exoteric: Sabotage "Disorientation" (a brief note about this one - it's
Exotica's very own m.ace, and it's highly impressive! Thanks, Mike!)
Ready Made: Transcontinental "Glucklich 4"
Fantastic Plastic Machine: Paragon "Beautiful"
Yasuharu Konishi: Lupin The Third (Readymade Oh!Oh! Mix) "Lupin The
Third - 30th Anniversary Remixes"
Thanks for reading, and thanks for listening
cheryls@dsuper.net
brian@phyres.lan.mcgill.ca
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From: Sem Sinatra
Subject: (exotica) luxuriamusic.com
Date: 21 Apr 2001 13:15:00 +0900
Folks
If you're able to I implore you to listen to what I think will be the
last week of Luxuria http://www.luxuriamusic.com.
I've only been listening for the last couple of days and I've heard
some fantastic fantastic music.
I hooked up my MD to my computer at work and recorded a few hours and
got a pretty good signal.
Very sad it's having to close.
Any news on that?
And if any lister has playlists for the last few days, I'd love a
copy. I've heard some great music but not had time to keep track of
titles. Whose was that lunatic version of Purple Haze in Japanese?
Whatever you do this week, remember to listen!!
Sem Sinatra
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From: Rcbrooksod@aol.com
Subject: (exotica) K-Mart commercial
Date: 21 Apr 2001 04:33:23 EDT
K-Mart has a few commercials our touting the return of the Blue Light
Special. One has helicopters circling the Statue of Liberty (which is now
holding a blue torch) and some cool music is played in the background. It is
very similar to the Popcorn song.
Can anybody identify the song?
Thanks,
Tiki Bob
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From: Ashleywarren1@aol.com
Subject: Re: (exotica) Whipped Creaming a Wall
Date: 21 Apr 2001 10:57:26 EDT
The reason why the whipped cream covers are now scarce are because you guys
are buying them all for your walls!!!
Ashley!
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From: alan zweig
Subject: Re: (exotica) "RARE" Whipped Cream
Date: 21 Apr 2001 15:04:14 -0400
At 06:12 AM 4/21/01 -0500, robert blahut wrote:
.>
>oh alan, i guess you have never driven cross country with a bunch of
>dead-heads - - or for that matter been in a dead show parking lot, or
>over to some of my dead-head friends' houses for "taper" parties
>
>>Ten is nothing.
.
I guess the point is that you can be familiar with the principle and still
be shocked to find out how far it extends. I knew about the Dead; I knew
about the Allman Brothers; I've interviewed people dedicated to everyone
from Marc Bolan to Jack Teagarden. But I was still surprised to find a
high volume active list dedicated to the Ventures and nothing but the
Ventures. .
I suppose everytime you pick up any record, you could assume that this
organ player or that warbler has a bunch of dedicated fans. But that would
just be perverse. Short of doing that, eventually you would dismiss an
artist who someone somewhere collected.
I was surprised to find out that people collect bird whistle records.
There's one on this list. Don't look at him!
I sold a ten inch record to a guy for $130 US. I have a feeling I'll never
make more money on a record. And this was a record that I could take to
every single record store in this city and I'd still have to pay them to
take it. I'm sure a couple of people on this list would have given me five
bucks for it.
But who knew it was "collectible"?
At some point, it's human nature to question or deny that which you can't
see. Even us worldly collectors have blind spots.
AZ
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From: Lou Smith
Subject: (exotica) [obit] Walter O. Stanton
Date: 21 Apr 2001 15:54:47 -0400
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From: Lou Smith
Subject: (exotica) [obit] Walter O. Stanton (2nd try)
Date: 21 Apr 2001 15:59:07 -0400
Walter O. Stanton, the inventor of an easily replaceable phonograph
stylus that was crucial to creating a consumer market for audio
equipment, died on Monday, April 16, 2001, in Palm Beach Gardens, Fla.
He was 86. In the late 1940's Mr. Stanton's slide-in stylus made it
possible for users to replace a needle assembly when it wore out,
instead of having to send it back to the factory. Audiophiles snapped
them up for home use, and the invention became one of the basics in
phonograph cartridge design. But Mr. Stanton was as much a salesman as
he was an engineer. In 1950, he bought Pickering & Company, the audio
component manufacturer that first sold his patented stylus. A decade
later he founded another company, Stanton Magnetics, which was one of
the first American companies to make and sell magnetic cartridges that
improved sound quality and allowed for a less-expensive product in the
1970's. Both companies had operations in Plainview, N.Y., and West Palm
Beach, Fla. Rather than selling the phonograph as one big console, Mr.
Stanton was one of the first to separate the electronics, the turntable
and the cartridges and sell them separately to consumers. To do that
effectively, he prodded the major manufacturers to arrive at standards
for the mounting systems for cartridges and the type of recording on
vinyl records. He served as president of the Audio Engineering Society
and was inducted into the Audio Hall of Fame, family members said. In
his effort to broaden the market for audio components, Mr. Stanton
helped found the Institute of High Fidelity, whose annual trade shows in
Manhattan attracted crowds of gadget lovers. In 1967, complaining that
too many homeowners still thought of audio equipment as "assorted pieces
of gear lying about connected by all kinds of wires," he set up five
rooms at the New York National Design Center to illustrate how music
could be integrated into home d=E9cor. Mr. Stanton was born in Canton,
Ohio, and graduated from Wayne State University's School of Electrical
Engineering in 1939. While there, he set up one of the first student
radio stations in the country. During World War II, Mr. Stanton was
involved in the design and creation of mechanisms for aerospace
applications. Mr. Stanton was known for holding outings on his boat near
his longtime home in Laurel Hollow, N.Y., and playing jokes on
employees. He ran both of his companies until retiring in 1998, having
forged new business in the compact disc era by selling headphones and
speakers and having fostered the resurgence of the disc jockey market
for his cartridges.
----------
http://www.nationalreview.com/weekend/music/music-mcevoy042101.shtml
------------
GoodBye!, the Journal of Contemporary Obituaries, has been updated to
reflect the deaths of January to March of 2001.
Among the obits you can savor at Goodbye's website are:
Morris Lapidus - Architect of the American Dream
Glenn Hughes of the Village People - Who Warbled a Merry Lay
Sir Donald Bradman - Greatest Cricket Batsman
Xenakis - Modern Composer
O. Winston Lin - Photographer of Trains
Plus all the mayhem and animnal deaths, as usual
To view GoodBye! on the web, point your browser to:
http://www.goodbyemag.com
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-------------------------------------------------------------------------------
From: Johan Dada Vis
Subject: (exotica) Re: Nacar cd-r's
Date: 21 Apr 2001 19:13:30 +0200
>Date: Sun, 25 Mar 2001 08:45:09 EST
>From: Rcbrooksod@aol.com
>
>i use
>some that are great then a batch is bad (rarely)......
>Anyone had similar experiences???
yes, with Lead Data. i don't buy them anymore.
j
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-------------------------------------------------------------------------------
From: Craig Carlson
Subject: Re: (exotica) Napster/AOL
Date: 22 Apr 2001 23:28:57 -0400
Brian Karasick
Physical Planner
wrote:
*snip*
>"intelligent"switch, instead of the old router/hub system. We were
>told these swithches were "intelligent" but had no idea just how
>intelligent... As of very recently, they have been programmed to
>impede the download of certain file types (Mp3 is at the top of the
>list) and rather than stop them completely, it slows down the
>transfer to near 56K modem speed so as to make it slow enough to
>discourage anyone from using it.
Damn! Does that mean I should give up on my pathetic 45,333 bps (at best)
connection?
What about the hundreds of songs I've dl'ed from usenet in the past three
years? And I thought patience was a virtue...!
Craig
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From: bag@hubris.net
Subject: (exotica) Big Eyed people on London Records
Date: 23 Apr 2001 11:46:29 -0700
Anyone ever run into one of those big eyed people album covers on London
(or Richmond) records? Edmundo Ros, Stanley Black, Mantovani and maybe
others had their album art done by someone called demilis or demilio. They
were quite colorful and every person depicted had disproportionately big
eyes. I have several of these now and wish to learn more about the artist
and just how many and which covers the artist did.
London LL 1094 Mantovani Waltz Time
London LL 1100 Stanley Black Carnival in the Sun
London LL 1093 Edmundo Ros Latin Melodies
London LL 1117 Edmundo Ros Ros Album of Sambas
Richmond B 20021 Edmundo Ros Calypso Mania (probably from LL 1091)
Richmond B 20032 Edmundo Ros Samba! (all cuts & art repeated from LL 1117)
Byron
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From: "Colleen Pyles"
Subject: Re: (exotica) Whipped Creaming a Wall
Date: 23 Apr 2001 13:48:33 -0500
chuck wrote:
I believe I have enough Whipped Creams to cover a wall in the
guest bedroom. I really plan on doing this
*******
Please, oh please, after you do this, take a picture and post it
somewhere where we can see it. If not, when I come to N'awlins, Iam
coming to your place as one of the "tours". It's gotta be right up
there with the Haunted Woodoo Nighttime Cemetary Tours.
Colleen
_____________________________________
Get your free E-mail at http://www.ireland.com
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From: "Nathan Miner"
Subject: (exotica) LP finds.....
Date: 23 Apr 2001 15:13:40 -0400
Okay, a few cool albums were located and rescued over the weekend. =20
A friend's boyfriend made the find of the month for me. He always checks =
on tiki stuff and "bizarro" whatevers for me during his thrift forays. He =
came back this time with a few records. The Kostelantz album with that =
naked wahine next to the waterfall (Lure of Paradise I think is the =
title?), Arthur Lymans' Hawaii album, Denny's A Taste of Honey (I have =
these but it's cool he even bothered) and a "surprise LP" of Martin =
Denny's Exotica II *Personalized and signed by Denny himself!!!* with the =
year noted afterwards. Pretty cool.
I also found a copy of More Peter Gunn in great shape the following day.
- Nate
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From: buMp
Subject: Re: (exotica) LP finds.....
Date: 23 Apr 2001 16:27:05 -0400
now THAT is a find!
just like me roommate finding a signed John Coltrane lp!
congrats
makes me wanna start rummaging again!
a "surprise LP" of Martin Denny's Exotica II *Personalized and signed by
Denny himself!!!* with the year noted afterwards. Pretty cool.
>- Nate
******************************************************
*****************************
*************
DJ buMp
"Primitive Rhythms for Evolved Minds"
Defective Records-Executive Producer
"Electronic Mutations from Beyond"
http://www.defectiverecords.com
"Music, Non-Stop" -- Ralf + Florian
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From: RLott@aol.com
Subject: (exotica) So who does this sound like?
Date: 23 Apr 2001 17:58:14 EDT
A friend in an ad agency has posed this question to me regarding a client
looking for some music to possibly use in a TV spot they're producing.
His description of what he wants:
"sort of acid-loungeish, like a Portishead-type sound with more of a 50s
feel. Unusual, tinny, ambient, a little cynical with a slightly deranged
twist. The music will be chosen for its weirdness and its suitability to play
backwards and forwards throughout the spot with little discernable
difference."
So any ideas? Personally, I think the "Portishead" reference runs counter to
"50s," but that's just me.
Thanks!
--Rod
www.hitchmagazine.com
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From: "basic hip"
Subject: Re: (exotica) LP finds.....
Date: 23 Apr 2001 16:43:51 -0700
<>
There is a theremin track on that one! Skip around and listen for it.
Am I not getting all my exotica messages? Or is it just a happenstance that
everybody stops writing at once?
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-------------------------------------------------------------------------------
From: DJJimmyBee@aol.com
Subject: Re: (exotica) LP finds.....
Date: 23 Apr 2001 19:57:46 EDT
In a message dated 4/23/1 3:32:07 PM, bump@defectiverecords.com wrote:
>now THAT is a find!
>just like me roommate finding a signed John Coltrane lp!
>congrats
>makes me wanna start rummaging again!
>
>> a "surprise LP" of Martin Denny's Exotica II *Personalized and signed by
>>Denny himself!!!* with the year noted afterwards. Pretty cool.
That reminds me of the need to now publicly thank Tiki Bob, my pal from here
and from the Kahiki Klosing, who was kind enough to snag me a copy of "Quiet
Village" autographed by Mr. Denny when Bob visited him in '99. Thanks Tiki
Bob. It serves as a guardian for my Tiki salvaged from the Aku Aku,
originally from the Boston Polynesian Village circa 1948. JB/thumpin' the
chest a bit
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-------------------------------------------------------------------------------
From: DJJimmyBee@aol.com
Subject: Re: (exotica) So who does this sound like?
Date: 23 Apr 2001 20:01:30 EDT
In a message dated 4/23/1 4:59:17 PM, RLott@aol.com wrote:
>A friend in an ad agency has posed this question to me regarding a client
>looking for some music to possibly use in a TV spot they're producing.
>
>His description of what he wants:
>"sort of acid-loungeish, like a Portishead-type sound with more of a 50s
>feel. Unusual, tinny, ambient, a little cynical with a slightly deranged
>twist.
I would suggest Seksu Roba's "Cha Cha On The Moon"...I think it fits the bill
nicely, but musical cynicism is only in the ear of the behearer...JB
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From: clayton black
Subject: Re: (exotica) Big Eyed people on London Records
Date: 24 Apr 2001 21:11:14 -0400
>
> Richmond B 20021 Edmundo Ros Calypso Mania (probably from LL 1091)
Yes, it looks like de milio, and LL 1091 has the art. I've always liked the
art on this one myself. But the LL 1091 is entitled just "Calypsos," unless
you go by the spine, which says "Ros Album of Calypsos." And, of course, a
whole album of Edmundo singing. Until I saw this title on your list,
however, I wasn't sure you were talking about art. I imagined photographs
of big-eyed people trapped in giant number 4's.
Clayton
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-------------------------------------------------------------------------------
From: "Domenic Ciccone"
Subject: Re: (exotica) luxuriamusic.com
Date: 23 Apr 2001 21:45:46 -0400
> Folks
>
> If you're able to I implore you to listen to what I think will be the
> last week of Luxuria http://www.luxuriamusic.com.
> I've only been listening for the last couple of days and I've heard
> some fantastic fantastic music.
> I hooked up my MD to my computer at work and recorded a few hours and
> got a pretty good signal.
> Very sad it's having to close.
> Any news on that?
> And if any lister has playlists for the last few days, I'd love a
> copy. I've heard some great music but not had time to keep track of
> titles. Whose was that lunatic version of Purple Haze in Japanese?
> Whatever you do this week, remember to listen!!
> Sem Sinatra
Luxuria is fantastic... Another thing about it is it's so *convenient* You
can have it on all the time. Like any radio station. Unlike real audio
files you don't have to go back and figure out where your left off.
And the Chat room! Damm I'm going to miss it and all the wonderful people
I've associated with there. We have our own mailing list now at:
http://clubs.yahoo.com/clubs/luxuriamusic so we can keep in touch.
Were going to have a lot of people going thru Luxuria withdrawal next week
Anybody got a nice list of audio sites on the net? Maybe organized by
days.. Mondays..Tuesdays... a list of audio on demand...so we can all jump
around? Darrell's program and Mr. Odis are the obvious archived ones. The
Linkquarium got lots of things mentioned but not by day. .Any decent 365
sites?
I have heard a lot of great music. Good Luck Mill, Chuck and Eric on setting
up Lux 2. And everyone! Jump on the bandwagon when it does.
Domenic
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-------------------------------------------------------------------------------
From: HOUSEOBOB@aol.com
Subject: Re: (exotica) So who does this sound like?
Date: 23 Apr 2001 22:52:12 EDT
Goldfrapp maybe ? I like them (her) better than Portishead.
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From: "basic hip"
Subject: Re: (exotica) luxuriamusic.com
Date: 23 Apr 2001 20:52:51 -0700
<>
Well, I guess this is as good a time as any to let my fellow listees that
I've been running "broadcasts" on Live365 for a good six months now. My
idea was to combine the music with a website that would allow the listener
to view covers and other information, reviews, trivia, related pop culture,
etc, etc. Once done, I was going to make my grand announcement.
Then I found out what an incredible amount of work it is, especially when
most of my material comes from vinyl or is the audio snatched from a video.
On top of that, I am always struggling with starting one project before
completing another, so all my "shows" are up in the air. I'm already
reworking one before it ever was finished! I'm a basket case...
here's what's up so far:
THE TIME TUNNEL - Movie and TV soundtracks, trailers, radio spots, snack bar
announcements, commecials
This is the show being reworked, my pet project, my pride and joy. You'll
hear everything from The Little Fugitive to Tom Terrific to a commercials
for Hai Karate and Creepy Crawlers. Over five hours long - whew.
Listen now by clicking here:
http://www.live365.com/cgi-bin/directory.cgi?autostart=basichip
See the playlist and some covers here:
http://www.basichip.com/live365/timetunnel/time_tunnel_playlist.htm
CRIME TIME! Just like it sounds - the sounds of spies and private eyes.
pretty familiar material to most of you, good stuff
Listen now by clicking here:
http://www.live365.com/cgi-bin/directory.cgi?autostart=oddiotroniks
See the playlist and some covers here:
http://www.basichip.com/live365/crimetime/crime.htm
Besides these, which are currently running there are:
THE FAT MOOG - Thick, artery clogging chunks of vintage moog and electronics
an all moog show (75 tracks from almost 75 different recordings)
THE SOUND OF SITAR - Curried Pop and Raga Rock - an all pop sitar show
...and of course, more whistling and songs from our feathered friends than
you could possibly stand.
Now, here is the thing. Unless you have a DSL or Cable connection, the
listening experience ain't too good. For Crime Time and The Time Tunnel,
it's mandatory. You also can't jump around from track to track. Miss that
Barbarella movie trailer? Stick around for five hours, it will loop around.
Out of over 30,000 Live365 stations, it's hard to get noticed. So I don't
get many listeners. Ya gotta advertise, or else nobody pays any attention.
Even after I advertise, nobody may care. From what I've seen, soundtrack
types would rather hear the great John Williams' score from Superman III
ripped from a CD than to hear his score to "Checkmate" when he was Johnny
Williams. But the people that have tuned in have been very generous with
their praise.
Have a listen if you can and please share your comments.
Once I'm satisfied with the final product suggestions and / or advice to
spread the word would be most appreciated.
I'm pooped -
over N out
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-------------------------------------------------------------------------------
From: "Robert McKenna"
Subject: (exotica) Rare groove reissues?
Date: 24 Apr 2001 07:59:39
Anyone know the story with these? Are they well known rare groove?
rob
* Imaginary Visions - Drop your load b/w Imaginary Visions 7" ( Deep
Funk/ UK ) £3.99 / e5.07
* New Master Sounds - It's alright now ( inst ) b/w It's alright now 7"(
Deep Funk / UK ) £3.99 / e5.07
* New Master Sounds - Hot Dog b/w Drop it down 7" ( Deep Funk / UK )
£3.99 / e5.07
Each limited to 500 copies worldwide, these three 45's are the brainstorm of
the legendary Mr. Deep Funk himself ; Keb Darge, and are the 2nd / 3rd & 4th
vinyl releases on BBE's new sister label ( following on from a limited 12"
that we could never get ). Definite dancefloor hipshakers if ever there
were; loads of hard breaks and hammond organs to get those booties bangin'
!!
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
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-------------------------------------------------------------------------------
From: Charles Moseley
Subject: RE: (exotica) Rare groove reissues?
Date: 24 Apr 2001 09:59:12 +0100
* Imaginary Visions - Drop your load b/w Imaginary Visions 7" ( Deep
Funk/ UK ) =A33.99 / e5.07
* New Master Sounds - It's alright now ( inst ) b/w It's alright now =
7"(=20
Deep Funk / UK ) =A33.99 / e5.07
* New Master Sounds - Hot Dog b/w Drop it down 7" ( Deep Funk / UK )
=A33.99 / e5.07
These sound like new releases rather than reissues. And I for one don't =
do
new rare groove. So nyah! :-)
Charles Moseley
Editor - C3 magazine
3 St Peter's Street, London, N1 8JD
Direct: +44 (0) 20 7704 3313
Main: +44 (0) 20 7226 8585
ISDN: +44 (0) 207 359 6756
www.c3mag.com www.c3mag.com www.c3mag.com
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-------------------------------------------------------------------------------
From: Rcbrooksod@aol.com
Subject: (exotica) K-Mart commercial
Date: 24 Apr 2001 08:17:24 EDT
I am trying this one again.
In a message dated 4/21/01 5:34:03 AM Atlantic Daylight Time,
Rcbrooksod@aol.com writes:
<< K-Mart has a few commercials our touting the return of the Blue Light
Special. One has helicopters circling the Statue of Liberty (which is now
holding a blue torch) and some cool music is played in the background. It
is
very similar to the Popcorn song.
Can anybody identify the song?
Thanks,
Tiki Bob >>
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-------------------------------------------------------------------------------
From: "Nathan Miner"
Subject: Re: (exotica) LP finds.....
Date: 24 Apr 2001 08:33:26 -0400
Theremin?? Whoa - I'll have to listen to that LP again and try to fight =
my way through that dense jungle of stringed instruments.......
>>> basic hip 04/23/01 07:43PM >>>
<>
There is a theremin track on that one! Skip around and listen for it.
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-------------------------------------------------------------------------------
From: "basic hip"
Subject: Re: (exotica) LP finds.....
Date: 24 Apr 2001 06:19:24 -0700
Nate:
> < Paradise I think is the title>>
>
> There is a theremin track on that one! Skip around and listen for it.
Well, I THINK it's a theremin - does not say so on the album, which is "Lure
Of The Tropics"
The track is Kashmiri Song.
Here is a 719KB downloadable MP3 clip:
http://www.basichip.com/sounds/tropics.mp3
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-------------------------------------------------------------------------------
From: Clayton Black
Subject: Re: (exotica) luxuriamusic.com
Date: 24 Apr 2001 09:36:17 -0400
The tunes are great, but I can't get the search engine to come up with The
Sound of Sitar. Any chance you could post the URL for that one as well?
Clayton
>
> THE TIME TUNNEL - Movie and TV soundtracks, trailers, radio spots, snack bar
> announcements, commecials
> This is the show being reworked, my pet project, my pride and joy. You'll
> hear everything from The Little Fugitive to Tom Terrific to a commercials
> for Hai Karate and Creepy Crawlers. Over five hours long - whew.
>
> Listen now by clicking here:
> http://www.live365.com/cgi-bin/directory.cgi?autostart=basichip
>
> See the playlist and some covers here:
> http://www.basichip.com/live365/timetunnel/time_tunnel_playlist.htm
>
> CRIME TIME! Just like it sounds - the sounds of spies and private eyes.
> pretty familiar material to most of you, good stuff
>
> Listen now by clicking here:
> http://www.live365.com/cgi-bin/directory.cgi?autostart=oddiotroniks
>
> See the playlist and some covers here:
> http://www.basichip.com/live365/crimetime/crime.htm
>
> Besides these, which are currently running there are:
>
> THE FAT MOOG - Thick, artery clogging chunks of vintage moog and electronics
> an all moog show (75 tracks from almost 75 different recordings)
>
> THE SOUND OF SITAR - Curried Pop and Raga Rock - an all pop sitar show
>
> ...and of course, more whistling and songs from our feathered friends than
> you could possibly stand.
>
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-------------------------------------------------------------------------------
From: "basic hip"
Subject: Re: (exotica) luxuriamusic.com
Date: 24 Apr 2001 07:14:40 -0700
> The tunes are great, but I can't get the search engine to come up with The
> Sound of Sitar. Any chance you could post the URL for that one as well?
>
> Clayton
hey thanks!
Becasue of the way Live365 is set up, one broadcaster can run only one show
at a time. i have two accounts, so the maximum number of shows I can run is
two. Running now are the two I mentioned last night.
To switch, one has to be stopped, and the other started.
I'll make the change in a couple of days and let you know.
The Sound Of Sitar is a coded as 32kb files, so a DSL / Cable is not
required. Of course, the sound quality drops.
:(
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-------------------------------------------------------------------------------
From: Ben Waugh
Subject: Re: (exotica) Quicksilver Arguments
Date: 24 Apr 2001 07:58:51 -0700 (PDT)
the eternal recurrence of the obsessed.
--- bigshot wrote:
>
> exotica-digest wrote:
>
> >Date: Tue, 27 Mar 2001 01:22:38 +0200
> >From: Moritz R
> >Subject: Re: (exotica) Mo Misquote
> >
> >I actually believe, this was, what you
> quintessentially said.
> >If you see things in a more differentiated
> >light now, the better.
.........
__________________________________________________
Do You Yahoo!?
Yahoo! Auctions - buy the things you want at great prices
http://auctions.yahoo.com/
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-------------------------------------------------------------------------------
From: delicado@cheerful.com
Subject: (exotica) Howard Roberts Reissues
Date: 24 Apr 2001 11:57:21 -0400 (EDT)
Has anyone else seen these new Howard Roberts 2-on-1 reissues on Sundazed?
They seem very cool.
I bought one - 'jaunty/jolly'/'Guilty!', and it seems excellent - nice upbeat pop/bossa jazzguitar instros.
There are a few great HR tracks in the Ultra Lounge series, and 2 or 3 or them seem to be taken from these albums.
Are there any other particularly cool Howard Roberts albums I should hear?
cheers,
Jonny
post/view song recommendations:
http://www.musicaltaste.net
Get free personalized email at http://email.lycos.com
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-------------------------------------------------------------------------------
From: "William"
Subject: (exotica) recent buys
Date: 25 Apr 2001 00:21:56 +0800
hi all,
well, some recent purchases.
heaven/earth - the free design
one by one - the free design
ever since buying that first free design disc i feel somewhat
compelled to buy up all their discs before they disappear here(only one shop
carries a good selection of their releases here). i have yet to fully take
in these two. but i was a bit surprised by one by one in that i am not sure
i like it that much. i think it sounds different somehow than i was
expecting it to. heaven/earth had the sound i was expecting. is one by one
a later release?
i love you alice b. toklas/kaleidoscope osts.
chuck was raving about these awhile back and i have to agree with
his raves. i am really enjoying these(got mine from jack diamond too).
whenever i hear the alice b. toklas theme it really makes me want to see the
movie again.
melodies and mischeif(space age pop vol. 1) - v.a.
my first post to the exoticalist was about this series of
compialtions and now i finally have all three. i think these three rca comps
are actually better than the ultralounge series. i don't seem to pull out
the few ultralounge comps i have very often, but i pull these out quite a
bit more often. great to hear the markko polo adventurers. something i
really want more of. volume two in this series(mallets in wonderland) has
"jungle drums" by esquivel. this isn't on any of my other esquivel cds.
where does it come from?
harry up hosono -haruoumi hosono best selection
hosono was one of the founding members of ymo(and i think
responsible for their martin denny cover of "firecracker"). this selection
is from his days before ymo. maybe not heavily EXOTICA but nice and jazzy
and mellow. included here is a cover of "chattanooga choo choo". who is
hoagy carmichael? there is a song here sung in english written by him. i
think the title is "hong kong blues". ring a bell with anyone?
sun - ling
chou hsuan
two comps of old chinese music i picked up recently. chou hsuan sounds
like it was recorded in the 30s and 40s and is quite good though i am still
taking it in. some songs have a certain chinese opera influence in them.
that mixed with more pop/jazz influences. sun-ling sounds like it was
recorded later but i am not exaclty sure when. there's a small page about
shou hsuan here: http://www.ne.jp/asahi/bai-dai/tokyo/zoume.htm and
another here
http://cet.middlebury.edu/Smitheram/ZhouXuan/ZX.html
that looks like you might be able to download some samples from. but i
haven't tried myself.
and one last thing, i am really surprised more people from this
list have not been to jonny's musical taste site and written up reviews of
songs for it. if enough people write song reviews for it it could be an
excellent companion to johan's exotiquarium. so far no one's even written
about the exotica heavyweights - martin denny, les baxter, esquivel, yma
sumac, xavier cugat, perez prado. i highly reccomend that people check out
his site: http://www.psychedelicado.com/indexmt.html
william in taipei.
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From: Johan Dada Vis
Subject: (exotica) Re: Shaggs & other threads
Date: 24 Apr 2001 19:11:49 +0200
>From: "m.ace"
>Some of you may recall that I don't buy the good/bad dichotomy...
>
>As for the "so bad it's good" philosophy, well, obviously I disagree with
>the very premise.
i completely agree with what you said, yet i use the "so bad
it's good" tag myself sometimes for sheer simplicity: everyone knows
what kind of music i'm talking about. what "politically correct"
alternative can you suggest for the "so bad it's good" tag, for
artists like Mrs. Miller? "incorrect" music is just a euphemism, i
think.
Johan
-----
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From: wlt4@mindspring.com
Subject: Re: (exotica) Re: Shaggs & other threads
Date: 24 Apr 2001 13:29:16 -0400
>"incorrect" music is just a euphemism, i think.
Irwin & Michelle (who coined the term) mean a bit more by this. They include music from industrials and training films, propaganda, music that's polished/professional ("good") but otherwise a bit off.
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From: Ben Waugh
Subject: Re: (exotica) LP finds.....
Date: 24 Apr 2001 10:34:49 -0700 (PDT)
Found this gem the other day. Absolutely the sickest
thing I have ever heard. Makes Little Marcy seem like
Billie Holiday.
http://www.metroactive.com/thrift/thrift1.html
More on the TV series:
"The most hideously bizarre Christian thing on
television is 'Captain Hook’s Christian Pirate
Puppets', a trully demented cable program hosted by a
real
multiple-amputee; he’s missing an arm and a leg. This
show is obviously aimed at the 6 and under crowd, but
they choose some of the most bizarre subject matter to
be talking to little kids about. In one segment,
"Mrs. Hook" (the Captain’s wife) talks about how "God
is not a child molester", with a big zombie-smile on
her face.
Another time, The captain performed an
autopsy on a puppet, pulling out beer cans,
cigarettes, and eventually realistic rubber
prop-organs.
In one episode, they found a bunch of stowaways on
the ship, and they started throwing them overboard,
making them walk the plank. The captain commented
"Those who don’t walk with Jesus will have to walk
the plank!" -- quite a good message to send to kids!
The Creme de la Creme was when the captain broadcast a
segment where he explained how he lost his arm and
leg in a motorcycle accident. The segment was full of
gorey, full-color drawings depicting the whole
incident.
Remember -- this show is for
children under 6! It must have really warped quite a
few young minds. "
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From: "m.ace"
Subject: Re: (exotica) K-Mart commercial
Date: 24 Apr 2001 13:53:18 -0400
>K-Mart has a few commercials our touting the return of the Blue Light
> Special. One has helicopters circling the Statue of Liberty (which is now
> holding a blue torch) and some cool music is played in the background. It
>is
> very similar to the Popcorn song.
>
> Can anybody identify the song?
I thought it *was* Popcorn.
m.ace mace@ookworld.com
http://ookworld.com
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From: "m.ace"
Subject: (exotica) headline: "Ringtones cost music industry $1m a day"
Date: 24 Apr 2001 13:56:52 -0400
http://www.theregister.co.uk/content/7/18441.html
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From: "Donna and Eric Taub"
Subject: Re: (exotica) luxuriamusic.com
Date: 24 Apr 2001 14:05:34 -0400
Did I hear on their netcast something about it being available for $10 US a
month? (not referring to the survey question).
Re: Live365. I did searches for "lounge" "Exotica" etc and came up with a
bunch of stations.
Also, I was able to set up my own station on radio.netsonic where I can
choose my own artists (you need a lot to get it going).
However, I prefer luxuria. The fact that its live, really makes it feel
much more personal than the others I have listed above.
Eric
_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com
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From: buMp
Subject: Re: (exotica) K-Mart commercial
Date: 24 Apr 2001 14:08:42 -0400
sorry,
can't help out on the tv questions.
don't watch it anymore. not since QUARK went off the air.
since i am a tv editor, i only watch when i am working!
no commercials!
(tiki) bump
>I am trying this one again.
>
>In a message dated 4/21/01 5:34:03 AM Atlantic Daylight Time,
>Rcbrooksod@aol.com writes:
>
><< K-Mart has a few commercials our touting the return of the Blue Light
> Special. One has helicopters circling the Statue of Liberty (which is now
> holding a blue torch) and some cool music is played in the background. It
>is
> very similar to the Popcorn song.
>
> Can anybody identify the song?
>
> Thanks,
>
> Tiki Bob >>
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From: chuck
Subject: Re: (exotica) LP finds.....
Date: 24 Apr 2001 11:35:53 -0700 (PDT)
If I remember correctly, there is the same album, same cover,
without the woman.
Easy listening in the Big Easy
Chuck
> Nate:
>
> > <>
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From: chuck
Subject: Re: (exotica) So who does this sound like?
Date: 24 Apr 2001 11:38:22 -0700 (PDT)
Try Alpha's "Come From Heaven"
Chuck
> --- RLott@aol.com wrote:
> >
> A friend in an ad agency has posed this question to me
> regarding a client > > looking for some music to possibly use in
a TV spot they're> producing.
> > >
> > > His description of what he wants: > "sort of acid-loungeish,
like a Portishead-type sound with more of a 50s > feel. Unusual,
tinny, ambient, a little cynical with a slightly deranged twist.
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From: "cheryl"
Subject: Re: (exotica) headline: "Ringtones cost music industry $1m a day"
Date: 24 Apr 2001 14:42:58 -0400
http://www.theregister.co.uk/content/7/18441.html
Funny, I just read an article about those ring tones yesterday! And I was
excited to see that "Mission Impossible" was one of the songs you could
download, so I went to the relevant websites to see what else there was -
however, none of them work on my North American phone...
But if anyone wants to see what you can get if you have a European mobile
phone, the sites are:
http://www.IconaPhone.com
http://www.Mobiletones.com
If anyone can figure out how to get my phone to play "Caravan", please let
me know...
ciao,
cheryl
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From: nytab@pipeline.com
Subject: Re: Re: (exotica) LP finds.....
Date: 24 Apr 2001 15:05:58 -0400
Ben Waugh wrote:
> "The most hideously bizarre Christian thing on
television is 'Captain Hook’s Christian Pirate
Puppets', a trully demented cable program hosted by a
real
multiple-amputee; he’s missing an arm and a leg. The Creme de la Creme was when the captain broadcast a
segment where he explained how he lost his arm and
leg in a motorcycle accident. The segment was full of
gorey, full-color drawings depicting the whole
incident
------------
Chusid showed this segment at one of his Incorrect Music Video Shows - truly a mind-altering experience! It took many martinis to wash away those images.
lousmith@pipeline.com
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From: chuck
Subject: (exotica) The Januaries
Date: 24 Apr 2001 12:41:42 -0700 (PDT)
The Januaries(st) Foodchain Records (2000)
Modern soft pop doesn't get much more sophisticated than this.
Debbie Diamond (a Dianne Kral lookalike) sings with one of the most
beautiful sensual voices around these days. She possesses a Dusty
Springfield ala the Look of Love voice. This is 60s pop! The
whole lp is full of well written catchy melodies that stick in your
head. Mitch Maker sounds a lot like Miles Davis on the Kinda Blue
lp and his horn blends perfectly with Ms Diamonds voice.
For more info sound clips videos pictures go to
http://www.foodchainrecords.com
Easy listening in the Big Easy
Chuck
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From: chuck
Subject: (exotica) The Januaries EP
Date: 24 Apr 2001 12:52:08 -0700 (PDT)
The Januaries also have an ep out. Three of the songs are on their
self titled lp. The four song is Paranoid from Black Sabbath.
What a remake of this song its hard to recognize it. Its been
remade as a dreamy sensual song that oozes ever so slow. If you
like modern soft pop I can't recomend this song enough! Its so
much better than the Cardigans remake of Iron Man.
Easy listening in the Big Easy
Chuck
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From: Rcbrooksod@aol.com
Subject: Re: (exotica) K-Mart commercial
Date: 24 Apr 2001 16:24:23 EDT
In a message dated 4/24/01 2:52:12 PM Atlantic Daylight Time,
mace@ookworld.com writes:
<< >K-Mart has a few commercials our touting the return of the Blue Light
> Special. One has helicopters circling the Statue of Liberty (which is now
> holding a blue torch) and some cool music is played in the background. It
>is
> very similar to the Popcorn song.
>
> Can anybody identify the song?
I thought it *was* Popcorn.
m.ace mace@ookworld.com
http://ookworld.com
>>
they have been playing Popcorn on Luxuria Music and I did not recognize the
30 sec snip.
who played Popcorn? anybody else heard the commercial?
TB
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From: nytab@pipeline.com
Subject: (exotica) music in commercials
Date: 24 Apr 2001 16:39:13 -0400
If you're ever trying to figure out what music is playing behind a commercial, there are 2 URLs to check out:
http://www.geocities.com/Paris/Opera/8227/Commercials/Commercials1.html
and
http://www.cdnow.com/cgi-bin/mserver/SID=1320134463/pagename=/MN/PROMO/promo_in_the_media.html/promoid=823
(or search for Seen and Heard in Commercials at http://cdnow.com)
For more on Popcorn, see:
http://allmusic.com/cg/amg.dll?p=amg&sql=HPOPCORN
lousmith@pipeline.com
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From: Indulis R Rutks
Subject: Re: (exotica) K-Mart commercial
Date: 24 Apr 2001 15:41:49 -0500 (CDT)
On Tue, 24 Apr 2001 Rcbrooksod@aol.com wrote:
> they have been playing Popcorn on Luxuria Music and I did not recognize the
> 30 sec snip.
>
> who played Popcorn? anybody else heard the commercial?
Hot Butter (or Hot Buttah) had the smash hit with it.
-Indy
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From: RLott@aol.com
Subject: Re: (exotica) The Januaries EP
Date: 24 Apr 2001 16:43:38 EDT
I really like this band. Their debut album is great, with a handful of songs
that you cannot get out of your head.
I haven't seen the EP you talked about, but there's a promotional-only EP
that carries a great remix of "The Girl's Insanem" done by Thievery
Corporation. I heartily recommend.
--Rod
hitchmagazine.com
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From: alan zweig
Subject: Re: (exotica) Howard Roberts Reissues
Date: 24 Apr 2001 16:25:50 -0400
At 11:57 AM 4/24/01 -0400, delicado@cheerful.com wrote:
.>
>Are there any other particularly cool Howard Roberts albums I should hear?
.
He made nine records in the sorta mid-sixties
Out of Sight
Goodies
All time great instrumental hits
Guilty
Jaunty Jolly
Color him funky
Something's cookin
Whatever's fair
HR is a dirty guitar player
I think that's all of them.
After that he gets into fusion and it's a whole other thing.
AZ
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From: Edjunkita
Subject: Re: (exotica) recent buys
Date: 25 Apr 2001 06:24:05 +0200
William wrote:
>melodies and mischeif(space age pop vol. 1) - v.a.
>
>i think these three rca comps are actually better than the ultralounge
>series. i don't seem to pull out the few ultralounge comps i have very
>often, but i pull these out quite a bit more often.
apart from the Mrs. Miller one, I agree.
>...great to hear the markko polo adventurers. something i
>really want more of.
I am willing to trade you a Markko Polo Adventurers CD-R for
some cool Chinese 50's/60's (I'm dying to hear more from the Quests!)
>...volume two in this series(mallets in wonderland) has
>"jungle drums" by esquivel. this isn't on any of my other esquivel cds.
> where does it come from?
It's on Esquivel's Latin-esque (1962). It also featured on numerous
Hi-Fi testing albums, like RCA Victor's "Hor Zu - Stereo Extrem"
("The acoustic stoneage is over at last, Stereophonie is made for people
with at least 2 ears! Rhythms jump elastically to and fro like freshly
bought tennis balls" etc)
>harry up hosono -haruoumi hosono best selection
>
>...hosono was one of the founding members of ymo(and i think
>responsible for their martin denny cover of "firecracker"). this selection
>is from his days before ymo. maybe not heavily EXOTICA but nice and jazzy
>and mellow. included here is a cover of "chattanooga choo choo". ...
Harry "the Crown" Hosono worked with Van Dyke Parks before
making three pre-YMO "exotica" albums:
Tropical Dandy 1975
Bon Voyage Co. 1976
Paraiso 1978
Covering American songs with an oriental theme like "Japanese rhumba",
"Fujiyama mama", "Sayonara, the Japanese farewell song", he plays with
the image that the West have of of Japan, thus seen through the eyes
of the East. Like two (distorted) mirrors opposite eachother.
Apparently his grandfather was the only Asian person on the Titanic
(the ship, not the movie) and survived.
>...http://cet.middlebury.edu/Smitheram/ZhouXuan/ZX.html
>that looks like you might be able to download some samples from. but i
>haven't tried myself.
just one or two, nothing special though. Do you know any other chinese
sites to DL from?
>...jonny's musical taste site...
>...i highly reccomend that people check out
>his site: http://www.psychedelicado.com/indexmt.html
I always miss audio examples on sites like this.
edward in amsterdam.
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From: Edjunkita
Subject: Re: (exotica) A good day at the record store!
Date: 25 Apr 2001 09:08:33 +0200
(sorry for this late reply, I'm doing my best to catch up...)
Clayton Black wrote:
> ...I love the unexpected combinations that come up in these albums. Edmundo
> Ros doing Sound of Music (or, for that matter, Hair, which I've never heard)
> or, better yet, Jose Quijano's "Fiddler on the Roof Goes Latin." It's a
> surprisingly good album, in my opinion, and the mix of latin rhythm and East
> European melody manages to work. I suppose you can "Latinize" just about
> anything, but does anybody know of other bizarre combinations like this?
As the Exotica genre is all about combining non-related cultural elements,
making a combination of two such elements pretty much standard, I'm always
on the look out for a combination of triple, quadruple or even more cultural
elements. An orchestra from one continent, taking a song from another
continent, and arranging them in a style from a third continent, using
instruments from a fourth, etc.
My most favourite Latin crossover album is "Genuine Electric Latin Love
Machine, Persuasive Electronics By Richard Hayman". The electronics is
extremely wild proto-techno but with happy bouncy Latin rhythms. All your
favourites are there: "Girl from Ipanema", "Windmills of your Mind",
"Hare Krishna", but "The Peanut Vendor" is by far the best track.
The German Werner Muller & Orchester did many LPs of "Latinized" traditional
Japanese folksongs on the Polydor label. Latin music was and still is very big
in
Japan (but then, what isn't ?) I have a double CD called Rhythms from South
America". It's Japanese Latin music from 1931-1957, and features a Latinized
Japanese propaganda song about Japan's superiority over China during the
invasion in the thirties. The lyrics are half Japanese/Chinese, the "Chinese"
melody sounds just as fake as Hollywood "Chinese" music.
"Jingle Bells" seems to be a popular song for Asians to Latinize. The Japanese
Mambo singer Tony Tani did a version, and I have a Chinese Latin "Jingle Bells"
sung by either Deng Bai Ying and/or Yeh Ming on a 10" called "Calender Girl",
from a musical of the same name. This has also a great song which translates
as "I love Cha Cha". One half of the lyrics I don't understand, the other half
goes:
"CHA CHA CHAAA, CHA CHA CHAAA, CHA CHA CHA-AH-AH, CHA CHA CHAAA,
CHA CHA CHAAAA!"
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From: G.R.Reader@bton.ac.uk
Subject: Re: (exotica) recent buys
Date: 25 Apr 2001 08:52:38 +0100
Hoagy Carmichael (1899 - 1981) was one of THE songwriters from the Golden
Age of songwriting. You'll know lots of his songs, and possibly be familiar
with his face, as he's been in several films (he played a piano player in a
Bogart film I think). His life story was filmed in the 40's or 50's ,
played by James Stewart I think.
http://www.dlib.indiana.edu/collections/hoagy/index.html
http://redhotjazz.com/hoagy.html
From one of them it looks like Hong Kong Blues is a film.
El Maestro Con Queso
djcheesemaster@yahoo.com
grr@brighton.ac.uk
http://www.shitola.freeserve.co.uk/cheese/cheese.htm
http://www.geocities.com/djcheesemaster/
The Stare
for a start
harry up hosono -haruoumi hosono best selection
. who is
hoagy carmichael? there is a song here sung in english written by him. i
think the title is "hong kong blues". ring a bell with anyone?
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From: "jamie_james@lineone.net"
Subject: (exotica) RE:Big Eyed people on London Records
Date: 25 Apr 2001 09:53:55 +0100
Byron
i'm not sure if it will help but there was a book published in the UK recently
about 'Big eye art'. The author is Brit fashion designer Wayne Hemingway ( of
Red or Dead ) and i think the title is 'Above the mantlepiece'.
The big eye art in this book is that cutesy bigged eyed, little girl/boy with
toy donkey /balloon/ flower. ( delete as applicable )
Check out www.markryden.com for a modern ( and cool ) take on this if you're
not sure what i mean.
hope it helps.
Jamie
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From: "Robert Cohen"
Subject: (exotica) New To List
Date: 25 Apr 2001 07:20:43 -0400
Thanks to Dave Gannet, I am new to this list. I come from Phonogram, which
I continue to enjoy, but want to expand my horizons. I have a growing
interest in cool and strange, but clearly I'm going to have to learn a whole
new language. I'm looking forward to it.
Initial question: Back in 1989 and 1990, there was a guy named Jerry Nutter
who published a little newsletter called Audio Carpetorium, which only
lasted 4 or 5 issues. One issue had a great article about Space-Age
Bachelor Pad Music, which was my first exposure to the term and to the
music, and triggered my interest.
Does anyone know what ever happened to Jerry Nutter? I wrote him a letter
in 1992 at his address in South Ozone Park, NY, but he never responded.
This guy was definitely warped, and seemed to really know his cool and
strange.
Bob Cohen
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From: "Robert Cohen"
Subject: (exotica) New To List
Date: 25 Apr 2001 07:43:24 -0400
Sorry, I think I posted this wrong the first time:
Thanks to Dave Gannet, I am new to this list. I come from Phonogram, which
I continue to enjoy, but want to expand my horizons. I have a growing
interest in cool and strange, but clearly I'm going to have to learn a whole
new language. I'm looking forward to it.
Initial question: Back in 1989 and 1990, there was a guy named Jerry Nutter
who published a little newsletter called Audio Carpetorium, which only
lasted 4 or 5 issues. One issue had a great article about Space-Age
Bachelor Pad Music, which was my first exposure to the term and to the
music, and triggered my interest.
Does anyone know what ever happened to Jerry Nutter? I wrote him a letter
in 1992 at his address in South Ozone Park, NY, but he never responded.
This guy was definitely warped, and seemed to really know his cool and
strange.
Bob Cohen
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From: Charles Moseley